Review: Greater Boston Stage Company's DINNER FOR ONE Serves Up the Laughs
by R. Scott Reedy - Nov 15, 2024
A distant cousin of America’s New Year’s Eve Times Square ball-dropping tradition, “Dinner for One” is an iconic comedy sketch broadcast every New Year’s Eve in countries including Germany, Austria, Switzerland, Denmark, and Estonia, and on other days of the year in Norway, Australia, and South Africa. British author Lauri Wylie wrote the original two-hander for the stage and it was subsequently recorded for television in 1962.
Review: Midwinter Revels: The Feast of Fools
A Medieval Celebration of the Solstice
by Nancy Grossman - Dec 21, 2023
It would take more than the fingers on two hands to count all of the holiday entertainment offerings in the Greater Boston area. But few can compete with Revels for staying power, now presenting its 53rd annual December production, Midwinter Revels: The Feast of Fools - A Medieval Celebration of the Solstice at Harvard University’s Sanders Theatre.
BroadwayWorld Boston Awards; BEETLEJUICE, THE WIZ, & More Lead!
by BWW Awards - Dec 11, 2023
It's the final 3 weeks and we have the latest standings as of Monday, December 11th for the 2023 BroadwayWorld Boston Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!
BroadwayWorld Boston Awards December 5th Standings
by BWW Awards - Dec 5, 2023
It's December, and the first standings of the month have been announced as of Tuesday, December 5th for the 2023 BroadwayWorld Boston Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!
CSC Announces Cast of MUCH ADO ABOUT NOTHING
by Stephi Wild - Jun 8, 2022
Commonwealth Shakespeare Company (CSC) and Artistic Director Steven Maler are pleased to announce the cast and creative team of Free Shakespeare on the Common in the summer of 2022 - William Shakespeare's Much Ado About Nothing, directed by Megan Sandberg-Zakian. Performances will begin on The Boston Common on Wednesday, July 20 at 8PM (with press opening on Wednesday, July 27 at 8PM) and end on Sunday, August 7.
BWW Review: Fantastic A DOLL'S HOUSE PART 2 at The Gamm
by Andria Tieman - Sep 18, 2019
One doesn't usually seek out sequels at live theatre, and when Ibsen finished his masterpiece A Doll's House in 1879, one can only assume he thought the interesting part of the story was over. So the pressure on this play to prove why it should even exist is almost like another character watching from the wings. Thankfully, what Lucas Hnath has written is a smart and occasionally hilarious play that justifies its creation, and ties the hands of almost all characters equally. There are plenty of satisfying revelations, and Gamm's excellent cast makes this a show not to be missed.
Photo Flash: A DOLL'S HOUSE, PART 2 At The Gamm Theatre
by A.A. Cristi - Sep 13, 2019
It's been 15 years since Norwegian house wife Nora Helmer slammed the door on her husband, three children and the rest of married life in Ibsen's sober 19th-century drama. Now she's back in Hnath's darkly comic Broadway darling.
BWW Review: ESCAPED ALONE and COME AND GO at The Gamm
by Andria Tieman - Mar 6, 2019
The Gamm is currently showing two short plays back-to-back, with all female casts. ESCAPED ALONE by Caryl Churchill (New England Premiere) is a tight one-act that raises far more questions than it answers. COME AND GO by Samuel Beckett is so brief it almost feels like it's over before it begins, but is strangely haunting. Overall, it's a combination of works that are very well-acted, but also feel somewhat jarring in a way that doesn't quite pay off.
Gamm Pairs Churchill's ESCAPED ALONE With Beckett's COME AND GO
by A.A. Cristi - Jan 31, 2019
The Sandra Feinstein-Gamm Theatre (The Gamm) pairs the New England premiere of Caryl Churchill's newest play, Escaped Alone, with Samuel Beckett's 1965 minimalist play, Come and Go, for what promises to be a compelling theatrical experience.
BWW Review: FRANKENSTEIN: Monster or Metaphor?
by Nancy Grossman - Oct 11, 2018
The Central Square Theater, in conjunction with Catalyst Collaborative@MIT, has a corner on the market of blending art and science. It is no easy task to create intelligent, dramatic entertainment that can live up to their mission and put across its message with clarity, as well as artistry. However, when a group of serious artists comes together with purpose, the whole may be greater than the sum of its parts. Director David R. Gammons overlays his kaleidoscopic vision onto British playwright Nick Dear's adaptation of FRANKENSTEIN, from the novel by Mary Shelley, inviting the audience to conceive of a monster of their own imagination rather than the familiar cinematic versions.