The Washington Stage Guild Announces its 2017-2018 Season
The Washington Stage Guild, a fixture on the DC theatre scene since 1986, announces a season of plays that confront us with the perils and pitfalls of refusing to accept the truth, and of questioning, rather than accepting, the facts in front of us. In an era when scientific research is dismissed and statistics are ignored in favor of preferred alternatives, the Stage Guild will take a look at the consequences of that phenomenon in four productions at the Undercroft Theatre in downtown DC. From undisclosed financial dealings in the 1890s, to idealistic hopes and memories during the holidays, and from wartime disappointments, to opposition to social progress, the refusal to face facts and the effect on those who do will take center stage.
BEST IN DRAG Show Returns to LA's Orpheum Theater 10/8
Best In Drag Show, benefiting Aid for AIDS, a program of Alliance for Housing and Healing, returns October 8, 2017 to the Orpheum Theatre in downtown Los Angeles. 100% of the proceeds from the outrageous and legendary beauty pageant spoof help prevent homelessness and hunger for men, women, children and families living with HIV/AIDS throughout Los Angeles County. Tickets are now sale at www.bestindragshow.org.
Yuliya Solntseva's Ukrainian Trilogy Receives North American Premiere
Museum of the Moving Image will host one of the most exciting film events of the year: a presentation of an epic trilogy of films directed by Yuliya Solntseva, two of which will be shown in their spectacularly colorful, original 70mm formats. This marks the first time that all three films have been screened together in North America. Solntseva is the first female director to win Best Director at the Cannes Film Festival, a feat not repeated until Sofia Coppola won the same award for Beguiled this year. Yuliya Solntseva's Ukrainian Trilogy will be shown August 26 and 27.
Photo Coverage: BANDSTAND Marks 'Spirit of '45' Day with America's Longest Working Rosie the Riveter
The cast of Broadway's hit musical Bandstand - the only musical to depict the World War II veteran experience on Broadway - welcomed 'America's Longest Working Rosie the Riveter,' 97-year-old Elinor Otto, and 93-year-old Luke Gasparre, decorated Battle of the Bulge Purple Heart recipient in his original service uniform, to the Broadway stage on Friday evening. Following the performance curtain call, Bandstand star Corey Cott invited them to join the Broadway company for a special salute and bow. BroadwayWorld was there and brings you photos from the visit below!
Yuliya Solntseva's Ukrainian Trilogy Receives North American Premiere
Museum of the Moving Image will host one of the most exciting film events of the year: a presentation of an epic trilogy of films directed by Yuliya Solntseva, two of which will be shown in their spectacularly colorful, original 70mm formats. This marks the first time that all three films have been screened together in North America. Solntseva is the first female director to win Best Director at the Cannes Film Festival, a feat not repeated until Sofia Coppola won the same award for Beguiled this year. Yuliya Solntseva's Ukrainian Trilogy will be shown August 26 and 27.
THE SECRET LIFE OF BEES Musical, Starring Uzo Aduba, Begins Workshop Run Tonight at Powerhouse
Vassar & New York Stage and Film's 33rd Powerhouse Season celebrates the opening of its highly anticipated musical workshop production of The Secret Life of Bees tonight, July 27, at 8 p.m. at the Vogelstein Center for Drama & Film, with performances continuing on Friday, July 28, Saturday, July 29, and Sunday, July 30. This is the final weekend of the season.
BWW Review: WELCOME TO FEAR CITY at CATF
Though it contains the admirable and relevant racial contemporary message the playwright, Kara Lee Corthron, intended, Welcome to Fear City suffers from a lack of a coherent vision and a dragging pace unsuited to the fast-talking, non-stop world of the 1970's Bronx in which the play is set.
MAS Explores the Banning of Mexican American Studies
The Banning of Mexican American studies in the Tucson School District was just one more of the many recent attacks on education in Arizona. Highly regarded by the community that embraced the program, it was successful in keeping both students and families engaged in the relearning of ancient native knowledge and philosophy that otherwise is unknown by most Americans. Data shows that the program was also successful in improving graduation rates, test scores and preparing students for higher education.