Daniel Kaemon
Latest News on Daniel Kaemon:
Review: The West Coast Premiere of VINO VERITAS Arrives at Theatre 40 Just in Time for Halloween (Sep 26, 2017)
Coeurage Theatre Company presents World Premiere of NICKY by Boni B. Alvarez (May 10, 2017)
The Vagrancy Announces MACBETH (Oct 28, 2016)
Review: The West Coast Premiere of VINO VERITAS Arrives at Theatre 40 Just in Time for Halloween (Sep 26, 2017)
Coeurage Theatre Company presents World Premiere of NICKY by Boni B. Alvarez (May 10, 2017)
The Vagrancy Announces MACBETH (Oct 28, 2016)
BIO
A Chicago native, Daniel trained at Carnegie Mellon, BADA, USC. Some recent credits include -- Theatre: Brick in Cat On A Hot Tin Roof at Group Rep Theatre, Fred Staples in Patterns at Theatre 40 (2015 Best Lead Performance Honorable Mention StageScene LA). Stanley Kowalski in A Streetcar Named Desire (2014 Best Lead Performance recognition Broadway World), Moe Axlerod in Awake & Sing! at Group Rep Theatre. Moderation at Pasadena Playhouse (Hothouse). Noel in War, Bassanio in Merchant of Venice, Malcolm in Macbeth at Theatre Banshee. Marc Antony in Julius Caesar, Cassio in Othello at A Noise Within. Film: Whisperer in Darkness, Winged Feet Do Fly, Power Poison, Zombie Holocaust and You!, Katherine (Cannes Film Festival). Television: SuperNova 45 (Pilot), Alias, Days of Our Lives, Passions, Pirate Waters (Pilot).
News
Review: The West Coast Premiere of VINO VERITAS Arrives at Theatre 40 Just in Time for Halloween
VINO VERITAS by David MacGregor debuted in Michigan in 2008 and won the state's Purple Rose for Best New Play. The current Theatre 40 production is being presented as the second show of its 2017-2018 season, arriving as a perfect comedy for the Halloween season. Taking its title from a Latin proverb, which literally translates as 'in wine, the truth, the skin of the blue dart tree frog wine consumed on Halloween night by two middle-aged couples as they prepare to attend a friend's annual party causes them to share an unpredictable and hilarious night of unbridled honesty that stretches the bounds of their friendship and their relationships forever.
VINO VERITAS by David MacGregor debuted in Michigan in 2008 and won the state's Purple Rose for Best New Play. The current Theatre 40 production is being presented as the second show of its 2017-2018 season, arriving as a perfect comedy for the Halloween season. Taking its title from a Latin proverb, which literally translates as 'in wine, the truth, the skin of the blue dart tree frog wine consumed on Halloween night by two middle-aged couples as they prepare to attend a friend's annual party causes them to share an unpredictable and hilarious night of unbridled honesty that stretches the bounds of their friendship and their relationships forever.
Coeurage Theatre Company presents World Premiere of NICKY by Boni B. Alvarez
Coeurage Theatre Company, LA's Pay What You Want theatre company, has announced the first production of its eighth season, the world premiere of Nicky, by acclaimed Los Angeles playwright Boni B. Alvarez. Directed by Beth Lopes, there will be two preview performances on June 1 and 2 at 8pm and opening is set for Saturday, June 3 at 8pm. Nicky will play through July 1 at the Greenway Court Theatre.
Coeurage Theatre Company, LA's Pay What You Want theatre company, has announced the first production of its eighth season, the world premiere of Nicky, by acclaimed Los Angeles playwright Boni B. Alvarez. Directed by Beth Lopes, there will be two preview performances on June 1 and 2 at 8pm and opening is set for Saturday, June 3 at 8pm. Nicky will play through July 1 at the Greenway Court Theatre.
The Vagrancy Announces MACBETH
Following THE VAGRANCY's OVATION NOMINATED, West Coast Premiere of Maria Irene Fornes' WHAT OF THE NIGHT?, the Los Angeles based theatre company proudly presents Shakespeare's deliciously murderous MACBETH, helmed by Artistic Director CAITLIN HART.
Following THE VAGRANCY's OVATION NOMINATED, West Coast Premiere of Maria Irene Fornes' WHAT OF THE NIGHT?, the Los Angeles based theatre company proudly presents Shakespeare's deliciously murderous MACBETH, helmed by Artistic Director CAITLIN HART.
The Vagrancy Announces MACBETH
Following THE VAGRANCY's OVATION NOMINATED, West Coast Premiere of Maria Irene Fornes' WHAT OF THE NIGHT?, the Los Angeles based theatre company proudly presents Shakespeare's deliciously murderous MACBETH, helmed by Artistic Director CAITLIN HART.
Following THE VAGRANCY's OVATION NOMINATED, West Coast Premiere of Maria Irene Fornes' WHAT OF THE NIGHT?, the Los Angeles based theatre company proudly presents Shakespeare's deliciously murderous MACBETH, helmed by Artistic Director CAITLIN HART.
BWW Review: Splendid CAT ON A HOT TIN ROOF at Group rep
birthday. He is dying of cancer but is told that he is suffering from a spastic colon. Mendacity. Margaret (Madeline Fair) denies gossip that she and husband Brick (Daniel Kaemon) are sleeping apart. The denial is a lie. Gooper (Todd Andrew Ball) and wife Mae (Kyra Schwartz) swear to have Big Daddy's back. More mendacity. Brick denies unspeakable devotion to football pal Skipper. Mendacity, mendacity, mendacity. The plantation reeks of it. The only truth that exists is that Big Daddy does hate his relationship with Big Mama (Diane Frank) and is not afraid to tell it to the world.The Pollitt family give new meaning to the word dysfunction. Who would want to celebrate anything with them? But somehow Tennessee Williams manages to get us to care for Maggie, Brick, Big Daddy and Big Mama. Gooper, Mae and their no.neck monster children... we can definitely live without. Now in an appealing production at Group rep directed meticulously by L. Flint Esquerra and with an outstanding cast, Cat on a Hot Tin Roof still manages to grab hold and move us.
birthday. He is dying of cancer but is told that he is suffering from a spastic colon. Mendacity. Margaret (Madeline Fair) denies gossip that she and husband Brick (Daniel Kaemon) are sleeping apart. The denial is a lie. Gooper (Todd Andrew Ball) and wife Mae (Kyra Schwartz) swear to have Big Daddy's back. More mendacity. Brick denies unspeakable devotion to football pal Skipper. Mendacity, mendacity, mendacity. The plantation reeks of it. The only truth that exists is that Big Daddy does hate his relationship with Big Mama (Diane Frank) and is not afraid to tell it to the world.The Pollitt family give new meaning to the word dysfunction. Who would want to celebrate anything with them? But somehow Tennessee Williams manages to get us to care for Maggie, Brick, Big Daddy and Big Mama. Gooper, Mae and their no.neck monster children... we can definitely live without. Now in an appealing production at Group rep directed meticulously by L. Flint Esquerra and with an outstanding cast, Cat on a Hot Tin Roof still manages to grab hold and move us.
Photo Flash: CAT ON A HOT TIN ROOF Opens Tonight at Lonny Chapman Theatre
The Group Rep at the Lonny Chapman Theatre presents Tennessee Williams' dynamic and demanding Pulitzer Prize-winning play directed by L. Flint Esquerra, produced by Kevin Dobson for The Group Rep. Check out photos from the show below!
The Group Rep at the Lonny Chapman Theatre presents Tennessee Williams' dynamic and demanding Pulitzer Prize-winning play directed by L. Flint Esquerra, produced by Kevin Dobson for The Group Rep. Check out photos from the show below!
BWW Review: PATTERNS Examines Just How Much Can You Take Before You Crack?
Written by James Reach, adapted from the 1955 teleplay by Rod Serling of Twilight Zone fame, PATTERNS, takes an insightful look at corporate politics, examining just how much it takes for an individual to crack in order to succeed financially. Directed with great skill and insight into human foibles and behavior by Jules Aaron (one of Los Angeles' most honored directors, the recipient of over thirty awards for his work, directing over 250 stage and television productions), with a brilliant cast and design team at Theatre 40, the play depicts the emotional wreckage that corporate culture can inflict on individuals to bring them into the fold.
Written by James Reach, adapted from the 1955 teleplay by Rod Serling of Twilight Zone fame, PATTERNS, takes an insightful look at corporate politics, examining just how much it takes for an individual to crack in order to succeed financially. Directed with great skill and insight into human foibles and behavior by Jules Aaron (one of Los Angeles' most honored directors, the recipient of over thirty awards for his work, directing over 250 stage and television productions), with a brilliant cast and design team at Theatre 40, the play depicts the emotional wreckage that corporate culture can inflict on individuals to bring them into the fold.
BWW Reviews: GRIGWARE Picks His Best in LA Theatre for 2014
The Best in LA Theatre for 2014 (alphabetical listings; Equity, Equity-waiver & Non-Equity productions are mixed) (artists performing outside LA may be included in performance categories)
The Best in LA Theatre for 2014 (alphabetical listings; Equity, Equity-waiver & Non-Equity productions are mixed) (artists performing outside LA may be included in performance categories)
BWW Reviews: Group Rep Presents a Gripping STREETCAR NAMED DESIRE
Tennessee Williams' classic A Streetcar Named Desire is revered as one of the greatest plays of the 20th century with Blanche DuBois and Stanley Kowalski, two of the most fascinating characters in theatrical history. Written in the 40s, the play does have many dated elements, but given a taut, well-honed production, its beautifully poetic passages still inspire...and its raw passions can ignite fireworks. Now onstage at the group rep in NoHo, Streetcar may be a daring choice for this company, but under L. Flint Esquerra's caring and detailed direction and with four actors perfectly cast in the lead roles, it is something to sing about.
Tennessee Williams' classic A Streetcar Named Desire is revered as one of the greatest plays of the 20th century with Blanche DuBois and Stanley Kowalski, two of the most fascinating characters in theatrical history. Written in the 40s, the play does have many dated elements, but given a taut, well-honed production, its beautifully poetic passages still inspire...and its raw passions can ignite fireworks. Now onstage at the group rep in NoHo, Streetcar may be a daring choice for this company, but under L. Flint Esquerra's caring and detailed direction and with four actors perfectly cast in the lead roles, it is something to sing about.
Group Rep's A STREETCAR NAMED DESIRE Begins 7/25
The Group Rep presents as their first production of their 41st Season Tennessee Williams' A Streetcar Named Desire directed by L. Flint Esquerra, produced by Kellie Brook Malone for the Group Rep. This Pulitzer Prize and Drama Critics Circle Award-winning play famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Considered to be one of the most remarkable plays of our time, the play solidified Tennessee Williams' position as one of the most important young playwrights of his generation.
The Group Rep presents as their first production of their 41st Season Tennessee Williams' A Streetcar Named Desire directed by L. Flint Esquerra, produced by Kellie Brook Malone for the Group Rep. This Pulitzer Prize and Drama Critics Circle Award-winning play famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Considered to be one of the most remarkable plays of our time, the play solidified Tennessee Williams' position as one of the most important young playwrights of his generation.
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