Christian Lund
Latest News on Christian Lund:
Gerald Santos Wraps Up Work on MISS SAIGON Denmark (May 9, 2023)
Review: MISS SAIGON at Det Ny TEATER (Feb 12, 2023)
BREAKING: International Singer-Actor Gerald Santos to Reprise Thuy in MISS SAIGON Denmark (Aug 16, 2022)
Gerald Santos Wraps Up Work on MISS SAIGON Denmark (May 9, 2023)
Review: MISS SAIGON at Det Ny TEATER (Feb 12, 2023)
BREAKING: International Singer-Actor Gerald Santos to Reprise Thuy in MISS SAIGON Denmark (Aug 16, 2022)
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Gerald Santos Wraps Up Work on MISS SAIGON Denmark
'Miss Saigon' alum Gerald Santos, who gets the chance to play the role of Vietnamese soldier Thuy more than 600 times, has wrapped up his latest 'Miss Saigon' stint with Denmark’s Det Ny Teater (The New Theatre), which has staged a non-replica production of the musical, originally produced by Cameron Mackintosh.
'Miss Saigon' alum Gerald Santos, who gets the chance to play the role of Vietnamese soldier Thuy more than 600 times, has wrapped up his latest 'Miss Saigon' stint with Denmark’s Det Ny Teater (The New Theatre), which has staged a non-replica production of the musical, originally produced by Cameron Mackintosh.
BREAKING: International Singer-Actor Gerald Santos to Reprise Thuy in MISS SAIGON Denmark
Singer-actor Gerald Santos, who hails from the Philippines, is poised to revisit his previous role in 'Miss Saigon,' Thuy, in Det Ny Teater’s 2023 production of the mega-musical. The Det Ny Teater is Denmark’s only privately operated theatre, producing Broadway and West End titles since 1994.
Singer-actor Gerald Santos, who hails from the Philippines, is poised to revisit his previous role in 'Miss Saigon,' Thuy, in Det Ny Teater’s 2023 production of the mega-musical. The Det Ny Teater is Denmark’s only privately operated theatre, producing Broadway and West End titles since 1994.
BWW Review: DIRTY DANCING at One And Only Musical Teater
Flere måtte gå forgæves for 5 år siden, da ”Dirty Dancing” spillede for fulde huse. De får nu chancen, når Silas Holst og Mathilde Norholt igen spiller hovedrollerne som Johnny og Baby.
Flere måtte gå forgæves for 5 år siden, da ”Dirty Dancing” spillede for fulde huse. De får nu chancen, når Silas Holst og Mathilde Norholt igen spiller hovedrollerne som Johnny og Baby.
The Best Of Rock Musicals Returns To Eventim Apollo
On Sunday 14 June 2020 at London's Eventim Apollo, Hammersmith, there will be two more concerts of The Best of Rock Musicals for the benefit of the Starlight Children's Foundation.
On Sunday 14 June 2020 at London's Eventim Apollo, Hammersmith, there will be two more concerts of The Best of Rock Musicals for the benefit of the Starlight Children's Foundation.
BWW Interview: Hugh Wooldridge Talks THE BEST OF... ROCK MUSICALS
Next week, London's Eventim Apollo, Hammersmith will play host to The Best of...Rock Musicals. Director Hugh Wooldridge shares what audiences can expect from the two concerts, bringing together stars from the West End and beyond.
Next week, London's Eventim Apollo, Hammersmith will play host to The Best of...Rock Musicals. Director Hugh Wooldridge shares what audiences can expect from the two concerts, bringing together stars from the West End and beyond.
Judy Kuhn, Rob Houchen, and More Join THE BEST OF...ROCK MUSICALS - Full Cast Announced!
On Sunday 12 May 2019 at London's Eventim Apollo, Hammersmith, there will be two concerts of The Best of… Rock Musicals for the benefit of The Charlie Waller Memorial Trust. It will be the 20th Anniversary production from the same team who for the last 19 years have presented The Night of 1000 Voices at the Royal Albert Hall and elsewhere.
On Sunday 12 May 2019 at London's Eventim Apollo, Hammersmith, there will be two concerts of The Best of… Rock Musicals for the benefit of The Charlie Waller Memorial Trust. It will be the 20th Anniversary production from the same team who for the last 19 years have presented The Night of 1000 Voices at the Royal Albert Hall and elsewhere.
Fantomet vender tilbage til Det Ny Teater
Andrew Lloyd Webbers The Phantom of the Opera, dansk teaterhistories storste publikumssucces og mest bekostelige og ekstravagante musical, far repremiere pa Det Ny Teater 21. september. Billetsalget abner pa onsdag.
Andrew Lloyd Webbers The Phantom of the Opera, dansk teaterhistories storste publikumssucces og mest bekostelige og ekstravagante musical, far repremiere pa Det Ny Teater 21. september. Billetsalget abner pa onsdag.
Photo Flash: Broadway at Birdland Concert Series and Jim Caruso's Cast Party
The award-winning Broadway at Birdland concert series and Jim Caruso's Cast Party have been constants on the New York scene for the past eleven years. Every week, performers from the Great White Way and beyond are showcased in the concert series, followed by the always-extreme open mic.
The award-winning Broadway at Birdland concert series and Jim Caruso's Cast Party have been constants on the New York scene for the past eleven years. Every week, performers from the Great White Way and beyond are showcased in the concert series, followed by the always-extreme open mic.
The San Francisco Art Institute Presents WRONG'S WHAT I DO BEST, Now thru 7/26
The San Francisco Art Institute (SFAI), one of the most prestigious and oldest art schools in the nation, presents Wrong's What I Do Best, an exhibition transcending social, political and personal fault lines intent on provoking dialogue through the artists' fearless exploration of the deep and sometimes dark edges of our world. Working against both correctness and failure, Wrong's What I Do Bestrevels in repeated derailments to present the work of artists who commit themselves to unadulterated freedom of expression. Some of the artists unearth scorched histories or upset “natural” order, while others fling themselves headlong into the coming apocalypse. Characterized by illicit unrestraint and lack of critical judgment, the work occludes the artists' true selves.
The San Francisco Art Institute (SFAI), one of the most prestigious and oldest art schools in the nation, presents Wrong's What I Do Best, an exhibition transcending social, political and personal fault lines intent on provoking dialogue through the artists' fearless exploration of the deep and sometimes dark edges of our world. Working against both correctness and failure, Wrong's What I Do Bestrevels in repeated derailments to present the work of artists who commit themselves to unadulterated freedom of expression. Some of the artists unearth scorched histories or upset “natural” order, while others fling themselves headlong into the coming apocalypse. Characterized by illicit unrestraint and lack of critical judgment, the work occludes the artists' true selves.
The San Francisco Art Institute Presents WRONG'S WHAT I DO BEST, 4/24-7/26
The San Francisco Art Institute (SFAI), one of the most prestigious and oldest art schools in the nation, presents Wrong's What I Do Best, an exhibition transcending social, political and personal fault lines intent on provoking dialogue through the artists' fearless exploration of the deep and sometimes dark edges of our world. Working against both correctness and failure, Wrong's What I Do Bestrevels in repeated derailments to present the work of artists who commit themselves to unadulterated freedom of expression. Some of the artists unearth scorched histories or upset “natural” order, while others fling themselves headlong into the coming apocalypse. Characterized by illicit unrestraint and lack of critical judgment, the work occludes the artists' true selves.
The San Francisco Art Institute (SFAI), one of the most prestigious and oldest art schools in the nation, presents Wrong's What I Do Best, an exhibition transcending social, political and personal fault lines intent on provoking dialogue through the artists' fearless exploration of the deep and sometimes dark edges of our world. Working against both correctness and failure, Wrong's What I Do Bestrevels in repeated derailments to present the work of artists who commit themselves to unadulterated freedom of expression. Some of the artists unearth scorched histories or upset “natural” order, while others fling themselves headlong into the coming apocalypse. Characterized by illicit unrestraint and lack of critical judgment, the work occludes the artists' true selves.
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