Cory Mach
Latest News on Cory Mach:
Review: & JULIET Rewrites a Classic in Rhode Island (Feb 26, 2025)
Review: & JULIET at the Hippodrome (Sep 26, 2024)
BWW Review: BROADWAY SINGS Gives Simple Tribute to a Giant With BROADWAY SINGS: SONDHEIM At The Green Room 42 (Feb 20, 2022)
Review: & JULIET Rewrites a Classic in Rhode Island (Feb 26, 2025)
Review: & JULIET at the Hippodrome (Sep 26, 2024)
BWW Review: BROADWAY SINGS Gives Simple Tribute to a Giant With BROADWAY SINGS: SONDHEIM At The Green Room 42 (Feb 20, 2022)
Photos
News
Review: & JULIET Rewrites a Classic in Rhode Island
by Andria Tieman - Feb 26, 2025
& Juliet is a reimagining of the Romeo and Juliet story where — rather than kill herself —Juliet reconsiders her hasty relationship with Romeo, and instead goes off on an adventure with her friends. This show features the songs of Swedish super producer/ songwriter Max Martin, who may not be a known name to everyone, but who has been responsible for most of the most popular songs of the past 20 years including hits from Britney Spears, Backstreet Boys and Katy Perry.
by Andria Tieman - Feb 26, 2025
& Juliet is a reimagining of the Romeo and Juliet story where — rather than kill herself —Juliet reconsiders her hasty relationship with Romeo, and instead goes off on an adventure with her friends. This show features the songs of Swedish super producer/ songwriter Max Martin, who may not be a known name to everyone, but who has been responsible for most of the most popular songs of the past 20 years including hits from Britney Spears, Backstreet Boys and Katy Perry.
Review: & JULIET at the Hippodrome
by Timoth David Copney - Sep 26, 2024
Like so many great Broadway musicals, this one was also born somewhere else, getting its start in London’s West End like so many other imports to Broadway. With a book by David West Read, who writes some of the funniest dialogue I have heard in a while, this light-hearted romp through some weighty topics like feminine power, transgender rights and respect, toxic masculinity, never loses its sense of humor.
by Timoth David Copney - Sep 26, 2024
Like so many great Broadway musicals, this one was also born somewhere else, getting its start in London’s West End like so many other imports to Broadway. With a book by David West Read, who writes some of the funniest dialogue I have heard in a while, this light-hearted romp through some weighty topics like feminine power, transgender rights and respect, toxic masculinity, never loses its sense of humor.
BWW Review: BROADWAY SINGS Gives Simple Tribute to a Giant With BROADWAY SINGS: SONDHEIM At The Green Room 42
by Bobby Patrick - Feb 20, 2022
Each song was a highlight not only from the career of Broadway’s Titan of words and music but from a group of young performers all singing and acting at the top of their games.
by Bobby Patrick - Feb 20, 2022
Each song was a highlight not only from the career of Broadway’s Titan of words and music but from a group of young performers all singing and acting at the top of their games.
BWW Review: Baldwin Wallace Musical Theatre Class of '18 Showcases Their Talents in NY
by Roy Berko - May 18, 2018
Backstage.com's recent listing of the top Musical Theater Programs in the U.S. included such schools as Carnegie Mellon University, Conservatory of Music at University of Cincinnati, University of Michigan, Penn State University and Syracuse University.
by Roy Berko - May 18, 2018
Backstage.com's recent listing of the top Musical Theater Programs in the U.S. included such schools as Carnegie Mellon University, Conservatory of Music at University of Cincinnati, University of Michigan, Penn State University and Syracuse University.
BWW Review: THE HUNCHBACK OF NOTRE DAME (MUSICAL) rings in at Great Lakes Theater
by Roy Berko - Oct 13, 2017
The Hunchback of Notre Dame is not a typical Disney stage creation. It is a dark, brooding musical and probably not appropriate for children. While the first act is rather slow, the second act is strong. It is well worth seeing.
by Roy Berko - Oct 13, 2017
The Hunchback of Notre Dame is not a typical Disney stage creation. It is a dark, brooding musical and probably not appropriate for children. While the first act is rather slow, the second act is strong. It is well worth seeing.
Videos