Daisy Jacobson
Latest News on Daisy Jacobson:
Little Island Summer Season Begins Tomorrow With Twyla Tharp's HOW LONG BLUES (May 31, 2024)
Twyla Tharp Dance Comes to The Joyce Theater in February (Jan 18, 2024)
New York City Center to Present 19th Fall for Dance Festival Featuring Kyiv City Ballet, Dutch National Ballet & More (Jul 26, 2022)
Little Island Summer Season Begins Tomorrow With Twyla Tharp's HOW LONG BLUES (May 31, 2024)
Twyla Tharp Dance Comes to The Joyce Theater in February (Jan 18, 2024)
New York City Center to Present 19th Fall for Dance Festival Featuring Kyiv City Ballet, Dutch National Ballet & More (Jul 26, 2022)
News
Little Island Summer Season Begins Tomorrow With Twyla Tharp's HOW LONG BLUES
Little Island will begin its summer-long season of world premieres with the first performance of How Long Blues, the new full-length dance piece conceived, choreographed, and directed by Twyla Tharp. Learn how to purchase tickets.
Little Island will begin its summer-long season of world premieres with the first performance of How Long Blues, the new full-length dance piece conceived, choreographed, and directed by Twyla Tharp. Learn how to purchase tickets.
Twyla Tharp Dance Comes to The Joyce Theater in February
Presenting a program of two world premieres and one classic work, her sensational company of dancers, Twyla Tharp Dance, will play The Joyce Theater from February 13-25.
Presenting a program of two world premieres and one classic work, her sensational company of dancers, Twyla Tharp Dance, will play The Joyce Theater from February 13-25.
New York City Center to Present 19th Fall for Dance Festival Featuring Kyiv City Ballet, Dutch National Ballet & More
New York City Center has announced full programming for the 19th Fall for Dance Festival, September 21 – October 2, which opens a robust calendar of events for City Center’s 2022 – 2023 season.
New York City Center has announced full programming for the 19th Fall for Dance Festival, September 21 – October 2, which opens a robust calendar of events for City Center’s 2022 – 2023 season.
Shulman Smith Releases 'Mineral King'
Filmed on land that was badly damaged by the wildfires of 2020, Smith intends to raise awareness for the park and the challenges it faces.
Filmed on land that was badly damaged by the wildfires of 2020, Smith intends to raise awareness for the park and the challenges it faces.
BWW Review: ROMEO & JULIET Inhabits Hollywood at The Hollywood Bowl
The Los Angeles Philharmonic Orchestra, conducted by Gustav Dudamel, played magnificently July 16, 2019 as they first featured award-winning Pablo Ferrandez in Antonin Dvorak's Cello Concerto in B minor, Opus 104 in a most passionate and stirring performance. The piece was written by Dvorak about his sister-in-law, who never acknowledged her affection for him, giving this piece an extraordinary range of emotions that Ferrandez fervently played, seeming to feel every note and every nuance with his body and his soul. He is an extraordinary musician, and fully captivated the audience; so much so there were numerous encores of appreciation. It was a moving, heart-felt performance, and I would go anywhere to hear and watch him play again, play anything, as this performance was exalting. Part two of the evening was a reprise, or rather reworking of the performance L. A. Dance Project originally performed at the Walt Disney Concert Hall, which I reviewed, in 2018. (https://www.broadwayworld.com/los-angeles/article/BWW-Review-ROMEO-JULIET-at-Walt-Disney-Concert-Hall-20181106)
The Los Angeles Philharmonic Orchestra, conducted by Gustav Dudamel, played magnificently July 16, 2019 as they first featured award-winning Pablo Ferrandez in Antonin Dvorak's Cello Concerto in B minor, Opus 104 in a most passionate and stirring performance. The piece was written by Dvorak about his sister-in-law, who never acknowledged her affection for him, giving this piece an extraordinary range of emotions that Ferrandez fervently played, seeming to feel every note and every nuance with his body and his soul. He is an extraordinary musician, and fully captivated the audience; so much so there were numerous encores of appreciation. It was a moving, heart-felt performance, and I would go anywhere to hear and watch him play again, play anything, as this performance was exalting. Part two of the evening was a reprise, or rather reworking of the performance L. A. Dance Project originally performed at the Walt Disney Concert Hall, which I reviewed, in 2018. (https://www.broadwayworld.com/los-angeles/article/BWW-Review-ROMEO-JULIET-at-Walt-Disney-Concert-Hall-20181106)
BWW Review: ROMEO & JULIET at Walt Disney Concert Hall
Hard to compare any other performance to this one. "Revisited," meaning reverse role changes that were made in the casting of this, putting another dimension into significance from the original version, plus updated costuming and scenics, and "Rejoiced," because it was performed, live, in front of your eyes and ears, by The L Philharmonic and The L A Dance Project, at The Walt Disney Concert Hall in Downtown Los Angeles, California.
Hard to compare any other performance to this one. "Revisited," meaning reverse role changes that were made in the casting of this, putting another dimension into significance from the original version, plus updated costuming and scenics, and "Rejoiced," because it was performed, live, in front of your eyes and ears, by The L Philharmonic and The L A Dance Project, at The Walt Disney Concert Hall in Downtown Los Angeles, California.
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