Review - The Country Girl & Sharon McNight at The Metropolitan Room
I mean it with the most sincere amount of respect and admiration for both gentlemen when I write that Peter Gallagher seems to have morphed into Jerry Orbach. At least in his portrayal of Bernie Dodd, the hard-driving Broadway director convinced that when the star of his new play suddenly leaves for a Hollywood gig he can get a great turn out of the washed-up alcoholic actor whose performances twIce Thrilled him many years ago. He's the best part of Mike Nichols' new production of Clifford Odets' The Country Girl (which has undergone some text tweaking by Jon Robin Baitz). His tough, but passionate mannerisms and gruff speaking voice bring out a sense of urgency to the proceedings as he convinces a skeptical producer (Chip Zien), a reluctant actor and his long-suffering wife that his high-stakes risk can pay off big. By the end of the evening I was half expecting the man to send his star on stage with an exhilarated, 'Think of musical comedy!'
