Gerald Santos Wraps Up Work on MISS SAIGON Denmark
'Miss Saigon' alum Gerald Santos, who gets the chance to play the role of Vietnamese soldier Thuy more than 600 times, has wrapped up his latest 'Miss Saigon' stint with Denmark’s Det Ny Teater (The New Theatre), which has staged a non-replica production of the musical, originally produced by Cameron Mackintosh.
Fantomet vender tilbage til Det Ny Teater
Andrew Lloyd Webbers The Phantom of the Opera, dansk teaterhistories storste publikumssucces og mest bekostelige og ekstravagante musical, far repremiere pa Det Ny Teater 21. september. Billetsalget abner pa onsdag.
The San Francisco Art Institute Presents WRONG'S WHAT I DO BEST, Now thru 7/26
The San Francisco Art Institute (SFAI), one of the most prestigious and oldest art schools in the nation, presents Wrong's What I Do Best, an exhibition transcending social, political and personal fault lines intent on provoking dialogue through the artists' fearless exploration of the deep and sometimes dark edges of our world. Working against both correctness and failure, Wrong's What I Do Bestrevels in repeated derailments to present the work of artists who commit themselves to unadulterated freedom of expression. Some of the artists unearth scorched histories or upset “natural” order, while others fling themselves headlong into the coming apocalypse. Characterized by illicit unrestraint and lack of critical judgment, the work occludes the artists' true selves.
The San Francisco Art Institute Presents WRONG'S WHAT I DO BEST, 4/24-7/26
The San Francisco Art Institute (SFAI), one of the most prestigious and oldest art schools in the nation, presents Wrong's What I Do Best, an exhibition transcending social, political and personal fault lines intent on provoking dialogue through the artists' fearless exploration of the deep and sometimes dark edges of our world. Working against both correctness and failure, Wrong's What I Do Bestrevels in repeated derailments to present the work of artists who commit themselves to unadulterated freedom of expression. Some of the artists unearth scorched histories or upset “natural” order, while others fling themselves headlong into the coming apocalypse. Characterized by illicit unrestraint and lack of critical judgment, the work occludes the artists' true selves.