Darius Dotch
Latest News on Darius Dotch:
Cast and Creative Team Set for BEHIND THE SUN at History Theatre (Sep 3, 2024)
Video: Meet Sound Designer Jeff Lowe Bailey of SKELETON CREW at Guthrie Theater (May 31, 2024)
Cast and Creative Team Set for SKELETON CREW at Guthrie Theater (Apr 11, 2024)
Cast and Creative Team Set for BEHIND THE SUN at History Theatre (Sep 3, 2024)
Video: Meet Sound Designer Jeff Lowe Bailey of SKELETON CREW at Guthrie Theater (May 31, 2024)
Cast and Creative Team Set for SKELETON CREW at Guthrie Theater (Apr 11, 2024)
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Cast and Creative Team Set for BEHIND THE SUN at History Theatre
History Theatre revealed the cast and creative team for BEHIND THE SUN. See who is starring and learn how to purchase tickets.
History Theatre revealed the cast and creative team for BEHIND THE SUN. See who is starring and learn how to purchase tickets.
Video: Meet Sound Designer Jeff Lowe Bailey of SKELETON CREW at Guthrie Theater
The Guthrie Theater is introducting the inspiring creative team for the Tony-nominated play Skeleton Crew by Dominique Morisseau, directed by Austene Van, in a new video series. Meet Sound Designer Jeff Lowe Bailey below!
The Guthrie Theater is introducting the inspiring creative team for the Tony-nominated play Skeleton Crew by Dominique Morisseau, directed by Austene Van, in a new video series. Meet Sound Designer Jeff Lowe Bailey below!
Cast and Creative Team Set for SKELETON CREW at Guthrie Theater
The Guthrie Theater has revealed the cast and creative team for the Tony-nominated play Skeleton Crew by Dominique Morisseau. Learn how to purchase tickets.
The Guthrie Theater has revealed the cast and creative team for the Tony-nominated play Skeleton Crew by Dominique Morisseau. Learn how to purchase tickets.
World Premiere of Brian Grandison's DIESEL HEART to be Presented at History Theatre in March
History Theatre will present the world premiere of Diesel Heart by Brian Grandison. Inspired by Melvin Carter Jr.'s 'graphic, honest, no-holds-barred' autobiography DIESEL HEART, the adaptation to the stage will have you crying and laughing with joy.
History Theatre will present the world premiere of Diesel Heart by Brian Grandison. Inspired by Melvin Carter Jr.'s 'graphic, honest, no-holds-barred' autobiography DIESEL HEART, the adaptation to the stage will have you crying and laughing with joy.
Guthrie Theater Announces Cast and Creative Team for Lynn Nottage's SWEAT
The Guthrie Theater today announced the cast and creative team for Sweat, written by two-time Pulitzer Prize winner Lynn Nottage and directed by Tamilla Woodard. Sweat will play July 16 – August 21, 2022, on the McGuire Proscenium Stage.
The Guthrie Theater today announced the cast and creative team for Sweat, written by two-time Pulitzer Prize winner Lynn Nottage and directed by Tamilla Woodard. Sweat will play July 16 – August 21, 2022, on the McGuire Proscenium Stage.
Guthrie Theater to Present Lorraine Hansberry's A RAISIN IN THE SUN
The Guthrie Theater today announced casting for Lorraine Hansberry’s theatrical masterpiece A Raisin in the Sun, directed by acclaimed Twin Cities artist Austene Van. A Raisin in the Sun will play January 8 – February 12, 2022, on the McGuire Proscenium Stage.
The Guthrie Theater today announced casting for Lorraine Hansberry’s theatrical masterpiece A Raisin in the Sun, directed by acclaimed Twin Cities artist Austene Van. A Raisin in the Sun will play January 8 – February 12, 2022, on the McGuire Proscenium Stage.
BLACKNESS IS… Arts Festival Lineup and Artists Announced
MN Black Theatre Circle, in partnership with the Guthrie Theater, will present Blackness Is…, a theater-inspired arts festival to be streamed May 21–22 at 7:30 p.m. and May 23 at 7 p.m. CDT. Over the course of three days, the festival will offer a dynamic and diverse showcase of theater, music, dance, poetry and spoken word.
MN Black Theatre Circle, in partnership with the Guthrie Theater, will present Blackness Is…, a theater-inspired arts festival to be streamed May 21–22 at 7:30 p.m. and May 23 at 7 p.m. CDT. Over the course of three days, the festival will offer a dynamic and diverse showcase of theater, music, dance, poetry and spoken word.
BWW Review: Eloquent, Timely PIPELINE at Penumbra Theatre
Playwright Dominique Morisseau is a gifted rising voice in the theater, recognized with a 2018 Macarthur 'Genius' Grant. Her straight play PIPELINE centers contemporary lives we see on stage too rarely: an anguished black mother trying to keep her teenage son safe, and her financially successful ex-husband, estranged from both of them. Because Morisseau drops us into both public and private school dilemmas for people of color, we gain insight into the deep inequities in our educational systems in this country, though this never feels like an 'issue play' for two reasons: there is no grasping for simple resolutions and the characters are so thoroughly imagined.
Playwright Dominique Morisseau is a gifted rising voice in the theater, recognized with a 2018 Macarthur 'Genius' Grant. Her straight play PIPELINE centers contemporary lives we see on stage too rarely: an anguished black mother trying to keep her teenage son safe, and her financially successful ex-husband, estranged from both of them. Because Morisseau drops us into both public and private school dilemmas for people of color, we gain insight into the deep inequities in our educational systems in this country, though this never feels like an 'issue play' for two reasons: there is no grasping for simple resolutions and the characters are so thoroughly imagined.
BWW Review: Penumbra Theatre's WEDDING BAND is a Beautiful and Tragic Love Story that Speaks to Race, Racism, and Privilege
I love a good tragic love story, and it doesn't get much more tragic than an interracial couple in 1918 South Carolina. But Penumbra's gorgeous production of the 1966 play WEDDING BAND by Alice Childress (whose TROUBLE IN MIND was seen at the Guthrie last year) is not just a beautiful, complicated, and ultimately tragic love story. It's also (not unlike TROUBLE IN MIND) a still timely work that speaks to the issues of race, racism, and privilege in ways that feel entirely relevant. With a super talented cast directed by Penumbra's founder Lou Bellamy (who recently passed the Artistic Director baton to his daughter Sarah) and gorgeous design, WEDDING BAND is a show not to be missed, and my favorite of my five-show weekend.
I love a good tragic love story, and it doesn't get much more tragic than an interracial couple in 1918 South Carolina. But Penumbra's gorgeous production of the 1966 play WEDDING BAND by Alice Childress (whose TROUBLE IN MIND was seen at the Guthrie last year) is not just a beautiful, complicated, and ultimately tragic love story. It's also (not unlike TROUBLE IN MIND) a still timely work that speaks to the issues of race, racism, and privilege in ways that feel entirely relevant. With a super talented cast directed by Penumbra's founder Lou Bellamy (who recently passed the Artistic Director baton to his daughter Sarah) and gorgeous design, WEDDING BAND is a show not to be missed, and my favorite of my five-show weekend.
BWW Review: Park Square Theatre's Powerful A RAISIN IN THE SUN Closes this Weekend but Continues for Students through December
Langston Hughes' poem DREAM DEFFERRED is the source of the title of short-lived but influential playwright Lorraine Hansberry's classic play A RAISIN IN THE SUN. She died at the age of 34 just six years after the play opened on Broadway in 1959, but her work still resonates today. The story of a black family's struggle in 1950s Chicago to accomplish their dreams in a world that didn't want to let them can be palpably felt in the context of today's world. It's a great choice, then, for Park Square Theatre's 2016-2017 season and for their student matinee program, which serves over 30,000 students every year. And it's an incredibly moving production that brings out all the richness of Hansberry's writing. The fantastic local cast and the intimacy of the Andy Boss thrust stage making you feel as if you're in the Younger living room with them, experiencing this devastating, life-changing, and hope-inspiring event.
Langston Hughes' poem DREAM DEFFERRED is the source of the title of short-lived but influential playwright Lorraine Hansberry's classic play A RAISIN IN THE SUN. She died at the age of 34 just six years after the play opened on Broadway in 1959, but her work still resonates today. The story of a black family's struggle in 1950s Chicago to accomplish their dreams in a world that didn't want to let them can be palpably felt in the context of today's world. It's a great choice, then, for Park Square Theatre's 2016-2017 season and for their student matinee program, which serves over 30,000 students every year. And it's an incredibly moving production that brings out all the richness of Hansberry's writing. The fantastic local cast and the intimacy of the Andy Boss thrust stage making you feel as if you're in the Younger living room with them, experiencing this devastating, life-changing, and hope-inspiring event.
Park Square to Produce Lorraine Hansberry's Classic A RAISIN IN THE SUN
Park Square continues its 42nd season on the Andy Boss Thrust Stage with Lorraine Hansberry's classic and timely A Raisin in the Sun. This fiercely moving portrait of a family living and dreaming on Chicago's South Side in the 1950s was the first play written by an African American woman to be produced on Broadway. The Washington Post hails it as "one of a handful of great American plays - it belongs in the inner circle, along with Death of a Salesman, Long Day's Journey Into Night and The Glass Menagerie."
Park Square continues its 42nd season on the Andy Boss Thrust Stage with Lorraine Hansberry's classic and timely A Raisin in the Sun. This fiercely moving portrait of a family living and dreaming on Chicago's South Side in the 1950s was the first play written by an African American woman to be produced on Broadway. The Washington Post hails it as "one of a handful of great American plays - it belongs in the inner circle, along with Death of a Salesman, Long Day's Journey Into Night and The Glass Menagerie."
BARS AND MEASURES to Continue Rolling World Premiere in Minneapolis
Award-winning director Marion McClinton makes his directorial debut at the Jungle with BARS AND MEASURES, a music-filled new play with an original score by jazz composer Justin Ellington. A National New Play Network Rolling World Premiere, the riveting drama by acclaimed playwright and spoken word artist Idris Goodwin is on stage August 26 through October 9 at the Lyn-Lake neighborhood theater, 2951 Lyndale Ave. S. in Minneapolis.
Award-winning director Marion McClinton makes his directorial debut at the Jungle with BARS AND MEASURES, a music-filled new play with an original score by jazz composer Justin Ellington. A National New Play Network Rolling World Premiere, the riveting drama by acclaimed playwright and spoken word artist Idris Goodwin is on stage August 26 through October 9 at the Lyn-Lake neighborhood theater, 2951 Lyndale Ave. S. in Minneapolis.
BARS AND MEASURES to Continue Rolling World Premiere in Minneapolis
Award-winning director Marion McClinton makes his directorial debut at the Jungle with BARS AND MEASURES, a music-filled new play with an original score by jazz composer Justin Ellington. A National New Play Network Rolling World Premiere, the riveting drama by acclaimed playwright and spoken word artist Idris Goodwin is on stage August 26 through October 9 at the Lyn-Lake neighborhood theater, 2951 Lyndale Ave. S. in Minneapolis.
Award-winning director Marion McClinton makes his directorial debut at the Jungle with BARS AND MEASURES, a music-filled new play with an original score by jazz composer Justin Ellington. A National New Play Network Rolling World Premiere, the riveting drama by acclaimed playwright and spoken word artist Idris Goodwin is on stage August 26 through October 9 at the Lyn-Lake neighborhood theater, 2951 Lyndale Ave. S. in Minneapolis.
Photo Flash: AKEELAH AND THE BEE's Johannah Easley, Charles Randolph-Wright and More Celebrate Opening at Arena Stage
Fresh off its world-premiere run in Minneapolis, Children's Theatre Company's new production about an 11-year-old spelling prodigy comes to Arena Stage at the Mead Center for American Theater. The show is adapted for the stage by veteran playwright Cheryl L. West (Arena's Pullman Porter Blues, Jar the Floor), who partners with celebrated director Charles Randolph-Wright (director of Broadway's Motown and an inaugural resident playwright with Arena Stage, where he premiered his play Love in Afghanistan). AKEELAH AND THE BEE runs now through December 27, 2015 in the Kreeger Theater, and BroadwayWorld has photos from the opening night festivites at Arena Stage below!
Fresh off its world-premiere run in Minneapolis, Children's Theatre Company's new production about an 11-year-old spelling prodigy comes to Arena Stage at the Mead Center for American Theater. The show is adapted for the stage by veteran playwright Cheryl L. West (Arena's Pullman Porter Blues, Jar the Floor), who partners with celebrated director Charles Randolph-Wright (director of Broadway's Motown and an inaugural resident playwright with Arena Stage, where he premiered his play Love in Afghanistan). AKEELAH AND THE BEE runs now through December 27, 2015 in the Kreeger Theater, and BroadwayWorld has photos from the opening night festivites at Arena Stage below!
BWW Review: AKEELAH AND THE BEE Oozes Charm at Arena Stage
All in all, this is a thoroughly enjoyable production and one that I would highly recommend.
All in all, this is a thoroughly enjoyable production and one that I would highly recommend.
AKEELAH AND THE BEE Stage Adaptation Coming to Arena Stage
Fresh off its world-premiere run in Minneapolis, where Star Tribune declared "Akeelah and the Bee triumphs," Children's Theatre Company's new production about an 11-year-old spelling prodigy comes to Arena Stage at the Mead Center for American Theater. The show is adapted for the stage by veteran playwright Cheryl L. West (Arena's Pullman Porter Blues, Jar the Floor), who partners with celebrated director Charles Randolph-Wright (director of Broadway's Motown and an inaugural resident playwright with Arena Stage, where he premiered his play Love in Afghanistan). Akeelah and the Bee runs November 13-December 27, 2015 in the Kreeger Theater.
Fresh off its world-premiere run in Minneapolis, where Star Tribune declared "Akeelah and the Bee triumphs," Children's Theatre Company's new production about an 11-year-old spelling prodigy comes to Arena Stage at the Mead Center for American Theater. The show is adapted for the stage by veteran playwright Cheryl L. West (Arena's Pullman Porter Blues, Jar the Floor), who partners with celebrated director Charles Randolph-Wright (director of Broadway's Motown and an inaugural resident playwright with Arena Stage, where he premiered his play Love in Afghanistan). Akeelah and the Bee runs November 13-December 27, 2015 in the Kreeger Theater.
BWW Reviews: Variations on a Theme - Three Musicals, THE COLOR PURPLE, CALVIN BERGER, and LA CAGE AUX FOLLES, All Speak to Beauty and Self-Worth
At first glance, the musicals THE COLOR PURPLE, CALVIN BERGER, and LA CAGE AUX FOLLES may not seem to have much in common. The settings couldn't be more different - the rural South in the early 20th century, a modern day high school, and a drag club in 1970s France. But since I happened to see them all on the same weekend, I couldn't help but draw parallels between them. All three musicals all speak to themes of beauty, identity, self-worth, and having the courage to be who you really are, despite what the world is telling you. In THE COLOR PURPLE, a young, poor, black woman is told that she's ugly and worthless, but after a lifelong journey she arrives at a place of strength and self-love. CALVIN BERGER sets the classic play Cyrano de Bergerac in a modern high school, where a young man feels that his large nose prevents him from getting what he wants in life and chooses to hide behind the handsome popular guy, both of whom eventually learn it's better to be loved for who you are. Finally, in LA CAGE AUX FOLLES, a middle aged man who feels more comfortable dressed as a woman is asked by his own son to hide who he is, but confidently declares 'I am who I am!' Another thing these three musicals have in common is that they can all currently be seen on Twin Cities stages featuring talented local casts. Read on for more details on each, pick one that suits your fancy, and go see a local musical that just may inspire you to love you you really are!
At first glance, the musicals THE COLOR PURPLE, CALVIN BERGER, and LA CAGE AUX FOLLES may not seem to have much in common. The settings couldn't be more different - the rural South in the early 20th century, a modern day high school, and a drag club in 1970s France. But since I happened to see them all on the same weekend, I couldn't help but draw parallels between them. All three musicals all speak to themes of beauty, identity, self-worth, and having the courage to be who you really are, despite what the world is telling you. In THE COLOR PURPLE, a young, poor, black woman is told that she's ugly and worthless, but after a lifelong journey she arrives at a place of strength and self-love. CALVIN BERGER sets the classic play Cyrano de Bergerac in a modern high school, where a young man feels that his large nose prevents him from getting what he wants in life and chooses to hide behind the handsome popular guy, both of whom eventually learn it's better to be loved for who you are. Finally, in LA CAGE AUX FOLLES, a middle aged man who feels more comfortable dressed as a woman is asked by his own son to hide who he is, but confidently declares 'I am who I am!' Another thing these three musicals have in common is that they can all currently be seen on Twin Cities stages featuring talented local casts. Read on for more details on each, pick one that suits your fancy, and go see a local musical that just may inspire you to love you you really are!
Mixed Blood Theatre's COLOSSAL Opens Today
Performed in four 15-minute quarters with a half-time show, featuring a dance company, a drum corps, and a fully-padded cast, COLOSSAL is an epic event that simultaneously celebrates and attacks our nation's most popular form of theater: football.
Performed in four 15-minute quarters with a half-time show, featuring a dance company, a drum corps, and a fully-padded cast, COLOSSAL is an epic event that simultaneously celebrates and attacks our nation's most popular form of theater: football.
Mixed Blood Theatre's COLOSSAL Opens 10/10
Performed in four 15-minute quarters with a half-time show, featuring a dance company, a drum corps, and a fully-padded cast, COLOSSAL is an epic event that simultaneously celebrates and attacks our nation's most popular form of theater: football.
Performed in four 15-minute quarters with a half-time show, featuring a dance company, a drum corps, and a fully-padded cast, COLOSSAL is an epic event that simultaneously celebrates and attacks our nation's most popular form of theater: football.
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