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Curtis Reed

Birth Place: Massachusetts

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BIO

Curtis Reed made his Street Theatre Company debut with Memphis. As a Native New Englander, Curtis has performed at several community, regional and professional theater and dinner theater venues throughout Massachusetts, Connecticut, New York, and Maine. His most recent roles took him to Corpus Christi, TX at the Harbor Playhouse. Past Shows include: Little Shop of Horrors (Seymour Krelborn), Forever Plaid Tidings (Jinx), Shrek the Musical (Lord Farquaad/ Pied Piper) A Christmas Carol (Ghost of Christmas Present) and Spamalot (Sir Robin). Curtis is currently a member of the new group, Nash Pack of Nashville, TN, a co-host of the local TV and web series, Music City Corner, as well as a writer/ director/ performer for Mel O’Drama Theater. Other Nashville credits include the original musical comedy written and directed by Curtis called The Hatfield/ McCoy Wedding Reception produced by Mel O'Drama Theater, as well as Gaslight Dinner's production of the Andrews Brothers and A Closer Walk With Patsy Cline.

News


Review: Presented in the Perfect Setting, Studio Tenn's SMOKE ON THE MOUNTAIN Will Revive Your Spirit

It was in Fall 1995 that I first was introduced to the gospel singing Sanders Family of “up near Siler City, North Carolina,” in a production of Smoke on the Mountain at Nashville's venerable Chaffin's Barn Dinner Theatre. In 2023, the family returns again, as if by magic or perhaps accompanied by flights of angels, in a warmly nostalgic, sweetly sentimental and altogether lovely production from Studio Tenn -- playing through April 2 -- at the historic sanctuary of the First United Methodist Church in downtown Franklin, which stands in quite nicely for the First Baptist Church of Mount Pleasant, North Carolina, on a Saturday night in 1938.
Review: Bucket List Productions' 'Eerily Prescient' ASSASSINS: THE MUSICAL Opens at Nashville's Darkhorse Theater

In theater, as in life, it’s all in the timing: Bucket List Productions’ Assassins: The Musical opened its Nashville run at Darkhorse Theater on Friday, July 8, the same day that former Japanese prime minister Shinzo Abe died by an assassin’s gun. As news of Abe’s assassination reverberated throughout the world yesterday, it underscored the timelessness and the unfortunate relevance of the Stephen Sondheim-John Weidman musical outside the oftentimes fanciful, yet eerily prescient, world of musical theater.
BWW Review: David Lee's 'Sparkling and Winning' Adaptation of LERNER AND LOEWE'S CAMELOT at Studio Tenn

Lerner and Loewe’s Camelot, the 1960 musical based on the legend of King Arthur and his knights of the round table and adapted from the T.H. White novel The Once and Future King, is now onstage in Franklin, in an entertaining, sparkling and winningly fast-paced rendition from Studio Tenn. Under the direction of Broadway veteran Phillip William McKinley (The Boy From Oz, Spiderman: Turn Off the Dark) who, with his creative team, brings to life the show’s 2010 update by multiple Emmy Award-winning, multi-hyphenate television producer David Lee (Frasier, Wings, The Jeffersons).
BWW Review: WE NEED A LOT OF CHRISTMAS Keeps the Holiday Spirit Alive

Nothing can put you in the holiday spirit quite so quickly – or so successfully – as being treated to a musical presentation filled with Christmastide tunes, performed by a swell ensemble of uber-talented performers (with some comedy bits thrown in for good measure, along with a generous dollop of onstage magic)! And when it is preceded by a delicious dinner shared with a whole slew of folks seeking to capture the warmth and camaraderie of a holiday-themed spectacle…well, can it get any better?
BWW Review: Outrageously Camp SLOPPY BONNIE Trades on Stereotypes and Cliches

Outrageously camp and deliriously fun – what more can you expect from a pandemic-shattering original musical called Sloppy Bonnie? – but are we so blinded by the pure joy of the return to live theater (albeit in a parking lot, however spacious it may be) that we are forgiving of the stereotypes and cliches that abound in Krista Knight’s script and Barry Brinegar’s music.
SLOPPY BONNIE Announces New Streaming Dates

No Puppet Co. has announced new performance dates for their streaming World Premiere of Sloppy Bonnie, a roadkill musical for the modern chick created by playwright Krista Knight and composer Barry Brinegar and directed by Leah Lowe.
OZ Arts Nashville Announces Extended Run Of SLOPPY BONNIE In Advance Of Highly Anticipated Premiere

Contemporary arts center OZ Arts Nashville today announced the run for its upcoming performance, Sloppy Bonnie, presented in association with Vanderbilt University Theatre, has been extended through June 5, 2021 in response to overwhelming demand.
SLOPPY BONNIE World Premiere to be Presented by No Puppet Co.

No Puppet Co. will present the streaming World Premiere of Sloppy Bonnie, a roadkill musical for the modern chick created by playwright Krista Knight and composer Barry Brinegar and directed by Leah Lowe.
OZ Arts Nashville To Host Three In-person, Socially Distanced Performances and Events in May and June

Contemporary arts center OZ Arts Nashville today announced it will host three captivating shows in-person in May and June 2021. Presentations include short film screenings by Defy Film Festival and Kindling Arts Festival from May 7-8; roadkill musical Sloppy Bonnie from May 20-29 and more.
BWW Review: SINGIN' IN THE RAIN Sings and Dances Up a Storm at Chaffin's Barn Dinner Theatre

Hailed as a a?oenear-perfect movie musical,a?? Singin' in the Rain is nonetheless a challenge for companies mounting a full-scale version of it a?oelive and onstage.a?? It's not just about making it rain onstage during the show's eponymous song and dance number, but more about capturing the magic of bringing movies to life without all the technical wizardry of a film studio at one's behest.
BWW Review: Go Back to the 1980s With THE WEDDING SINGER at Chaffin's Barn

Somewhere among the cards and letters, photographs and souvenirs from my misspent youth is a picture (circa 1978) of me clad in a powder blue tuxedo, with a ruffled-front shirt edged in the same hue, all capped off by an impossibly wide bow tie to match a?" my costume to serve as a groomsman in the wedding of two friends. That image has been prominent in my mind for the past 12 hours after experiencing déjà vu of a particular sort, thanks to a rousing, rollicking and downright rocking production of The Wedding Singer, the latest offering at Chaffin's Barn Dinner Theatre, which opened last night and continues through October 19 at the venerable Nashville venue.
BWW Review: GOD'S FAVORITE at Chaffin's Barn is Funny, Irreverent and Sincere

American playwright Neil Simon's prolific and wide-ranging contributions to theater range from the sublime (The Odd Couple and Rumors) to the ridiculous (Fools), with God's Favorite - now onstage through tomorrow - falling somewhere in the middle. While it's not one of the master craftsman's best scripts, it nonetheless is certain to provoke thought and when performed by a talented cast of actors, like it is in its current iteration at The Barn, it is certain to entertain and to evoke an emotional response.
BWW Review: Studio Tenn's Deliciously Campy, Fun and Sexy JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT

With Joseph, which opened last night at Franklin's Jamison Theater inside The Factory at Franklin, further establishes its brand: presenting exceptional musical theater with production qualities that might rival Broadway, performed by a cast (a dreamcast, if you will) made up of actors from Nashville, New York and various and sundry points in between. The show's title role is entrusted to New York-based Jesse Michels, who oozes great charm and is fairly dripping in sex appeal which ensures the audience is riveted to his performance - but it's his gorgeous baritenor and prominent stage presence that makes certain this production of Joseph is so appealing and we daresay noteworthy.
BWW Review: KISS ME, KATE Audiences Are 'So In Love' With Chaffin's Barn's Stunning Revival

Crafting a musical theater hit is a lot like alchemy - the ancient study focused primarily on creating gold from baser elements - and oftentimes no matter the ingredients, directors never quite achieve the outcome for which they strive. But in the case of director/choreographer Everett Tarlton's production of Cole Porter's Kiss Me, Kate (now onstage at Chaffin's Barn Dinner Theatre through March 7), he has crafted something so special that it essentially defines the theatrical gold standard.
BWW Review: Studio Tenn's Holiday Season Offering of BEAUTY AND THE BEAST

Before Broadway comes calling for Hatty Ryan King, the young Nashville actress with an enviable resume (the Lipscomb University sophomore is a Spotlight Award winner, was a finalist for The Jimmy Award, has worked with theater companies both community-oriented and professional and has proven herself a capable leading player along the way), you might want to get your tickets to see her onstage in Studio Tenn's ambitious, if woefully uneven, holiday season offering of Beauty and The Beast. In a role that could have been written for her, King shines as Belle, the ambitious and eager to learn and to embrace change young woman who is the heroine of the musical which features a score by Alan Menken, lyrics by Howard Ashman and Tim Rice and a book by Linda Woolverton.
SAVE THE DATE: Nashville Theater Calendar for December 10, 2018

Looking ahead, you'll find a number of new productions on tap for your entertainment pleasure, including a number of holiday season offerings to put you in the Christmas spirit, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for December 3, 2018, to help you plot your course through the first few weeks of 2019...
SAVE THE DATE: Nashville Theater Calendar for November 26, 2018

Here's hoping you had a splendid Thanksgiving holiday weekend and that you're settling in for another action-packed season of events and shows to make Christmas 2018 sparkle even more! Looking ahead, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for November 26, 2018, to help you plot your course through the end of the year...
BWW Review: Country Comic Legend Minnie Pearl Comes to Life at Chaffin's Barn

Country comedy legend Minnie Pearl is brought to life thanks to Minnie Pearl: All The News From Grinder's Switch, a musical comedy revue making its debut this weekend at Nashville's Chaffin's Barn Dinner Theatre in a very limited, four performance engagement through September 13. Directed with obvious respect by Joy Tilley Perryman and featuring a top-flight ensemble of tremendously talented actors, the newly created show from Belmont University professor and music historian Don Cusic takes a lovingly nostalgic look at the show business career of Sarah Ophelia Colley Cannon, the Hickman County native who rose to the top ranks of country stardom with the comic creation of her alter ego.
BWW Review: Chaffin's Barn Re-opens With Habit-Forming SISTER ACT

Nashville's iconic Chaffin's Barn Dinner Theatre is back and better than ever! After some six months - and 50 or more years since its debut - the newly renovated and gorgeously appointed Chaffin's Barn has reopened with a rousing production of Sister Act, the habit-forming musical that played to sold-out audiences last summer.
BWW Review: DISNEY'S FREAKY FRIDAY Gets The Chaffin's Barn Musical Treatment

Chaffin's Barn Dinner Theatre, Nashville's iconic professional theater, opens its 2018 season - its 52nd! - with an entertaining, if somewhat overly long, production of Disney's Freaky Friday, the new musical with a starry musical theater pedigree.

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