Review: EL TERREMOTO at Tarragon Theatre
When the ground beneath your feet starts, to move it's an unmooring, dangerous feeling. That’s the sensation that shakes at the core of Christine Quintana’s complex and refreshing new play, EL TERREMOTO (The Earthquake), which may shake you from your seat—even without the help of the intense rumble produced by the sound system.
Review: GUILT: A LOVE STORY at Tarragon Theatre
Flacks, a well-known writer who has provided material for anything from Workin’ Moms to Kids in the Hall, airs her dirty, guilty laundry with all five stages of grief and a side of sharp, rueful humour.
Feature: Ilana Lucas Picks The Top Toronto Theatre of 2023
It’s been a strong year for Toronto theatre. I saw 145 shows this year in Toronto and beyond, and am happy to report that theatre is alive and well. I’ve laughed, sobbed, coughed (discreetly into a mask), and cheered my way through our stages in 2023. Here are some local highlights.
Love Power The Band Celebrates Winter Solstice With New Single 'Psychedelic Halo'
Love Power the Band will release their highly anticipated new single, 'Psychedelic Halo.' The track, written by lead vocalist Ananda Xenia Shakti, is a vibrant sound bath for Awakening Higher Realm Consciousness. It features a vibrant mix of angelic vocals, pulsating guitars, and mesmerizing percussion, creating a blend of the Velvet Underground.
Review: WITHROW PARK at Tarragon Theatre
In WITHROW PARK, Morris Panych’s new play at Tarragon Theatre, we see a view into a neighbourhood a little less than 7 kilometres away from where we sit. Panych’s script is quippy and fun with a philosophical bent about aging, mortality, and the ability to start again at any point, but just like its characters, finds it hard to achieve balance between those two states.
Review: A POEM FOR RABIA at Tarragon Theatre
In Nikki Shaffeeullah’s A POEM FOR RABIA, three centuries of women come together to explore the currents of change that shape their lives. Expansive and thoughtful, it’s a fearlessly creative play as messy and complex as the themes of colonialism and queer womanhood it investigates, both to its major credit and minor detriment.
Review: The Stratford Festival's FRANKENSTEIN REVIVED is Electrifying
The excitement in the audience on Thursday night was palpable for the World Premiere of FRANKENSTEIN REVIVED – An adaptation written and directed by Morris Panych, with music by David Coulter, based on Mary Shelley’s Frankenstein. Word on the street was that this was unlike anything audiences had seen before – and it more than lived up to the hype.
Review: PAINT ME THIS HOUSE OF LOVE At Tarragon Theatre
Though her style may not be for everyone, Woolley is clearly a talent to watch, displaying a range of abilities in her twisty, complex script. PAINT ME THIS HOUSE OF LOVE gives us a compelling situation, strong characters, and one truly blazing performance, but also the frustration of a conversation that never fully gets started.
Review: THE HOOVES BELONGED TO THE DEER at Tarragon Theatre
The Hooves Belonged to the Deer, playing at the Tarragon Theatre, is an eye-opening revelation story where conflicting situations conspire and lead to a tumultuous end for for Izzy, a young teen Muslim boy coming to terms with his sexuality while under the lure of a local pastor.
Review: REDBONE COONHOUND at Tarragon Theatre
What did our critic think of REDBONE COONHOUND at Tarragon Theatre? That's the hotly debated question in Amy Lee Lavoie and Omari Newton's new play at Tarragon Theatre, co-produced with Montreal's Imago Theatre. In REDBONE COONHOUND, interracial couple Mike and Marissa (Christopher Allen and Chala Hunter) find the delicate power balance that comes from living in the world with vastly different experiences can be upset by a small incident that carries the weight of history.
Review: PRESSURE at Royal Alexandra Theatre
What did our critic think of PRESSURE at Royal Alexandra Theatre? Mirvish Productions presents Pressure playing at the Royal Alexandra Theatre until March 5 2023. Fitting to the name, this performance is a pressurized exploration into the days leading up to D-Day in June, 1944. General Dwight Eisenhower (exquisitely played by Malcolm Sinclair) led the Allied Forces on a carefully calculated attack on Nazi-occupied France. With 350 000 lives at stake, the one unpredictable wild card was the often unforgiving weather. The man tasked with delivering the most crucial weather forecast in history fell on Scottish meteorologist James Stagg (Kevin Doyle).
BWW Review: 2 PIANOS 4 HANDS at Royal Alexandra Theatre
Richard Greenblatt and Ted Dykstra are two accomplished pianists who also happen to be pretty darn funny. Together they've created a musical comedic romp, 2 Pianos 4 Hands (2P4H) playing at the Royal Alexandra Theatre, an ode to their lifelong obsession with the 88 keys. If you've ever endured a music lesson as a child, the flashbacks experienced here are all too real.
BWW Review: LESSON IN FORGETTING from Pleiades Theatre Makes Much of Memory
What are the essential qualities that make people who they are? What are the ties that bind us together, emotionally and physically? Is memory crucial to continuing a relationship, or does love conquer all? These are some of the questions asked in LESSON IN FORGETTING, Emma Haché’s heart-wrenching play that is getting its English-language premiere from Pleiades Theatre at the Young Centre for the Performing Arts.