Friederike Krum With James Pearson Releases SOMEBODY LOVES ME
It's been quite a journey. During a career that has lasted over three decades and taken her from her native Germany to London, Friederike Krum has learned from the best, sang with the best and deployed her extraordinary mezzo-soprano in the service of opera, jazz, Lied and classical musicals.
George Michael Tribute Show FASTLOVE Will Embark on an Arena Tour
In just over a year, Fastlove has become the world's leading show celebrating the incredible career of George Michael. Playing sold out shows across the UK through the whole of 2018, 2019 will see this it step into Arenas for the first time bringing with it a larger production and band worthy of one of the worlds greatest ever performers.
The Wooster Group Stages 'THE B-SIDE' Starting Tonight
The Wooster Group presents the premiere of its newest work, THE B-SIDE: 'Negro Folklore from Texas State Prisons' A Record Album Interpretation this month, followed by a limited return engagement of the Group's 2014 piece, EARLY SHAKER SPIRITUALS: A Record Album Interpretation in December.
Gidon Kremer, Julia Wolfe, ICE and More Set for BAC's Fall 2017 Music Lineup
Baryshnikov Arts Center's (BAC) Fall 2017 music presentations include BAC Salon: Telemann, Farrin, Wolfe + Prokofiev featuring the New York premiere of a work by Julia Wolfe (October 5 and 6); violin virtuoso Gidon Kremer performing Mieczyslaw Weinberg's 24 Preludes, Op. 100 (October 31 and November 1); and BAC Salon: Pauline Oliveros featuring IONE and International Contemporary Ensemble (November 28).
The Wooster Group to Stage 'THE B-SIDE' and EARLY SHAKER SPIRITUALS
The Wooster Group will present the premiere of its newest work, THE B-SIDE: Negro Folklore from Texas State Prisons A Record Album Interpretation in October, followed by a limited return engagement of the Group's 2014 piece, EARLY SHAKER SPIRITUALS: A Record Album Interpretation in December.
Gidon Kremer, Julia Wolfe, ICE and More Set for BAC's Fall 2017 Music Lineup
Baryshnikov Arts Center's (BAC) Fall 2017 music presentations include BAC Salon: Telemann, Farrin, Wolfe + Prokofiev featuring the New York premiere of a work by Julia Wolfe (October 5 and 6); violin virtuoso Gidon Kremer performing Mieczyslaw Weinberg's 24 Preludes, Op. 100 (October 31 and November 1); and BAC Salon: Pauline Oliveros featuring IONE and International Contemporary Ensemble (November 28).
Tom Stoppard's ARCADIA Begins Previews Tonight at PTP/NYC
PTP/NYC (Potomac Theatre Project), in association with Middlebury College, presents its 31st repertory season, its 11th consecutive in New York City, running today, July 11, through August 6, 2017 in a limited Off-Broadway engagement at The Atlantic Stage 2, located at 330 West 16th Street between 8th and 9th Avenues.
PITY IN HISTORY and ARCADIA to Play in Rep at PTP/NYC
PTP/NYC (Potomac Theatre Project), in association with Middlebury College, proudly presents its 31st repertory season, its 11th consecutive in New York City, running July 11 - August 6, 2017 in a limited Off-Broadway engagement at The Atlantic Stage 2, located at 330 West 16th Street between 8th and 9th Avenues.
BWW Review: ArtsWest's SWEENEY TODD Sounds Good but Inconsistent
The Sondheim classic "Sweeney Todd, The Demon Barber of Fleet Street" is one of those shows that everyone wants to put their own stamp on. It's an incredibly rich show and quite difficult to perform requiring a killer cast (pun intended). There have been concerts, productions where the actors play the instruments, and now an Off-Broadway production where they actually serve the audience hot pies. And locally it's been done to excess. Now ArtsWest has thrown their razors into the ring with their own particular take on this anti-hero by offering it up with a diverse cast and in a somewhat timeless era London. And while there are some decent voices up there, overall the cast lacks character intent and the diversity and time shift lend nothing to the story and at times muddy it.
PITY IN HISTORY and ARCADIA to Play in Rep at PTP/NYC
PTP/NYC (Potomac Theatre Project), in association with Middlebury College, proudly presents its 31st repertory season, its 11th consecutive in New York City, running July 11 - August 6, 2017 in a limited Off-Broadway engagement at The Atlantic Stage 2, located at 330 West 16th Street between 8th and 9th Avenues.
BWW Review: SMT's SWEENEY TODD Has the Voices but not the Character
Probably one of the most difficult shows in American musical theater to pull off right is Stephen Sondheim's "Sweeney Todd: The Demon Barber of Fleet Street". It's got incredibly complex music with layers upon layers of intertwining vocals, a bevy of rich, complex characters and a dark and foreboding tone that when done wrong can just come across as comical. Unfortunately the current production from Seattle Musical Theatre misses the mark on each of these qualities. Not completely mind you as there were some notable exceptions but never the complete package to make this production shine.
BWW Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET at Austin Theatre Project
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET is the 1979 Tony Award winning Best Musical with music and lyrics by Stephen Sondheim and book by Hugh Wheeler which is based on Christopher Bond's 1973 play of the same name. It has enjoyed several revivals and has been presented by multiple opera companies. Set in 19th century England, the show details barber Sweeney Todd's (Joe Penrod) return to London after 15 years of exile to take revenge on the corrupt judge who banished him. He conspires with a local baker, Mrs. Lovett (Cathie Sheridan), who has a struggling pie shop below the space that becomes Todd's tonsorial parlor. The character originated in serialized Victorian popular fiction, known as 'penny dreadfuls'
'NO END OF BLAME' and GOOD Start Tonight as Part of PTP/NYC's 30th Season
PTP/NYC (Potomac Theatre Project), in association with Middlebury College, presents its 30th repertory season, its 10th consecutive in New York City, running from tonight, July 5, through August 7, 2016 in a limited 5-week Off-Broadway engagement at The Atlantic Stage 2, located at 330 West 16th Street between 8th and 9th Avenues.