Photos: First Look At WHAT THE CONSTITUTION MEANS TO ME At Santa Fe Playhouse
Santa Fe Playhouse (SFP) shares first look photos inside the first rehearsals for the New Mexico premiere of the Pulitzer Prize finalist groundbreaking play What the Constitution Means to Me, by Heidi Schreck, directed by Lynn Goodwin, with Kate Udall (SFP’s Sweat; Netflix’s Daredevil) taking on the role of Heidi.
Photos: OR, AND BORN WITH TEETH Begins Rehearsals At Santa Fe Playhouse
Santa Fe Playhouse (SFP) began rehearsals last week for Or, and Born With Teeth, two historical plays with contemporary sensibilities by acclaimed playwright Liz Duffy Adams, directed by Zoe Burke and Antonio Miniño, respectively. See photos from the first day in the rehearsal room.
Robyn Rikoon To Step Down as Artistic Director of Santa Fe Playhouse
Santa Fe Playhouse (SFP) has announced that Robyn Rikoon is stepping down as its Artistic Director after a three-and-a-half-year tenure leading the regional theatre and advancing its legacy of artistic excellence. Rikoon will leave her role at SFP at the end of this month to pursue her career as an independent theatre and filmmaker.
Photos: Go Inside Rehearsal For A GENTLEMAN'S GUIDE TO LOVE AND MURDER At Santa Fe Playhouse
Santa Fe Playhouse (SFP) is currently in rehearsals for the Tony Award-winning Edwardian-style murderous musical farce, A Gentleman’s Guide to Love and Murder, and is thrilled to share a first-look into their sing-thru rehearsal. With a book by Robert L. Freedman, music by Steven Lutvak, and lyrics by Freedman and Lutvak. The production is directed by Rebecca Aparicio. See photos from inside rehearsal.
BWW Review: BLOOD AT THE ROOT at Theater Alliance
From the second we step through the doors of Anacostia Playhouse, we're asked to join the world of Dominique Morisseau's Blood at the Root - not just as observers but participants. Every corner of the lobby has been decked out like the hallways of a high school - in this case, Cedar High, located somewhere north of New Orleans. We glance upward and see a banner prominently featuring their mascot, the Pelican. There's a bulletin board littered with flyers and posters - Keep Calm and Wear Your Uniform. And just next to the entrance of the theater is a pair of lockers covered with real-life photographs of the young cast in their natural habitats - school, church, family reunions, summer camp. There's a lot to explore.
Theater Alliance Announces New Producing Artistic Director
Raymond O. Caldwell has been hired as Theater Alliance's next Producing Artistic Director. Caldwell currently serves as Theater Alliance's Associate Artistic Director. He succeeds Colin Hovde, who announced his departure in July 2018 after seven years at Theater Alliance's helm.
BWW Review: THE EVENTS at Theater Alliance is Poignant but Imperfect
Writing about gun violence is difficult. There's no 'how-to' guide when it comes to preventing these attacks which have become more and more commonplace. The more we try to understand the inner machinations of the monsters who carry out such senseless assaults, the more we begin to spiral into someone we hardly recognize. Such is the thesis of David Greig's The Events, which opened last week at Theater Alliance at the Anacostia Playhouse. While the work is incredibly poignant, some artistic decisions muddle the plot and make the 80-minute performance drag during the middle of the production.
BWW Review: The In Series's VIVA VERDI is an Indescribable Emotional Multitude
"I don't like works which require an explanation," begins Timothy Nelson, the new Artistic Director for the In Series, at Sunday's performance of Viva VERDI. Even after Mr. Nelson describes the performance with great detail, he encourages the audience to embrace their inevitable confusion. Instead, Mr. Nelson explains, this is a work that should be felt rather than understood. Keeping true to Mr. Nelson's suggestion, Viva VERDI is a work that only a genius could fully understand. Nevertheless, it is one of the most emotionally stirring performances I have seen in recent memory.