Chloe Treat

Chloe Treat is a New York-based director and choreographer. Born and raised in the great, if not wildly problematic state of Texas, she directs and choreographs big-ass-musicals and operas. Chloe’s most recent projects include: Taking up Serpents and Holy Ground (The Glimmerglass Festival), Dave Malloy’s Don’t Stop Me (Manhattan School of Music and The Polyphone Festival), and Iron John (Irish Arts Center). Chloe is an associate artist for Heartbeat Opera where she choreographed Carmen, Lucia di Lammermoor, Daphnis and Chloe and Don Giovanni as well as co-directed a New York Times Critics’ Pick production of Der Freischütz. Chloe has worked as an associate on a number of large commercial productions including Natasha Pierre and the Great Comet of 1812 (Broadway and the American Repertory Theater), Amelie (Berkeley Rep), and Heisenberg (Broadway). She has also directed and choreographed large musical productions at many educational institutions including Pace (Amelie), Manhattan School of Music (Spring Awakening, Iron John, Wild Party), The New School (Street Scene) and Wagner (Evita). Chloe was listed as one of the Broadway Women’s Fund “Women to Watch” in 2020 and received a grant from Opera America for Women Stage Directors and Conductors in 2022.