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Review: Cherubini's MEDEA with a Shattering Radvanovsky Opens Met Season, Proving 'Hell Hath No Fury like a Woman Scorned' (Sep 28, 2022)
Review: Cherubini's MEDEA with a Shattering Radvanovsky Opens Met Season, Proving 'Hell Hath No Fury like a Woman Scorned' (Sep 28, 2022)
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Review: Cherubini's MEDEA with a Shattering Radvanovsky Opens Met Season, Proving 'Hell Hath No Fury like a Woman Scorned'
by Richard Sasanow - Sep 28, 2022
Written over 400 years ago, Cherubini’s MEDEA finally made it to the Met on the season’s opening night, in a new production by David McVicar. Was it worth the wait? If you take it for Sondra Radvanovsky’s performance in the title role, a chilling, a Herculean task, it earns an unqualified yes. She’s not afraid to rant and rave, or emit ugly sounds to show off her anger.
by Richard Sasanow - Sep 28, 2022
Written over 400 years ago, Cherubini’s MEDEA finally made it to the Met on the season’s opening night, in a new production by David McVicar. Was it worth the wait? If you take it for Sondra Radvanovsky’s performance in the title role, a chilling, a Herculean task, it earns an unqualified yes. She’s not afraid to rant and rave, or emit ugly sounds to show off her anger.
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