Mirror Stage Presents U.S. Premiere Of THE SQUIRREL PLAYS
Mirror Stage will present its first fully-staged production in more than 10 years, the U.S. premiere of The Squirrel Plays by award-winning playwright Mia McCullough. A deeply dark comedy about choice(s) and consequences, The Squirrel Plays is a cycle of three short one-act plays: Infestation, Compensation, and Eradication.
Seattle Shakespeare Company Presents TROILUS AND CRESSIDA
Classic characters from Homer's The Iliad a?" Hector, Ulysses, Achilles, Ajax, Helen a?" leap to life with the help of Shakespeare's imagination to reveal the follies of war in Troilus and Cressida at Seattle Shakespeare Company. David Quicksall directs the production which begins previews on March 17, opens March 20, and runs through April 12 in the Center Theatre at Seattle Center.
Photo Flash: THE RIVALS At Seattle Shakespeare Company
Duels, dandies, deceptions, and dudes with daddy issues stir up a comic frenzy in Richard Brinsley Sheridan's witty gem The Rivals at Seattle Shakespeare Company. George Mount directs the production which begins previews on Jan. 7, opens Jan. 10 and runs through Feb. 2 at the Center Theatre at Seattle Center.
THE RIVALS Announced At Seattle Shakespeare Company
Duels, dandies, deceptions, and dudes with daddy issues stir up a comic frenzy in Richard Brinsley Sheridan's witty gem The Rivals at Seattle Shakespeare Company. George Mount directs the production which begins previews on Jan. 7, opens Jan. 10 and runs through Feb. 2 at the Center Theatre at Seattle Center.
Casting and New Venues Announced: Wooden O Free Summer Shakespeare in the Parks
Casting is announced for Seattle Shakespeare Company's free Wooden O productions of King Lear and The Merry Wives of Windsor which start performances on Thursday, July 12. Both productions will perform in park venues throughout King and Pierce Counties (please see attached schedule). This summer marks the 25th Anniversary for Wooden O productions in the parks.
BWW Review: Et Tu, Brute? is Comme Ci Comme Ça with Seattle Shakespeare Company's JULIUS CAESAR
This rendition of Julius Caesar by the Seattle Shakespeare Company will offer a few surprises. It is a streamlined production with a race and gender-diverse cast. With no clear-cut villains and heroes, this epic tale of political savagery has an engaging narrative. But when said savagery feels tepid, hiccups are more conspicuous, leaving audience members recalling the bad, rather than the good. Now performing at the Cornish Playhouse, Julius Caesar gets the job done, but it's problematic.
Mirror Stage Returns with ODIN'S HORSE, Now thru 11/11
This fall, Mirror Stage returns to fully-staged productions with the West Coast premiere of Odin's Horse by Robert Koon at the Ethnic Cultural Theatre tonight, October 24 through November 11, 2012. Odin's Horse marks Mirror Stage's first fully staged production since 2003.
Mirror Stage Returns with ODIN'S HORSE, 10/24-11/11
This fall, Mirror Stage returns to fully-staged productions with the West Coast premiere of Odin's Horse by Robert Koon at the Ethnic Cultural Theatre, October 24 through November 11, 2012. Odin's Horse marks Mirror Stage's first fully staged production since 2003.
Seattle Shakespeare Company Presents AS YOU LIKE IT, 5/20-6/24
Seattle Shakespeare Company's Artistic Director George Mount stages his first mainstage production-As You Like It-since being appointed to lead the organization last December. Shakespeare's romantic comedy of wandering and wooing in the woods features 15 actors with original music by Sarah McGuinn, playing May 30-June 24.
SIS Productions Presents THE THEORY OF EVERYTHING 2/20-3/15
SIS Productions is excited to present the Northwest premiere of The Theory of Everything by Prince Gomolvilas running February 20-March 15, 2009 playing Fridays and Saturdays at 8pm and Sundays at 4pm.
There will also be an additional performance on Thursday, March 12 at 8pm. All performances will be at Richard Hugo House located at 1634 11th Avenue (11th Avenue, off of Pine Street) on Seattle's Capitol Hill.
'A refreshing look at Asian-American issues of race, gender and
identity, layered with deeper questions of life and death.
Gomolvilas's writing is tight, intelligent and funny. . . likeable
characters and sharply written dialogue . . . a play worth seeing for its humor and humanity.' - The Business Times, Singapore