Lipsomb University Theatre's Emotional and Whimsical BIG FISH THE MUSICAL
On its surface, there is so much about which to alternately fall in love with/wonder quizzically about in Big Fish, the musical with book by John August (based on his screenplay for the 2003 film version) and a score by Andrew Lippa, that there’s no wonder the show had trouble finding its audience on Broadway but now has proven tremendously popular among theaters all over the country.
BWW Review: Lipscomb University Theatre's MAMMA MIA Is Exactly What's Needed Onstage Now
In October 2001, Mamma Mia! opened on Broadway, just weeks after the horrific events of 9/11, and most pundits had little inkling that the show – a jukebox musical comprised of ABBA hits and the story of a young girl trying to divine the identity of her father from among three of her mother’s suitors some 21 years earlier – would go on to become the ninth longest running musical in the history of the New York theatrical enclave. But Mamma Mia! was exactly what the theater-going public needed in the aftermath of an epoch-shattering and historic event: an enormously entertaining, fast-paced show set to an eminently hummable, danceable score of songs that could whisk them away to another time and place.
The Tarrant Actors Regional Theatre Kicks Off The New Year With Noel Coward's HAY FEVER
To kick off the 21st century's version of the Roaring Twenties this month, the Tarrant Actors Regional Theatre will present Noel Coward's classic 1920's British farce, Hay Fever, performed in the Sanders Theatre at the Fort Worth Community Arts Center, 1300 Gendy Street, Fort Worth TX 76107. The production is directed by TART Artistic Director Allen Walker.
WATCHING PAINT DRY To Get Theatrical Premiere/Art Gallery At Bootleg Theater
jpeg Productions is now selling tickets for its inaugural play, written by Joey Povinelli. The show is also doubling as a display for new works by visual artist, Sathya (can be found on Instagram under the handle @bbavaria). The show previously had a reading at Marymount Manhattan College and The Bootleg Theater last December.
WATCHING PAINT DRY Receives Staged Reading
Watching Paint Dry, a new play by Joey Povinelli, will be presented as a staged reading at The Bootleg Theater today, December 5th at 7PM. It is directed by Joey Povinelli and produced by Ella Glabicki.
WATCHING PAINT DRY Receives Staged Reading
Watching Paint Dry, a new play by Joey Povinelli, will be presented as a staged reading at The Bootleg Theater on Wednesday, December 5th at 7PM. It is directed by Joey Povinelli and produced by Ella Glabicki.
BWW Review: VIOLET Charms at St. Edwards
VIOLET is a 1997 musical with music by Jeanine Tesori and book and lyrics by Brian Crawley. It's based on the short story 'The Ugliest Pilgrim' by Doris Betts. The musical first premiered Off-Broadway in 1997 and won the Drama Critics' Circle Award and Lucille Lortel Award as Best Musical, it was later produced on Broadway but considered a revival. While it was Tony Award nominated, it did not win.
BWW Review: RHINOCEROS St. Edwards Stages Smartly Stylish Satire
RHINOCEROS was written by Eug ne Ionesco in 1959 and staged for the first time in 1960. Considered by many scholars as one of the best examples of The Theatre of the Absurd, this label was, in later years, rejected as too interpretatively narrow. Over the course of three acts, the inhabitants of a small town in France turn into rhinoceroses. Only one human resists this mass metamorphosis and that is the central character, B renger, portrayed in this production by Blake Browning. He is an everyman figure who is criticized first for his drinking, lateness, and unkempt appearance and later for his paranoid obsession with the rhinoceroses. The play is widely considered a criticism of the spread of Fascism and Nazism in Europe preceding World War II. It examines such themes as conformity, mass political movements, mob mentality, logic and morality.
BWW Review: THE RESISTIBLE RISE OF ARTURO UI Massively Misinterpreted
THE RESISTIBLE RISE OF ARTURO UI is a 1941 play by German playwright Bertolt Brecht. Using satire, it tells of the rise of Arturo Ui, a ruthless fictional 1930's Chicago mobster and his takeover of 'the cauliflower racket' by disposing of all who oppose him. It is meant to be an allegory on the rise to power of Adolf Hitler and the Nazi Party in Germany. The play was written in Helsinki, Finland while Brecht was awaiting entry into the United States after fleeing Germany and was not produced on the stage until 1958. It would be 1961 before it was produced in English. Brecht intended all along that the play was to be produced for the American stage. The play is often compared to the film The Great Dictator (1940), which also featured an absurd parody of Hitler.