Dorothy Marie Robinson
Latest News on Dorothy Marie Robinson:
Music City Confidential: Where Nashville Theater Stands Now (Jul 21, 2019)
BWW Review: Leaving STEEL MAGNOLIAS' Chinquapin on a Very High Note at The Keeton (Aug 21, 2018)
Music City Confidential: Where Nashville Theater Stands Now (Jul 21, 2019)
BWW Review: Leaving STEEL MAGNOLIAS' Chinquapin on a Very High Note at The Keeton (Aug 21, 2018)
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Music City Confidential: Where Nashville Theater Stands Now
Nashville theater has always been progressive. There have always been people and companies focused on the cutting edge, delivering productions that challenge and compel their audiences to think and to consider where they are now and where they will go in the future, and there is no question that such forward-thinking creative types will continue to wield influence in the theater community for as long as theater is to be created here, there and everywhere.
Nashville theater has always been progressive. There have always been people and companies focused on the cutting edge, delivering productions that challenge and compel their audiences to think and to consider where they are now and where they will go in the future, and there is no question that such forward-thinking creative types will continue to wield influence in the theater community for as long as theater is to be created here, there and everywhere.
BWW Review: Leaving STEEL MAGNOLIAS' Chinquapin on a Very High Note at The Keeton
My heart is full for many reasons, not the least of which is that I can say, henceforth, that the last production of Steel Magnolias that I reviewed - this one at The Larry Keeton Theatre in Donelson through Saturday, September 1 - was almost as good as that very first production I saw in Chicago in the summer of 1988. In fact, direct Donna Driver and her cast deliver a reading of Steel Magnolias that is as close to what Robert Harling wrote more than 30 years ago as any I've ever seen.
My heart is full for many reasons, not the least of which is that I can say, henceforth, that the last production of Steel Magnolias that I reviewed - this one at The Larry Keeton Theatre in Donelson through Saturday, September 1 - was almost as good as that very first production I saw in Chicago in the summer of 1988. In fact, direct Donna Driver and her cast deliver a reading of Steel Magnolias that is as close to what Robert Harling wrote more than 30 years ago as any I've ever seen.
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