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Review: When Akhmetshina's CARMEN Is On Stage at The Met, Don't Fence Her In

Sometimes you hear a singer who embodies a role so completely that it’s hard to imagine her in anything else. That’s how I felt about the wonderful mezzo Aigul Akhmetshina, who’s singing the title role in the Met’s new production of Bizet’s CARMEN, which I saw at its second performance. Her portrayal was as full-bodied as her voice and she sizzled, filling up the stage as much as one can imagine. It’s little surprise that she’s considered the Carmen of the moment, having appeared in seven other productions (with two to come).
Tara Erraught To Sing Marguerite In Pittsburgh Symphony's DAMNATION OF FAUST

Mezzo-soprano Tara Erraught to sing    Marguerite in Pittsburgh Symphony Orchestra'S Damnation of Faust March 8-10 New York - International Irish mezzo-soprano Tara Erraught will step in this week with the acclaimed Pittsburgh Symphony Orchestra at Heinz Hall, where she will perform Marguerite in the symphony's March 8 and 10 concerts of Berlioz's Damnation of Faust.
BWW Review: Two Nights in Seville, Part 2 - a New Gypsy in Town for Met's CARMEN

It's that time of the year again, when the flu season gives artistic administrators big headaches, trying to fill in the blanks when a headliner calls in sick. CARMEN's been a particular headache, with mezzo Sophie Koch out of action in the title role after rehearsals had started. Luckily, Clementine Margaine--scheduled for the second cast--was able to step into her flamenco shoes for the first night--and all to follow--doing a bang-up job.
MY FAIR LADY, Rob Ashford-Helmed CARMEN & More Set for Lyric Opera of Chicago's 2016-17 Season

Lyric Opera of Chicago's general director Anthony Freud and music director Sir Andrew Davis confirmed today the repertoire and casting for the company's 2016/17 season - the second season that they have fully planned together.  
BWW Review: Washington National Opera's CARMEN Satisfies

Washington National Opera began what may be one of its more artistically challenging seasons Saturday with the most crowd-pleasing production.
BWW Reviews: LA FAVORITE at Caramoor, Conducted by Crutchfield, Provides Another Indispensable Bel Canto Rarity

At a time when we're often inundated with yet another TOSCA, BOHEME or CARMEN at major opera houses, the Caramoor Festival in Katonah, NY--a couple of hours north of New York City in summer traffic--manages to bring some relief, thanks to the efforts of its Music Director Will Crutchfield. On July 11, Gaetano Donizetti's LA FAVORITE showed us that the composer of LUCIA DI LAMMERMOOR, L'ELISIR D'AMORE and the Tudor Queens Trilogy, among so many others, had more than a few tricks up his sleeve.
Summer Stages: Summertime and the Opera is Easy in the Northeast

The new opera season doesn't start till September at the earliest. What's an opera fan to do until the Met's curtain goes up on September 21? Well, with a little bit of effort, opera in New York and the surrounding states during the summer months can offer quite a bit.

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