OUR TOWN Comes to Wright State Theatre
Our Town, a deeply moving and thought-provoking piece of theatre written by Thorton Wilder and described by playwright Edward Albee as the finest American play ever written, envelops us in the places and faces of Grover’s Corners, holding up a mirror to all of humanity.
Wright State Theatre Presents Marina Carr's Irish Drama BY THE BOG OF CATS, February 2 â€" February 11
Wright State Theatre will present Marina Carr's Irish Drama, BY THE BOG OF CATS, a furious, uncompromising tale of greed and betrayal, of murder and profound self-sacrifice. Loosely based on Euripides' tragedy Medea, and set on the bleak, ghostly Irish landscape of the Bog of Cats, this provocative drama discloses one woman's courageous attempts to lay claim to that which is hers, as her world is torn in two. This area premiere opens Spring offerings to the public on the Festival Stage.
Mosaic Theater Company Presents World Premiere of MONUMENTAL TRAVESTIES
Mosaic Theater Company presents the world premiere of Monumental Travesties, a searing new comedy written by Mosaic's Andrew W. Mellon Foundation Playwright-in-Residence Psalmayene 24 and directed by Mosaic Artistic Director Reginald L. Douglas. Inspired by the Emancipation Memorial in DC's Capitol Hill neighborhood, the play runs September 7-October 1, 2023, and opens Mosaic's 2023-2024 season.
Power Street Theatre's MINORITYLAND Returns To Philadelphia, With New Comunidades Conectadas Program
Power Street Theatre is reviving their first production, Erlina Ortiz's MinorityLand, a timely piece exploring gentrification, in a co-production with Montgomery County's Theatre Horizon. The staging also kicks off a new community program from Power Street called Comunidades Conectadas, which will feature a number of initiatives including complimentary bus transportation to select performances in Philadelphia. MinorityLand will perform September 25-October 5 at West Kensington Ministry before transferring to Theatre Horizon in Norristown October 11-13. Reviewing press are invited to the September 27 performance at 7PM in Philadelphia. Lead support is provided by the William Penn Foundation.
Hasbro to Acquire Entertainment One Adding Brands and Expanding Storytelling Through Global Entertainment
Hasbro, Inc. (NASDAQ: HAS) and Entertainment One Ltd. (LSE: ETO) (eOne) today announced that they have entered into a definitive agreement under which Hasbro will acquire eOne in an all-cash transaction valued at approximately '3.3 billion or US$4.0 billion. Under the terms of the agreement, eOne shareholders will receive '5.60 in cash for each common share of eOne, which represents a 31% premium to eOne's 30-day volume weighted average price (VWAP) as of August 22, 2019.
BWW Previews: THE LIAR at Wright State University
Wright State University Theatre brings you the marvelous adaptation by David Ives of Pierre Corneille's riotous comedy, THE LIAR, which runs November 30th  - December 9th in the Herbst Theatre.
InterAct Theatre Company Readies Regional Premiere Of Seth Rozin's HUMAN RITES
Forget what you thought you knew. Inspired by the life of anthropological scholar Fuambai Sia Ahmadu and a contentious paper by cultural psychology pioneer Richard Shweder of the University of Chicago, HUMAN RITES by Seth Rozin is a sharp, incisive investigation of western cultural perspectives. In a review of Phoenix Theatre's world premiere production, Lou Harry of the Indiana Business Journal says "[HUMAN RITES] relentlessly challenges its audience to rethink its assumptions about both big-picture issues and the human characters wrestling with them."
BWW Reviews: TERMINUS at Studio Theatre
I once saw a production of Samuel Beckett's play, Play, that featured three "urns" and as a young college student I had never seen something so remarkable before. It was odd and extraordinary, and while I don't remember much about that production, the visual has stayed with me for years.
Sunday evening I saw Studio Theatre's 2nd Stage production of Mark O'Rowe's Terminus, and I immediately thought of that. O'Rowe's somewhat grotesque poetically prosed piece is comprised of three unnamed characters who like those urns in Play talk directly to us. The difference here is that they are in monologue form and the three characters never interact with each other as their speaking.