BWW Review: THE SEVEN POMEGRANATE SEEDS, Rose Theatre
There’s a huge amount going on in a short time in Colin Teevan’s The Seven Pomegranate Seeds, now showing at the Rose Theatre. Seven stories about maternal pain and loss from the women in the plays of Euripides are transported from classic mythology to modern-day scenarios. Despite this intriguing concept, the resulting production feel rushed and fails to live up to its potential.
Rose Theatre's New Artistic Director Announces New Season
Under Haydon's stewardship, the Rose's own work will be the priority, as demonstrated by the five Rose Originals in this upcoming season, but there will always be room on the theatre's stage for the country's leading touring shows as well. This season's Rose Originals are a blend of new plays tackling significant contemporary issues and well-known titles reinvented for today.
BWW Blog: Royal Central School of Speech and Drama's Martin Wylde on Commissioning New Work for Central Students
Martin Wylde is an acting teacher, theatre director and active advocate of both new writing and new work, commissioning and developing plays within the conservatoire and for industry. As Principal Lecturer and Programme Leader for MA Acting at London's Royal Central School of Speech and Drama, he teaches Stanislavsky derived acting methodologies and scene study and directs public productions and showcases on both the Classical and Contemporary Acting courses
TFANA's 40th Anniversary Season Features Will Eno, Samuel Beckett, and More
Theatre for a New Audience founding artistic director Jeffrey Horowitz, having just received the Lifetime Achievement Award at the 2019 OBIEs, today announces TFANA's 40th anniversary season. The 2019-2020 programming exemplifies what makes TFANA, in the words of the OBIE committee, one of the city's most vital institutions championing adventurous and urgent productions of Shakespeare alongside other writers.
FAIRVIEW Returns To New York City
Jeffrey Horowitz announces that TFANA will extend its current four-play season to five plays and present Soho Rep.'s production of Jackie Sibblies Drury's Fairview, staged by Sarah Benson. Fairview will play June 2-30, 2019, on the Samuel H. Scripps Mainstage at Polonsky Shakespeare Center, TFANA's state-of-the-art home in the Brooklyn Cultural District. The return engagement marks the first opportunity for New York audiences to experience this bold, innovative work since its sold-out, thrice-extended world premiere at Soho Rep. Fairview is currently only on sale as part of TFANA's two-play subscription package of Fairview and Julius Caesar.
TFANA Announces Special Events Alongside THE EMPEROR
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) announces a post-show concert and an additional TFANA Talk in connection with the final week of its presentation of the U.S. premiere of The Emperor. An adaptation by Colin Teevan of Ryszard Kapuscinski's celebrated and controversial 1978 book of the same title, about the downfall of Ethiopian emperor Haile Selassie, this parable about power in decline features virtuosic shape-shifting actor Kathryn Hunter and Ethiopian musician Temesgen Zeleke and is directed by Walter Meierjohann.
Theatre for a New Audience Presents THE EMPEROR
Theatre for a New Audience kicks off its 2018-2019 season with the U.S. premiere of The Emperor, featuring virtuosic shape-shifting actor Kathryn Hunter and Ethiopian musician Temesgen Zeleke, founder of Krar Collective. Walter Meierjohann directs this parable about power in decline-an adaptation by Colin Teevan of Ryszard Kapuscinski's celebrated and controversial 1978 book of the same title, about the downfall of Ethiopian emperor Haile Selassie.
BWW Review: THE EMPEROR, Young Vic, 8 September 2016
In 1974, renowned Polish journalist Ryszard Kapuscinski travelled to Ethiopia to chart the downfall of Emperor Haile Selassie, 'King of Kings, elect of God', through interviews with his loyal servants and associates. Kapuscinski's 1978 book has been adapted by Colin Teevan into an extraordinary showcase for the talents of quicksilver quick-change artist Kathryn Hunter, who transforms into a dozen different characters with the aid of nothing more than a cane, hat or set of epaulettes.
NO MAN'S LAND Leads September's Top 10 New London Shows
The capital is never short of theatre temptations, whether big West End shows, epic dramas or bold fringe offerings. From two theatrical titans taking on Pinter to the RSC in London and an unusual dining experience, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews...
Last Chance to See Kit Harington in DOCTOR FAUSTUS in the West End
There are just three weeks left to see Game of Thrones star Kit Harington on stage in the title role of Doctor Faustus at the Duke of York's Theatre, London. Directed by Jamie Lloyd, this anarchic production of Christopher Marlowe's masterwork, with two acts written by Colin Teevan, must end Saturday 25th June.
Photo Flash: First Look at the After Party for Duke of York's Theatre's DOCTOR FAUSTUS
Praised for their innovative and anarchic reinvention of the classics, The Jamie Lloyd Company propels Christopher Marlowe's legendary now in an explosive new production starring Kit Harington (Game of Thrones) in his long-awaited return to the London stage. Faustus makes a pact with the Devil, selling his tale Doctor Faustus into the here and soul in return for the ability to perform absolutely anything he pleases with the power of black magic. This fatal decision catapults him into an intoxicating world of celebrity, as he becomes a world-renowned conjuror, international heartthrob and friend of the rich, famous and powerful. But what is the cost of his insatiable thirst for wealth and fame? With blackly comic new scenes by Colin Teevan, the story of this 400-year-old play is transported to a celebrity-obsessed society of greed and instant gratification, offering a fresh, new perspective that chimes with our times.
Photo Flash: First Look at Press Night of Duke of York's Theatre's DOCTOR FAUSTUS
Praised for their innovative and anarchic reinvention of the classics, The Jamie Lloyd Company propels Christopher Marlowe's legendary now in an explosive new production starring Kit Harington (Game of Thrones) in his long-awaited return to the London stage. Faustus makes a pact with the Devil, selling his tale Doctor Faustus into the here and soul in return for the ability to perform absolutely anything he pleases with the power of black magic. This fatal decision catapults him into an intoxicating world of celebrity, as he becomes a world-renowned conjuror, international heartthrob and friend of the rich, famous and powerful. But what is the cost of his insatiable thirst for wealth and fame? With blackly comic new scenes by Colin Teevan, the story of this 400-year-old play is transported to a celebrity-obsessed society of greed and instant gratification, offering a fresh, new perspective that chimes with our times.
THIS WEEK IN PICTURES: April 23-29
Gearing up for Tony Award nomination this coming week? Didn't have time to check in on your favorite Broadway stars? Well don't worry BroadwayWorld has rounded up some of the biggest stories from this week from Broadway and beyond with BroadwayWorld's 'This Week in Pictures.'
Photo Flash: Kit Harington Opens in DOCTOR FAUSTUS at Duke of York's Theatre
Coinciding with the Season 6 premiere of Game of Thrones, Kit Harington opened in the title role of DOCTOR FAUSTUS at Duke of York's Theatre in the West End last night. Jamie Lloyd's contemporary take on Marlowe's play features modern additions by Colin Teevan, replacing the contested middle section, designs by Soutra Kilmour, sound design by Ben and Max Ringham, and movement by Polly Bennett. The cast also includes Jenna Russell as Mephistopheles, Jade Anouka (Wagner), Tom Edden (Good Angel), Danielle Flett (Valdes), Brian Gilligan (Cornelius), Forbes Masson (Lucifer) and Craig Stein (Evil Angel) and ensemble member Gabby Wong.
BWW Review: DOCTOR FAUSTUS, Duke of York's Theatre, April 21 2016
Doctor Faustus is arguably Christopher Marlowe's best-loved and most well known play. What would we give to get whatever we wanted? In Marlowe's production, Faustus literally sells his soul to the devil in order to gain knowledge. However Jamie Lloyd's adaptation gives it a more modern twist.