Theatre School at DePaul University to Present JOE TURNER'S COME AND GONE
The Theatre School at DePaul University is pleased to present August Wilson's Joe Turner's Come and Gone on the Fullerton Stage at The Theatre School at DePaul University. The production, directed by Phyllis E. Griffin, premieres on Friday, November 6, and runs through Sunday, November 15, 2015. Performances are Wednesdays through Saturdays at 7:30 PM and Sundays at 2 PM. Previews are on November 4 and 5, at 7:30 PM.
The Theatre School at DePaul University Presents Guare's A FREE MAN OF COLOR, Now thru 2/9
The Theatre School at DePaul University will present A FREE MAN OF COLOR, at the new Theatre School building, located at Racine and Fullerton on the Lincoln Park Campus. The Fullerton Stage Theatre is a 250-seat thrust theatre located on the first floor of the school. John Guare's A FREE MAN OF COLOR is directed by Phyllis E. Griffin, premieres on Friday, January 31, and runs through Sunday, February 9, 2014. Performances are Wednesdays through Saturdays at 7:30 PM and Sundays at 2 PM. Previews are tonight, January 29 and the 30th, at 7:30 PM.
The Theatre School at DePaul University to Present Guare's A FREE MAN OF COLOR, 1/29-2/9
The Theatre School at DePaul University will present A FREE MAN OF COLOR, at the new Theatre School building, located at Racine and Fullerton on the Lincoln Park Campus. The Fullerton Stage Theatre is a 250-seat thrust theatre located on the first floor of the school. John Guare's A FREE MAN OF COLOR is directed by Phyllis E. Griffin, premieres on Friday, January 31, and runs through Sunday, February 9, 2014. Performances are Wednesdays through Saturdays at 7:30 PM and Sundays at 2 PM. Previews are on January 29 and 30, at 7:30 PM.
THE ENGLISH BRIDE to Make New York Premiere at 59E59 Theaters, 10/23-11/17
59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) welcomes Centenary Stage Company with the NYC premiere of THE ENGLISH BRIDE, written by Lucile Lichtblau and directed by Carl Wallnau. THE ENGLISH BRIDE begins performances on Wednesday, October 23 for a limited engagement through Sunday, November 17. Press opening is Wednesday, October 30 at 7:30 PM. The performance schedule is Tuesday - Thursday at 7:30 PM; Friday at 8:30 PM; and Saturday at 2:30 PM & 8:30 PM; and Sunday at 3:30 PM & 7:30 PM. Performances are at 59E59 Theaters (59 East 59th Street, between Park and Madison Avenues). Tickets are $25 ($17.50 for 59E59 Members). To purchase tickets, call Ticket Central at (212) 279-4200 or go to www.59e59.org.
Pennsylvania Shakespeare Festival to Present THE 39 STEPS, 7/2-14
Just four actors portray 150 characters and tell one unforgettable story in The 39 Steps running June 19 through July 14 at the Pennsylvania Shakespeare Festival. A mystery-thriller described as "where Hitchcock meets hilarious," The 39 Steps previews June 19th and 20th, and opens June 21st.
STAGE TUBE: Scenes from PA Shakespeare's CAT ON A HOT TIN ROOF
Tennessee Williams' favorite among his own plays, the Pulitzer prize-winning Cat on a Hot Tin Roof, is now playing through August 5 on the Pennsylvania Shakespeare Festival main stage, in rep with Much Ado About Nothing. BroadwayWorld has a first look at scenes the production below.
Hamlet and Pride & Prejudice to be Performed in Rep at Pennsylvania Shakespeare Festival
For the first time in its 20 year history, The Pennsylvania Shakespeare Festival will offer productions in true rep, alternating two plays with the same cast in the same theatre: Hamlet and Pride and Prejudice will play in rep July 19 through August 7 on the PSF Main Stage in the Labuda Center for the Performing Arts on the campus of DeSales University in Center Valley.
Hamlet and Pride & Prejudice to be Performed in Rep at Pennsylvania Shakespeare Festival
For the first time in its 20 year history, The Pennsylvania Shakespeare Festival will offer productions in true rep, alternating two plays with the same cast in the same theatre: Hamlet and Pride and Prejudice will play in rep July 19 through August 7 on the PSF Main Stage in the Labuda Center for the Performing Arts on the campus of DeSales University in Center Valley.
PSF Presents ROMEO AND JULIET, 7/23-8/8
With one of the most recognizable titles in the world, Shakespeare's Romeo & Juliet is often obscured by its own renown. 'It's the play we all think we know,' says Patrick Mulcahy, PSF producing artistic director. 'We see a few productions that often fail to measure up to the play itself, maybe the Zefferilli film, and we think we're done with Romeo & Juliet,' he says. Yet, even after performing in three professional productions and teaching the play for 20 years, Mulcahy found himself surprised during auditions four months ago. 'There were a few moments where I heard lines I had never heard before, or got an insight from something an actor did that was new to me.
PSF Presents ROMEO AND JULIET, 7/23-8/8
With one of the most recognizable titles in the world, Shakespeare's Romeo & Juliet is often obscured by its own renown. 'It's the play we all think we know,' says Patrick Mulcahy, PSF producing artistic director. 'We see a few productions that often fail to measure up to the play itself, maybe the Zefferilli film, and we think we're done with Romeo & Juliet,' he says. Yet, even after performing in three professional productions and teaching the play for 20 years, Mulcahy found himself surprised during auditions four months ago. 'There were a few moments where I heard lines I had never heard before, or got an insight from something an actor did that was new to me.
PSF Presents ROMEO AND JULIET, 7/23-8/8
With one of the most recognizable titles in the world, Shakespeare's Romeo & Juliet is often obscured by its own renown. 'It's the play we all think we know,' says Patrick Mulcahy, PSF producing artistic director. 'We see a few productions that often fail to measure up to the play itself, maybe the Zefferilli film, and we think we're done with Romeo & Juliet,' he says. Yet, even after performing in three professional productions and teaching the play for 20 years, Mulcahy found himself surprised during auditions four months ago. 'There were a few moments where I heard lines I had never heard before, or got an insight from something an actor did that was new to me.
