PETER GRIMES Will Open English National Opera 2023/24 Season
by Stephi Wild - Aug 24, 2023
This September, opening the 2023/24 Season at the London Coliseum, the English National Opera (ENO) presents Benjamin Britten’s searing psychological drama, Peter Grimes. David Alden’s production returns for its second revival. Following its premiere in 2009, this production won a South Bank Sky Arts Award in the Opera category. Â
English National Opera to Stage New Production of Dvořák's RUSALKA
by Chloe Rabinowitz - Mar 4, 2020
Acclaimed German director Tatjana Gürbaca and designer Klaus Grünberg make their English National Opera (ENO) debuts with ENO's first new Rusalka in two decades, with Corinne Winters in the title role and David Butt Philip as the Prince.
BWW Review: BILLY BUDD, Royal Opera House
by Sophia Lambton - Apr 30, 2019
In a minimalist setting, Benjamin Britten's 20th-century reflections on Herman Melville's novel are deftly captured musically and visually.
BWW Review: LA BOHEME, London Coliseum
by Aliya Al-Hassan - Dec 1, 2018
The best versions of La boheme are simple enough to let the genius of Puccini's opera shine, rather than distracting the audience with quirky updates and subliminal messages. The ENO's decision to return to Jonathan Miller's luscious production for the fourth time in a decade, is a beautifully pitched celebration of beauty in penury, love and heartbreak.
BWW Review: SALOME, London Coliseum
by Aliya Al-Hassan - Oct 7, 2018
In opera, there is often nothing more dangerous than female sexuality. Salome is a story where a woman's love becomes dangerous obsession, leading to bloodshed and necrophilia. From a feminist perspective, the story is challenging to say the least, but as Richard Strauss' opera, the result should be both brutal and beautiful. In this new production from the ENO, Australian Director Adena Jacobs makes her UK debut with a supposedly feminist perspective of the story that at times entertains, but more often baffles.
Photo Flash: The Royal Opera House Stages Classic CARMEN
by Julie Musbach - Feb 8, 2018
Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form - numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera's heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.
American Soprano Angel Blue Makes Her Metropolitan Opera Debut in Puccini's LA BOHEME
by A.A. Cristi - Sep 27, 2017
Puccini's La Boh me, the most-performed opera in Met history, returns to the repertory this season with 15 performances of Franco Zeffirelli's production from October 2, 2017 to March 10, 2018. Initial performances feature soprano Angel Blue making her Met stage debut as Mim , with the role sung later in the season by Anita Hartig and Sonya Yoncheva. Three acclaimed tenors, Dmytro Popov, Russell Thomas and Michael Fabiano, share the role of Rodolfo. Sopranos Brigitta Kele and Susana Phillips play Musetta with baritones Lucas Meachem and Michael Todd Simpson as Marcello.
Royal Opera House Announces Cast Change for CARMEN
by A.A. Cristi - Sep 19, 2017
Due to pregnancy, German soprano Anett Fritsch has withdrawn from singing the role of Mica la in Carmen. The role will now be sung by Russian soprano Kristina Mkhitaryan, who will make her Royal Opera debut as Mica la. She has recently sung the role of Mica la for Norwegian National Opera in Oslo.
BWW Review: LULU, London Coliseum, 9 November 2016
by Alexandra Coghlan - Nov 10, 2016
Beautiful, unknowable Lulu - all things to all men, who has 'never pretended to be anything by what men see in me' - is the chameleon-heroine revealed in Berg's musical mirror. But just as she reinvents herself with each new gaze, so the opera itself morphs and shifts with passing time, reflecting back the concerns of each age. A smudgy parable about German economic growth becomes by turns a sharply-drawn feminist critique or a Freudian exploration of pleasure. This week, in a post-truth world crowned by a Trump presidency, Lulu looks like a timely tale of illusion and reality and the danger when you can no longer tell the difference between the two.
Metropolitan Opera Announces Cast Updates for LA TRAVIATA & LA BOHEME
by Tyler Peterson - Oct 30, 2014
Sonya Yoncheva will make her North American role debut as Violetta in Verdi's La Traviata at the Met this January. Yoncheva was originally scheduled to sing Musetta in La Bohème at the Met this season. Instead, she will sing Violetta, one of her most acclaimed roles, as a replacement for Marina Poplavskaya, who has withdrawn from the performances. Yoncheva sings the role on January 14, 17, 21, and 24.
Listen to Tippett's THE MIDSUMMER MARRIAGE at the Royal Opera Hall
by Christina Mancuso - Aug 20, 2013
Last heard at the Proms in 1977, The Midsummer Marriage is Tippett's answer to Mozart's The Magic Flute, an opera rich in symbolism and psychology, trials and transformations. Paul Groves and Erin Wall are Mark and Jenifer, Ailish Tynan and Allan Clayton, Bella and Jack, two couples tested by a series of supernatural interventions on the shortest night of the year.