.png)
Danielle DeNiese
Latest News on Danielle DeNiese:
Photos: First Look at ASPECTS OF LOVE, Starring Michael Ball (May 24, 2023)
Thomas Adès and Earl Lee to Lead Boston Symphony Orchestra Concerts This Spring (Mar 1, 2023)
Andris Nelsons With The Opening Concert Of The 2022–23 Season On September 22 At Symphony Hall (Sep 13, 2022)
Photos: First Look at ASPECTS OF LOVE, Starring Michael Ball (May 24, 2023)
Thomas Adès and Earl Lee to Lead Boston Symphony Orchestra Concerts This Spring (Mar 1, 2023)
Andris Nelsons With The Opening Concert Of The 2022–23 Season On September 22 At Symphony Hall (Sep 13, 2022)
Photos
asperctsoflove(picbyjohanpersson).jpg)
danielledeniese(giulietta)aspectsoflove(pic,johanpersson),_21956-edit.jpg)
danielledeniese(giulietta)aspectsoflove(picbyjohanpersson).jpg)
michaelball(george)picbyjohanpersson.jpg)
News
Photos: First Look at ASPECTS OF LOVE, Starring Michael Ball
All new production photos have been released for Aspects of Love in London's West End! Performances began on 12 May 2023, with a press night on 25 May 2023.
All new production photos have been released for Aspects of Love in London's West End! Performances began on 12 May 2023, with a press night on 25 May 2023.
Thomas Adès and Earl Lee to Lead Boston Symphony Orchestra Concerts This Spring
BSO Artistic Partner from 2018 to 2021, composer/conductor/pianist Thomas Adès returns to Symphony Hall to lead a program featuring the Inferno Suite and Paradiso from his recent composition The Dante Project, a three-part ballet score from 2021 based on Dante Alighieri’s 14th-century Italian epic Commedia.
BSO Artistic Partner from 2018 to 2021, composer/conductor/pianist Thomas Adès returns to Symphony Hall to lead a program featuring the Inferno Suite and Paradiso from his recent composition The Dante Project, a three-part ballet score from 2021 based on Dante Alighieri’s 14th-century Italian epic Commedia.
Andris Nelsons With The Opening Concert Of The 2022â€"23 Season On September 22 At Symphony Hall
​​​​​​​Andris Nelsons, marking his ninth season as BSO Music Director, leads the Boston Symphony Orchestra in the opening concert of the 2022–23 season on September 22 at Symphony Hall. Pianist Awadagin Pratt appears for the first time with the BSO, performing a work written for him by American composer Jessie Montgomery (Rounds, for piano and string orchestra) and J.S. Bach's Concerto in A, BWV 1055.
​​​​​​​Andris Nelsons, marking his ninth season as BSO Music Director, leads the Boston Symphony Orchestra in the opening concert of the 2022–23 season on September 22 at Symphony Hall. Pianist Awadagin Pratt appears for the first time with the BSO, performing a work written for him by American composer Jessie Montgomery (Rounds, for piano and string orchestra) and J.S. Bach's Concerto in A, BWV 1055.
Video: LA Opera Presents World Premiere Of EURYDICE By Matthew Aucoin And Sarah Ruhl
LA Opera begins the new year with a new opera: the world premiere of Eurydice  by composer Matthew Aucoin and librettist Sarah Ruhl, based on her 2003 play of the same name. Directed by Mary Zimmerman, Eurydice opens on February 1, 2020.
LA Opera begins the new year with a new opera: the world premiere of Eurydice  by composer Matthew Aucoin and librettist Sarah Ruhl, based on her 2003 play of the same name. Directed by Mary Zimmerman, Eurydice opens on February 1, 2020.
LA Opera Presents World Premiere Of EURYDICE By Matthew Aucoin And Sarah Ruhl
LA Opera begins the new year with a new opera: the world premiere of Eurydice  by composer Matthew Aucoin and librettist Sarah Ruhl, based on her 2003 play of the same name. Directed by Mary Zimmerman, Eurydice opens on February 1, 2020.
LA Opera begins the new year with a new opera: the world premiere of Eurydice  by composer Matthew Aucoin and librettist Sarah Ruhl, based on her 2003 play of the same name. Directed by Mary Zimmerman, Eurydice opens on February 1, 2020.
Photo Flash: Lyric Opera of Chicago Presents LA BOHEME
Lyric Opera of Chicago's new coproduction of Puccini's La boheme opens the company's 64th season tomorrow -- Saturday, October 6, at 6:30pm. There are five performances through October 20 and six additional performance Jan. 10-25 at the Lyric Opera House, 20 N. Wacker Drive, Chicago. Tickets start at $49 and are available now at  lyricopera.org/Boheme or at 312-827-5600.
Lyric Opera of Chicago's new coproduction of Puccini's La boheme opens the company's 64th season tomorrow -- Saturday, October 6, at 6:30pm. There are five performances through October 20 and six additional performance Jan. 10-25 at the Lyric Opera House, 20 N. Wacker Drive, Chicago. Tickets start at $49 and are available now at  lyricopera.org/Boheme or at 312-827-5600.
Final Performance Of CALDER QUARTET's Three-Year Residency At The Broad Stage Announced, 4/29
The Eli and Edythe Broad Stage in Santa Monica presents the final performance in The Calder Quartet's three-year residency at The Broad Stage on Sunday, April 29 at 4:00pm. This inventive and passionate quartet explores the profound beauty of Beethoven's String Quartets paired with classical and contemporary works.
The Eli and Edythe Broad Stage in Santa Monica presents the final performance in The Calder Quartet's three-year residency at The Broad Stage on Sunday, April 29 at 4:00pm. This inventive and passionate quartet explores the profound beauty of Beethoven's String Quartets paired with classical and contemporary works.
Artists-in-Residence CALDER QUARTET Come to The Broad Stage in 2018
The Eli and Edythe Broad Stage in Santa Monica presents three concerts from Artists-in-Residence, Calder Quartet, on February 25, March 11 and April 29. This inventive and passionate quartet explores the profound beauty of Beethoven's String Quartets paired with classical and contemporary works. This will be the third and final year of the Calder Quartet residency at The Broad Stage.
The Eli and Edythe Broad Stage in Santa Monica presents three concerts from Artists-in-Residence, Calder Quartet, on February 25, March 11 and April 29. This inventive and passionate quartet explores the profound beauty of Beethoven's String Quartets paired with classical and contemporary works. This will be the third and final year of the Calder Quartet residency at The Broad Stage.
Photo Flash: First Look at BEL CANTO, Opening Tonight at Lyric Opera of Chicago
Lyric Opera of Chicago presents the eagerly awaited world premiere of BEL CANTO tonight, December 7. This is Lyric's seventh full-length operatic world premiere. BroadwayWorld has a first look at the cast in action below!
Lyric Opera of Chicago presents the eagerly awaited world premiere of BEL CANTO tonight, December 7. This is Lyric's seventh full-length operatic world premiere. BroadwayWorld has a first look at the cast in action below!
Photo Flash: Julian Wachner Makes San Francisco Opera Debut in PARTENOPE, 10/15
San Francisco Opera today announced that Grammy-nominated American conductor Julian Wachner will make his San Francisco Opera debut conducting George Frideric Handel's Partenope, presented October 15–November 2, 2014 at the War Memorial Opera House. Mr. Wachner replaces British conductor Christian Curnyn, who has withdrawn from the production for personal reasons. Check out a look at the cast below!
San Francisco Opera today announced that Grammy-nominated American conductor Julian Wachner will make his San Francisco Opera debut conducting George Frideric Handel's Partenope, presented October 15–November 2, 2014 at the War Memorial Opera House. Mr. Wachner replaces British conductor Christian Curnyn, who has withdrawn from the production for personal reasons. Check out a look at the cast below!
BWW Interview: For Mezzo SUSAN GRAHAM, No Warhorses Need Apply
'I'm not a warhorse kind of singer,' mezzo Susan Graham states matter-of-factly. 'A. I'm a mezzo. B. I'm not a character mezzo. C. I'm not a contralto. The iconic opera repertoire for mezzos, Amneris (AIDA), Azucena (IL TROVATORE), even Eboli (DON CARLO)--those kinds of roles aren't my stock and trade because my voice sits high and has a different timbre.' Well, what then is her milieu? It's the likes of Handel, who composed several of the arias she has been singing this winter at the Met, as one of the stars of THE ENCHANTED ISLAND, a kind of Baroque 'jukebox opera.' But it's also Rodgers & Hammerstein's THE KING & I, which she is doing this June at the Chatelet in Paris.
'I'm not a warhorse kind of singer,' mezzo Susan Graham states matter-of-factly. 'A. I'm a mezzo. B. I'm not a character mezzo. C. I'm not a contralto. The iconic opera repertoire for mezzos, Amneris (AIDA), Azucena (IL TROVATORE), even Eboli (DON CARLO)--those kinds of roles aren't my stock and trade because my voice sits high and has a different timbre.' Well, what then is her milieu? It's the likes of Handel, who composed several of the arias she has been singing this winter at the Met, as one of the stars of THE ENCHANTED ISLAND, a kind of Baroque 'jukebox opera.' But it's also Rodgers & Hammerstein's THE KING & I, which she is doing this June at the Chatelet in Paris.
Videos