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BWW Review: OSLO at Round House Theatre

Oslo is an amazing against-all-odds story of risk, trust, and diplomacy. It is about overcoming hard-and-fast assumptions. Oslo shows the value in finding common ground and allowing ourselves to hope. This Round House Theatre production is a wonder-a brilliant heartfelt, heart-filling experience.
Round House Theatre Announces Casting For 2018-2019 Season

Round House Theatre announces casting for the five mainstage shows that will comprise its 41st season. "Our 2018-2019 Season launches our exciting Resident Artist program, and once again confirms our longstanding value to prioritize the use of local artists, with more than 90% of our artists hailing from the DC area," says Artistic Director Ryan Rilette. "We're thrilled to pair the best DC artists with some of the most exciting new plays and modern classics in American theatre. It's a season you won't want to miss." 
Washington Stage Guild to Close 30th Season with 'BACK TO METHUSELAH'

The Washington Stage Guild will celebrate the end of its 30th Anniversary Season with Back To Methuselah: As Far As Thought Can Reach, the final episode in its multi-year presentation of George Bernard Shaw's visionary cycle of plays about humanity's destiny.
BWW Reviews: Washington Stage Guild's Captivating BACK TO METHUSELAH

Washington Stage Guild's production prudently balances the science fiction nature of Shaw's work with the greater philosophical discussions his plays' raise regarding the consistent need for humanity to keep developing.
BACK TO METHUSELAH - Part II Begins Previews at Washington Stage Guild Tonight

The Washington Stage Guild continues its Season of Love and/or Marriage with the next installment of a three-year dramatic extravaganza that culminates in the company's 30th anniversary, tonight, February 19 -March 15, 2015.
BACK TO METHUSELAH - Part II to Begin Previews at Washington Stage Guild, 2/19

The Washington Stage Guild continues its Season of Love and/or Marriage with the next installment of a three-year dramatic extravaganza that culminates in the company's 30th anniversary, February 19 -March 15, 2015.
BWW Reviews: IN PRAISE OF LOVE Finds Humor in Terminal Circumstances

Washington Stage Guild's 'In Praise of Love' offers an engaging and comedic performance.
Stage Guild Starts the New Year with IN PRAISE OF LOVE

The Washington Stage Guild continues its 29th season with IN PRAISE OF LOVE by Terence Rattigan The Washington Stage Guild continues its 2014-15 Season of Love and/or Marriage with a long-overdue revival of Terence Rattigan's witty and moving IN PRAISE OF LOVE.
BWW Reviews: Adventure's Premiere of TINY TIM'S CHRISTMAS CAROL Delights

A pure delight! Ah, the Christmas season is upon us! For the theater and ballet-going public, that means numerous productions of Dickens' A Christmas Carol and probably more than a few Nutcracker offerings to choose from. It can get a bit much, admittedly. At Adventure Theatre MTC, in one single production, one can get the traditional mixed with the new. To that end, its world premiere production of Tiny Tim's Christmas Carol stands out from many of the rest even on paper. Adapted from the Charles Dickens classic by Tony Award-winning playwright Ken Ludwig and his son, Jack Ludwig, and directed by one of DC's finest, Jerry Whiddon, this show is a pure delight - and not just for kids.
BWW Reviews: Washington Stage Guild Tackles Shaw's Epic BACK TO METHUSELAH

Given its long history of producing the plays of George Bernard Shaw, it was inevitable that the Washington Stage Guild would someday attempt to mount Shaw's monumental, impossible play cycle, Back to Methuselah. Methuselah tilts at the usual ideological windmills, with a fanciful dash of futurism thrown in for good measure. Perhaps because of its reach, the script shows occasional signs of strain; but the Stage Guild does an admirable job bringing our dear Irish curmudgeon's epic to life.
Photo Flash: Washington Stage Guild's BACK TO METHUSELAH, Now Playing

The Washington Stage Guild continues its Season of Dreams with the start of a three-year dramatic extravaganza that will culminate in the company's 30th anniversary! BACK TO METHUSELAH, a cycle of plays by George Bernard Shawthat takes us from Adam and Eve meeting the Serpent in the Garden of Eden to a world 30,000 years in the future, is subtitled 'a Metabiological Pentateuch.' Check out a first look below!
Washington Stage Guild Presents BACK TO METHUSELAH, PART ONE, Now thru 3/16

The Washington Stage Guild continues its Season of Dreams with the start of a three-year dramatic extravaganza that will culminate in the company's 30th anniversary! BACK TO METHUSELAH, a cycle of plays by George Bernard Shaw that takes us from Adam and Eve meeting the Serpent in the Garden of Eden to a world 30,000 years in the future, is subtitled 'a Metabiological Pentateuch.'
Washington Stage Guild to Present BACK TO METHUSELAH, PART ONE, 2/20-3/16

The Washington Stage Guild continues its Season of Dreams with the start of a three-year dramatic extravaganza that will culminate in the company's 30th anniversary! BACK TO METHUSELAH, a cycle of plays by George Bernard Shaw that takes us from Adam and Eve meeting the Serpent in the Garden of Eden to a world 30,000 years in the future, is subtitled 'a Metabiological Pentateuch.'
BWW Reviews: An Identity Crisis of Artistic Proportions in THE OLD MASTERS at Washington Stage Guild

Fans of the television shows Pawn Stars and Downton Abbey will find a lot to enjoy in Washington Stage Guild's production of The Old Masters. Simon Gray's play incorporates elements of art authentication and the survival of an aristocratic family into its plot. However, theatergoers who favor a well constructed play will not find The Old Masters as enjoyable. For a play about the identity crisis of a painting's artist, The Old Masters lacks a focal point and never quite settles on what it wants to be.
GLENGARRY GLEN ROSS Plays Round House Theatre, Now thru 3/3

Glengarry Glen Ross by David Mamet will be produced by Round House Theatre, directed by Mitchell Hebert, tonight, February 6 - March 3, 2013. The theatre is located in Bethesda, 4545 East-West Highway.
GLENGARRY GLEN ROSS to Run at Round House Theatre, 2/6-3/3

Round House Theatre launches the 2013 portion of its Bethesda season with David Mamet's Glengarry Glen Ross, which runs February 6 thru March 3. Mitchell Hébert directs this searing Pulitzer Prize-winner. Opening night is Monday, February 11, 2013.
GLENGARRY GLEN ROSS to Play Round House Theatre, 2/6-3/3

Glengarry Glen Ross by David Mamet will be produced by Round House Theatre, directed by Mitchell Hebert, February 6 - March 3, 2013. The theatre is located in Bethesda, 4545 East-West Highway.
Washington Stage Guild Starts 27th Season with Shaw's Original PYGMALION, Now thru 11/18

The Washington Stage Guild kicks off its 27th season with one of the most beloved plays of the past century, an indelible hit by the Stage Guild's 'playwright in residence' - George Bernard Shaw. PYGMALION was written in 1912, and the story of Cockney flower girl Eliza Doolittle, her speech lessons at the hands of the temperamental Henry Higgins, and the sparks that fly between them, has rarely left the stage since its premiere. Directed by Stage Guild Artistic Director, Bill Largess, Shaw's comedy is sharp and insightful, asking questions as valid today as a century ago. Exactly what 'makes' a lady a lady? The way she behaves, or the way she is treated?
Washington Stage Guild Starts 27th Season with Shaw's Original PYGMALION, 10/25-11/18

The Washington Stage Guild kicks off its 27th season with one of the most beloved plays of the past century, an indelible hit by the Stage Guild's 'playwright in residence' - George Bernard Shaw. PYGMALION was written in 1912, and the story of Cockney flower girl Eliza Doolittle, her speech lessons at the hands of the temperamental Henry Higgins, and the sparks that fly between them, has rarely left the stage since its premiere. Directed by Stage Guild Artistic Director, Bill Largess, Shaw's comedy is sharp and insightful, asking questions as valid today as a century ago. Exactly what 'makes' a lady a lady? The way she behaves, or the way she is treated?

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