Review: THE DOCTOR, Duke of York's Theatre
There is a kettle on stage for much of Robert Icke’s The Doctor. It is one of the few props in this loose adaptation of Arthur Schnitzler’s 1912 play Professor Bernhardi, which was first staged at the Almeida Theatre in 2019 and now receives its delayed revival in the West End. And the kettle’s conspicuousness is not for nothing: like the water boiling in it, Icke’s medical ethics drama gradually increases in heat and reaches a point of scorching intensity, leaving no one unscathed.