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Wilbury Group Launches Into 2018 With THE SKIN OF OUR TEETH

The Wilbury Theatre Group launches into 2018 with a bold new staging of Thornton Wilder's tragicomic masterpiece The Skin of Our Teeth directed by Wilbury Founder/Artistic Director Josh Short with music direction by Matt Requintina (Spring Awakening), January 18 through February 4 at their new home and performance space at 40 Sonoma Court, Olneyville.
Photo Flash: BETRAYAL at The Wilbury Group

The Wilbury Theatre Group production of Harold Pinter's BETRAYAL, directed by Aubrey Snowden. Playing now thru February 12. Learn more at www.thewilburygroup.org/betrayal.html
Immersive BETRAYAL to Kick Off 2017 at The Wilbury Group

The Wilbury Theatre Group proudly kicks off 2017 with an audience immersive production of Harold Pinter's greatest play, Betrayal, January 26-February 12.
Immersive BETRAYAL to Kick Off 2017 at The Wilbury Group

The Wilbury Theatre Group proudly kicks off 2017 with an audience immersive production of Harold Pinter's greatest play, Betrayal, January 26-February 12.
Best of 2016 BWW Rhode Island â€" Critics' Picks: As Selected by Your Local Reviewers

2016 was a year for imagination and innovation on Rhode Island stages. Here's a look back on some of the productions that stole the spotlight in the Ocean State this season.
BWW Review: Wilbury Group Starts the Season With Exciting UI [OO-EY]

There is a current trend in Hollywood to combine movies in a way that creates a 'cinematic universe.' This allows studios to create a number of movies that are all connected and can be tied together, usually because of a shared world of characters, think Marvel superheroes or the famous Universal Studios movie monsters. In an ingenious sort of experiment, Wilbury Group is kicking off its season with a production that creates a kind of 'theatrical universe,' by linking together three plays that would otherwise be thought of us very different and entirely separate. With masterful execution, Wilbury manages to create a fascinating and frightening world in which we can really believe these three disparate works might coexists.
BWW Review: Wilbury Theatre Group's Meandering JERUSALEM

Wilbury Theatre Group closes out their 2015-2016 season with JERUSALEM by Jez Butterworth.  It's a skillfully directed production with a few standout performances, but unfortunately is bogged down by an overlong story that doesn't deliver much tension until after the two hour mark and suffers from some clumsy accent work.  It's an ambitious project for the Wilbury group to take on, and the sets and costumes are absolutely perfect for the story, unfortunately the source material is the main problem and its cliche' plot and incredibly slow pacing just never really deliver.
Photo Flash: First Look at JERUSALEM at The Wilbury Group

The Wilbury Theatre Group closes its 2015/16 season with the Rhode Island premiere of Jerusalem, Jez Butterworth's epic Tony and Olivier award-winning play, May 19-June 4, 2016.
Wilbury Group to Conclude 2015-16 Season with Regional Premiere of JERUSALEM

The Wilbury Theatre Group proudly closes its 2015/16 season with the Rhode Island premiere of Jerusalem, Jez Butterworth's epic Tony and Olivier award-winning play, May 19-June 4, 2016.
'ARTURO UI', 'MR. BURNS', SPRING AWAKENING Set for Wilbury Group's 2016-17 Season

The Wilbury Theatre Group's Founding Artistic Director Josh Short has announced the Group's 2016/17 season.
DRY LAND to Open Wilbury Group's 2015-16 Season

The Wilbury Theatre Group proudly opens it's 2015/16 season with the  New England premiere of Ruby Rae Speigel's Dry Land, September 17-October 3, 2015. A finalist for the 2015 Susan Smith Blackburn Award, Dry Land . Centered on young girls' experiences in the scary throes of adulthood, Spiegel's critically acclaimed play is about abortion, love, friendship, and the life of the modern American teenager. This New England premiere production is directed by Wilbury Artistic Director Josh Short and features original music by local singer-songwriter Emeline Easton.
BWW Reviews: Wilbury Group Showcases New Works with ROADHOUSE: THE MUSICAL

For theater aritsts and theater lovers, few things compare to watching the genesis of a new piece of theater. The creation and development of a new work, from initial staged readings and workshops to final performance, is a thrilling process. Of course, there are many steps along the way and not all of them are successful. Not every aspect of the play found in the first version of the script will make it to the final version. Not every beloved moment or great-idea-at-the-time will end up making the grade when all is said and done. Still, it's a process that is vital to the present and future of theater. Vital because new blood and new life must be created and injected into the theatrical world and it's up to theater artists everywhere to make sure that happens. In our region, one of the companies doing just that is The Wilbury Group, currently presenting the second iteration of a new work, Roadhouse: The Musical.
BWW Reviews: Wilbury Group's Surprising ROSENCRANTZ & GUILDNESTERN ARE DEAD is A Must-See

It may sound strange but, at its best, theater is not unlike an ecosystem in the natural world. Every organism in nature interacts with every other organism. All the various parts of that system, living and nonliving, must work together so that the system as a whole can survive and thrive. Similarly, every part of a theatrical production must work well together. All the elements, acting, directing, sound, lights, costumes, etc. must be working in harmonious union. If not, it's just a gathering of disconnected ideas, concepts and gimmicks, making a collection of nice parts but not a cohesive whole. On the other hand, when done just right, all of the parts come together to create a perfectly executed singular vison. The Wilbury Group's Rosencrantz & Guildenstern Are Dead is exactly that type of show.
Wilbury Group to Present Tom Stoppard's ROSENCRANTZ AND GUILDENSTERN ARE DEAD Next Month

The Wilbury Theatre Group has announced a production of Tom Stoppard's tragi-comedic masterpiece Rosencrantz and Guildenstern Are Dead. The celebrated playwright's work takes dark and hilarious look at art, life, and the world from the point of view of Hamlet's ill-fated school chums, Rosencrantz and Guildenstern. Directed by Wilbury Group Artistic Director Josh Short with music by Marc Kaplan, this reimagined production features Joshua Andrews and Patrick Saunders in the titular roles, with David Tessier as the Player.
BWW Reviews: Wilbury Group Offers Something Different with A VERY MERRY UNAUTHORIZED CHILDREN'S SCIENTOLOGY PAGEANT

Every holiday season, along with all the usual theatrical suspects, there are always a few unique and surprising choices that pop up on area stages. There's usually some kind of strange or twisted take on A Christmas Carol. There's often some kind of musical revue, or two, featuring favorite holiday tunes. Oftentimes, there's a comedy show, or four, usually sending up much of what happens during the season. This year, one such non-traditional offering can be found at The Wilbury Group, where they are presenting A Very Merry Unauthorized Children's Scientology Pageant.
Wilbury Group Presents A VERY MERRY UNAUTHORIZED CHILDREN'S SCIENTOLOGY PAGEANT, Now thru 12/22

The Wilbury Theatre Group announces the Rhode Island premiere of the Obie award-winning musical, A Very Merry Unauthorized Children's Scientology Pageant. Written by Kyle Jarrow based on a concept by Alex Timbers, and directed by David Tessier (Bloody Bloody Andrew Jackson) with music by Kerry Callery (Body Awareness), this production of the cult-hit telling of the life L. Ron Hubbard and the founding of Scientology marks the tenth anniversary of the ground-breaking cult-hit's original New York premiere. A Very Merry Unauthorized Children's Scientology Pageant runs tonight, December 5-22 at The Wilbury Theatre Group, 393 Broad Street, Providence RI.
Wilbury Group to Present A VERY MERRY UNAUTHORIZED CHILDREN'S SCIENTOLOGY PAGEANT, 12/5-22

The Wilbury Theatre Group announces the Rhode Island premiere of the Obie award-winning musical, A Very Merry Unauthorized Children's Scientology Pageant. Written by Kyle Jarrow based on a concept by Alex Timbers, and directed by David Tessier (Bloody Bloody Andrew Jackson) with music by Kerry Callery (Body Awareness), this production of the cult-hit telling of the life L. Ron Hubbard and the founding of Scientology marks the tenth anniversary of the ground-breaking cult-hit's original New York premiere. A Very Merry Unauthorized Children's Scientology Pageant runs December 5-22 at The Wilbury Theatre Group, 393 Broad Street, Providence RI.
BWW Reviews: Wilbury Group Lights Up the Stage with High-Energy DETROIT

In terms of longevity and legacy, The Wilbury Group is still one of the newest kids on the block in the Rhode Island theater community. Founded only three years ago, in 2010, they have been growing quickly, moving last season into a new space where they have settled in very nicely. Along with finding their home as far as the physical space is concerned, they also have begun to find their groove, artistically and technically. If the first play of this season is any indication, they are ready for another big growth spurt and area audiences are in for some exciting, riveting works of theater. Detroit is a play that begins with a simple enough premise. A couple living in an upper middle-class suburb have invited their new neighbors over for a barbecue. The suburb could be just outside of the titular city or it could be anywhere in the United States. Middle-aged and seemingly well-off, the first couple are either the picture of suburban harmony or they are trying very hard to fake it. The other couple, younger and definitely lower in class, are just recently out of rehab and everything about them indicates a struggle and desire to make their lives work, if they can only figure out how.
BWW Reviews: Wonderful Cast Brings Brecht to Providence in Wilbury Group's THE THREEPENNY OPERA

For many, if not most, plays and musicals are an escape. It is a way for audience members to lose themselves in the dark of the theater and in the lives of the people on stage. Plays are, for them, just entertainment, a way to connect with other human beings and feel what they feel, laugh or cry along with them. Then go home and forget all about it. That is not the case with the plays of German dramatist Bertolt Brecht, whose play The Threepenny Opera is currently running at The Wilbury Theatre Group.

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