MoMA Announces The 18th TO SAVE AND PROJECT Festival Of Film Restoration
Running from January 13 to February 5, 2022, To Save and Project: The 18th MoMA International Festival of Film Preservation includes more than 60 newly preserved features and shorts from 19 countries, many having world or North American premieres and presented in original versions not seen since their initial theatrical releases.
Moving Image Presents 20-Film Retrospective THE ESSENTIAL JOHN FORD, Now thru 8/2
Starting fittingly on July Fourth weekend, Museum of the Moving Image will present The Essential John Ford, a tribute to the consummate American filmmaker. Ford made his reputation on westerns, but worked in many genres, creating films of depth, beauty, and ambiguity. From today, July 3 through August 2, the Museum will present 20 movies directed by Ford-all on film, with some restored archival prints-including his masterpieces Young Mr. Lincoln, My Darling Clementine, The Searchers, and The Man Who Shot Liberty Valance.
Moving Image to Present 20-Film Retrospective THE ESSENTIAL JOHN FORD, 7/3-8/2
Starting fittingly on July Fourth weekend, Museum of the Moving Image will present The Essential John Ford, a tribute to the consummate American filmmaker. Ford made his reputation on westerns, but worked in many genres, creating films of depth, beauty, and ambiguity. From July 3 through August 2, the Museum will present 20 movies directed by Ford-all on film, with some restored archival prints-including his masterpieces Young Mr. Lincoln, My Darling Clementine, The Searchers, and The Man Who Shot Liberty Valance.
Moving Image's SEE IT BIG! Series Tributes Great Cinematographers, 11/8-12/29
Museum of the Moving Image's ongoing series See It Big! presents classic and contemporary films on the big screen in the beautiful Sumner M. Redstone Theater. In November and December, the Museum will showcase 22 films photographed by some of the world's greatest cinematographers, including Gordon Willis, Vittorio Storaro, Vilmos Zsigmond, Nestor Almendros, Raoul Coutard, James Wong Howe, and more. The series, See It Big!: Great Cinematographers, runs from November 8 through December 29, 2013.
Moving Image Presents THE COMPLETE HOWARD HAWKS Retrospective, Now thru 11/10
Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from today, September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.
Moving Image to Present THE COMPLETE HOWARD HAWKS Retrospective, 9/7-11/10
Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.
MoMA Film Presents David Niven: A Centenary Tribute 4/17
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
MoMA Film Presents David Niven: A Centenary Tribute 4/17
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
MoMA Film Presents David Niven: A Centenary Tribute 4/17
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.