EVENTA DU SCHMANCY Moves Online At 1812 Productions
1812 Productions presents its annual gala fundraiser Eventa du Schmancy. An evening of music and comedy from a team of 1812 Productions performers, Eventa du Schmancy will stream on the Crowdcast platform on Monday, June 8th at 7pm.
BWW Review: BYHALIA, MISSISSIPPI at The Kennedy Center
Playwright Evan Linder achieves a fascinating balance in the poignant 'Byhalia, Missississippi.' While it's hard to fully root for any character, it's equally difficult to dismiss them completely, and that balance allows the show to explore deep, often difficult themes head-on.
HOW TO GET AWAY WITH MURDER's Jack Falahee Will Lead BYHALIA, MISSISSIPPI at Kennedy Center
The John F. Kennedy Center for the Performing Arts announces Jack Falahee, star of ABC's How to Get Away With Murder, to play the role of Jim in the heartfelt comedy, Byhalia, Mississippi, playwright Evan Linder's uncompromising exploration of race, infidelity, and family. Directed by Kimberly Senior (director of the Pulitzer Prize-winning Disgraced on Broadway), Byhalia, Mississippi will play the Kennedy Center's Terrace Theater for four weeks, June 7-July 7, 2019. Tickets for all performances are on sale through the Kennedy Center Box Office, the website, or by calling (202) 467-4600 or (800) 444-1324.
BWW Review: FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3) at Goodman Theatre
In FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3), Pulitzer Prize-winning playwright Suzan-Lori Parks draws on Homeric tradition to spin an epic of the American Civil War. Intended as the first three parts of nine, an episodic structure ties loosely together the narrative of Hero (Kamal Angelo Bolden), a Texas slave who must decide whether or not to join the Confederate army under his master's promise that fighting will earn his freedom.
Photo Flash: Goodman Theatre Presents FATHER COMES HOME FROM THE WARS
Goodman Theatre presents the Chicago premiere of Father Comes Home From the Wars (Parts 1, 2 & 3) by Pulitzer Prize winner Suzan-Lori Parks, directed by Niegel Smith. Parks, in her 'finest work yet' (New York Times), serves up 'an American story as much about our present as it is about our past' (Los Angeles Times).
Cast Announced For FATHER COMES HOME FROM THE WARS (Parts 1, 2 & 3)
Goodman Theatre announces the cast and creative team for the Chicago premiere of Father Comes Home From the Wars (Parts 1, 2 & 3) by Pulitzer Prize winner Suzan-Lori Parks, directed by Niegel Smith. Parks, in her "finest work yet" (New York Times), serves up "an American story as much about our present as it is about our past" (Los Angeles Times). Filled with wit, poetry and original music composed by Grammy Award winner Justin Ellington and performed on stage nightly by Chicago native blues musician Melody Angel, the production follows Hero (Kamal Angelo Bolden), a Texas slave, who faces a simple yet monumental choice: join his master in the Confederate army to win his freedom-or remain enslaved at the plantation. Father Comes Home From the Wars (Parts 1, 2 & 3) appears May 25 - June 24, 2018 (opening night is June 4 at 7pm) in Goodman Theatre's 350-seat flexible Owen Theatre. The estimated run time is 2 hours and 30 minutes. Tickets ($10 - $40; subject to change) are available at GoodmanTheatre.org/Father , by phone at 312.443.3800 or at the box office (170 N. Dearborn). The Elizabeth F. Cheney Foundation is the Major Production Sponsor and American Airlines is the Contributing Sponsor.
BWW Review: THE WHITE SNAKE at Center Stage
Audiences are in for a magic journey both on and off stage as Center Stage, now unveiled after a $28 million renovation, presents award-winning playwright Mary Zimmerman's adaptation of the Chinese fable, 'THE WHITE SNAKE.'
BWW Review: 54 Celebrates George Michael at Feinstein's/54 Below Hits a Sour Note of Too-Soon Tackiness
'Too soon' is a phrase you often hear in regards to a celebrity passing away. It usually refers to making some sort of joke or cruel remark about them, devoid of the inherent understanding that, in death, celebrities are deserving of unwavering respect, even if that respect eluded them in life.
But that 'too soon' doesn't exclusively pertain to displays of disrespect or admonishment; it can also be said of acts derived from a place of good, but that are simply too recent after the deceased has left us to be mined for joy. Case in point: 54 Celebrates George Michael at Feinstein's/54 Below. The two back-to-back shows on March 1 took place just over two months after the icon suddenly passed away on Christmas Day. With the wound of his death still gaping and exposed, this well-intentioned tribute concert ultimately felt contrived and, frankly, tacky, both qualities which Michael himself could not have disembodied further.