Arts on the Horizon Presents OUTSIDE THE LINES
Arts on the Horizon, an interactive theatre for children ages zero to six, is excited to present a new commission by a local DC playwright. Outside the Lines will run from April 12th - 28th, 2018 at The Lab at Convergence in Alexandria, Virginia.
BWW Review: DRAW THE CIRCLE at Mosaic Theater is Essential Viewing
Mashuq Mushtaq Deen's DRAW THE CIRCLE marks Mosaic Theater Company's first time featuring a transgender artist telling their own personal story, which alone makes the work noteworthy. But Deen's extreme vulnerability and creativity coalesce to make it a vitally important piece of theater.
BWW Review: Nu Sass Presents Amusing Satire THE UGLY ONE
It's what's on the inside that counts. THE UGLY ONE by German playwright Marius von Mayenburg skewers that idea, and Nu Sass brings us an energetic take on the satirical play. Renata Fox directs actors who embrace their roles with effervescence, three out of four of them playing multiple characters, while colorful lighting by E-Hui Woo enhances the absurdist atmosphere.
BWW Review: THE REAL AMERICANS is a Must-See at Mosaic Theater Company
When actor and writer Dan Hoyle left San Francisco on a three-month trip through small-town Middle America several years ago, he couldn't have predicted that many of the disillusioned real Americans he encountered on his travels would be part of a nationwide movement to elect Trump in 2016. Hoyle's astounding one-man show, THE REAL AMERICANS (developed with and directed by Charlie Varon), reveals poignant perspectives of these individuals with humor, emotional depth, and authenticity.
BWW Review: ASSASSINS at Pallas Theatre Collective
Any musical theatre geek knows that Stephen Sondheim's central subjects for musicals are rarely light and fluffy individuals. Sweeney Todd has a barber who slits people's throats and Sunday in the Park with George has a painter who is a perfectionist and egomaniac.
BWW Review: Pointless Theatre's .d0t:: A ROTOPLASTIC BALLET Brings Futurism to Life
If you've ever dreamed of seeing Lin-Manuel Miranda collaborate with Daft Punk, Pointless Theatre's .d0t:: A ROTOPLASTIC BALLET may be the closest you'll get. Heavily inspired by Italian futurist artist Fortunato Depero, the show incorporates masterful puppetry, visuals like a pop-up book brought to life, and clever hip-hop musical verses written and delivered by Navid Azeez. It's a lot of ideas wrapped up in one experience, but they cohere beautifully.
Ally Theatre Company Kicks Off First Season with MIZ WASHINGTON
When the Mother of America stands trial, will anyone emerge innocent? Ally Theatre Company-DC's newest theatre company dedicated to art that's designed to engage audiences through acknowledging and confronting systemic oppression in America-kicks off its inaugural season with the regional premiere of James Ijames' The Most Spectacularly Lamentable Trial of Miz Martha Washington.
Kitchen Theatre Presents THE LORD OF THE UNDERWORLD'S HOME FOR UNWED MOTHERS This Weekend
Kitchen Theatre Company's experimental Kitchen Sink Series is bringing a new play by young playwright Louisa Hill to the Kitchen stage. The Lord Of The Underworld's Home For Unwed Mothers is a modern re-telling of the Demeter and Persephone myth set in the 1960s and 1990s, exploring the politics of motherhood. When Dee meets the daughter she was forced to give up 25 years ago, the reunion is less than ideal. To show her Death Metal enthusiast daughter, Corie, that she wasn't given up out of selfishness, Dee must return to her teenage memories of Catholic, middle-class life in the 1960s to explain how the choice was never hers to make. But the despondent Corie, whose turbulent childhood consisted of being shipped from one foster home to the next, has a secret of her own. A tale of love, loss, and some heavy metal, running for two nights only, this weekend, May 16 and 17 at 4pm.
Kitchen Theatre to Present THE LORD OF THE UNDERWORLD'S HOME FOR UNWED MOTHERS, 5/16-17
Kitchen Theatre Company's experimental Kitchen Sink Series is bringing a new play by young playwright Louisa Hill to the Kitchen stage. The Lord Of The Underworld's Home For Unwed Mothers is a modern re-telling of the Demeter and Persephone myth set in the 1960s and 1990s, exploring the politics of motherhood. When Dee meets the daughter she was forced to give up 25 years ago, the reunion is less than ideal. To show her Death Metal enthusiast daughter, Corie, that she wasn't given up out of selfishness, Dee must return to her teenage memories of Catholic, middle-class life in the 1960s to explain how the choice was never hers to make. But the despondent Corie, whose turbulent childhood consisted of being shipped from one foster home to the next, has a secret of her own. A tale of love, loss, and some heavy metal, running for two nights only, May 16 and 17 at 4pm.