Cast And Creative Team Announced For Tour of SHANDYLAND
by Chloe Rabinowitz - Mar 16, 2020
Spanning twenty years, Shandyland is a story of life, love, death and drink at the heart of a small, northern, family-run pub, and a shout of frustration from an abandoned working class community. Shandyland opens at Northern Stage (12-23 May), and after its Newcastle premiere will tour to Everyman, Liverpool (27 May - 6 June)
Photo Flash: Spitfire Veterans Meet Cast Of THE SHADOW FACTORY
by Stephi Wild - Feb 6, 2019
Nine Spitfire veterans from Southampton and Portsmouth came face to face with members of the cast from Nuffield Southampton Theatres critically acclaimed play The Shadow Factory at a special after show meeting held on the stage.
Full Cast Announced For Howard Brenton's THE SHADOW FACTORY
by Stephi Wild - Jan 9, 2019
Director of Nuffield Southampton Theatres, Sam Hodges today announces the full cast for his production of Howard Brenton's The Shadow Factory which returns to celebrate NST City's first anniversary after opening the space with a sell-out run last year. The cast includes Denise Black (Lady Cooper/Ma Dimmock), Bethan Cullinane (Jackie Dimmock), Joe Tracini (Len Gooch) and Michael Fenton Stevens (Lord Beaverbrook) joining returning cast members David Birrell (Fred Dimmock/Hugh Downing), Catherine Cusack (Lil Dimmock/Sylvia Meinster) and Shala Nyx (Polly Stride). The production opens on 1 February, with previews from 30 January, and runs until 2 March.
Photo Flash: A Look Inside the 2018 UK Theatre Awards
by A.A. Cristi - Oct 15, 2018
The UK Theatre Awards 2018 were hosted by Olivier-nominated musical theatre performer Tyrone Huntley, and presenters included Wendi Peters, Sharon Duncan-Brewster, Ria Jones, Matt Cardle, Emma Williams and Michael Ellis MP.
BWW Review: MACHINAL, Almeida Theatre
by Nicole Ackman - Jun 11, 2018
Machinal, written by Sophie Treadwell, is based on the sensational 1927 trial of Ruth Snyder, a housewife who murdered her husband. It is a play largely about a woman attempting to find her own agency, with little success, despite the restraints of being a wife and mother. While the Almeida production boasts a wonderful set and the modern relevancy is clear, it ultimately falls short of its source material.