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Courtney Rackley
Latest News on Courtney Rackley:
BWW Review: NEW AGE Takes a Hopeful Look at Aging at the MILWAUKEE REP (Mar 26, 2022)
Photos: First Look at NEW AGE at Milwaukee Rep (Mar 24, 2022)
Milwaukee Rep to Present World Premiere of NEW AGE by Dael Orlandersmith (Feb 17, 2022)
BWW Review: NEW AGE Takes a Hopeful Look at Aging at the MILWAUKEE REP (Mar 26, 2022)
Photos: First Look at NEW AGE at Milwaukee Rep (Mar 24, 2022)
Milwaukee Rep to Present World Premiere of NEW AGE by Dael Orlandersmith (Feb 17, 2022)
BIO
Courtney received her BFA from NYU's Tisch School of the Arts and her MFA from Harvard's ART.
She plays Patsy in the soon to be released series, CORONATOWN. She wrote and stars in the new show DEALBREAKERS, now
on Amazon Prime. Currently in its second season is her series, FIRSTS which is about a new relationship going through its awkward and somewhat inappropriate "Firsts". You can also catch her on Amazon's HAND OF GOD and the recently released Netflix Film, OPERATION VARSITY BLUES.
Or you can find her at the theatre.
Recent LOS ANGELES credits; Disgraced (CTG Mark Taper Forum, dir:Kimberly Senior), Collective Rage (Boston Court, West Coast Premiere), God of Carnage (dir: Graeme Clifford), Shopping and F**king (LA Premiere), Eddie, Kill The President (World Premiere), Rendition in Damascus (World Premiere).
NEW YORK; XXX Love Act (Ohio Theatre, NYC Premiere), The Crucible (dir; Michael Parva), After the Fall (Elaine Aiken). Regional; Sex with Strangers (Theatreworks), 27 Wagons Full of Cotton (Kate Whoriskey), The Seagull (ART), Midsummer Night's Dream (NJ Shakespeare Festival).
Photos
News
BWW Review: NEW AGE Takes a Hopeful Look at Aging at the MILWAUKEE REP
The play is the fruit of the Milwaukee Repertory Theater’s New Play Development Program. While other challenging pieces tackle racism or sexism, this one digs into ageism, specifically for women.
The play is the fruit of the Milwaukee Repertory Theater’s New Play Development Program. While other challenging pieces tackle racism or sexism, this one digs into ageism, specifically for women.
Photos: First Look at NEW AGE at Milwaukee Rep
Told through music, movement and lyrical storytelling, New Age at Milwaukee Rep follows four women at different junctures in life as they contend with their sexuality, insecurities and legacies.
Told through music, movement and lyrical storytelling, New Age at Milwaukee Rep follows four women at different junctures in life as they contend with their sexuality, insecurities and legacies.
Milwaukee Rep to Present World Premiere of NEW AGE by Dael Orlandersmith
Milwaukee Rep will present the world premiere presentation of New Age by Pulitzer Prize finalist Dael Orlandersmith in the Stiemke Studio March 22 – May 1, 2022. New Age follows four women at different junctures in life as they contend with their sexuality, insecurities and legacies.
Milwaukee Rep will present the world premiere presentation of New Age by Pulitzer Prize finalist Dael Orlandersmith in the Stiemke Studio March 22 – May 1, 2022. New Age follows four women at different junctures in life as they contend with their sexuality, insecurities and legacies.
The Theatre at Boston Court Announces COLLECTIVE RAGE: A PLAY IN 5 BOOPS
The Theatre @ Boston Court presents COLLECTIVE RAGE: A PLAY IN 5 BOOPS, A West Coast Premiere written by Jen Silverman and directed by Lindsay Allbaugh. Collective Rage is presented on the Main Stage at Boston Court Performing Arts Center in Pasadena, CA.
The Theatre @ Boston Court presents COLLECTIVE RAGE: A PLAY IN 5 BOOPS, A West Coast Premiere written by Jen Silverman and directed by Lindsay Allbaugh. Collective Rage is presented on the Main Stage at Boston Court Performing Arts Center in Pasadena, CA.
BWW Review: SEX WITH STRANGERS at TheaterWorks
Laura Eason's contemporary play is more than just an economical choice for small theaters (just two actors) about a hot topic. It asks provocative questions, too: How far to bend toward commercialism, as an ambitious artist with high aspirations? Can two people from different sides of a digital divide build lasting relationship? Can we adopt a performative 'public' identity to get famous and rich without having it sully our actual way of being?
Laura Eason's contemporary play is more than just an economical choice for small theaters (just two actors) about a hot topic. It asks provocative questions, too: How far to bend toward commercialism, as an ambitious artist with high aspirations? Can two people from different sides of a digital divide build lasting relationship? Can we adopt a performative 'public' identity to get famous and rich without having it sully our actual way of being?
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