Charlie Ryall

See Nina West & More Next Week at 54 Below

Next week, 54 BELOW will present some of the brightest stars from Broadway, cabaret, jazz, and beyond. See who is performing and learn how to purchase tickets.

HIGH SCHOOL MUSICAL National Tour Reunion & More at 54 Below Next Month

54 BELOW will present some of the brightest stars from Broadway, cabaret, jazz, and beyond in September. Learn more and see how to purchase tickets.

Cast Set For HANGOVER SQUARE at 54 Below

Previously announced new musical Hangover Square, by UK-based writing team Baker and Ryall, has revealed the cast for its New York premiere at 54 Below this fall. 

54 Below Unveils First Cohort of 'The Genesis Project,' Supporting Emerging Artists

54 BELOW has revealed the first cohort of early career artists selected to participate in the Genesis Project. Learn more!

New Musical HANGOVER SQUARE to Debut at 54 Below in September

New musical HANGOVER SQUARE will debut at 54 Below on September 19. Learn how to purchase tickets.

Tickets From £15 for TASTING NOTES at Southwark Playhouse

Tickets from £15 for Tasting Notes. Book by 27 August to save up to 38%.

Review: TASTING NOTES, Southwark Playhouse

Just like some meetings should have been emails, some musicals should have been plays. It wouldn’t save Charlie Ryall and Richard Baker’s new production right away, but it would be a start. The concept and structure of Tasting Notes is compelling and original, but the final result is a bit of a slog with an unmemorable score and a surplus of both narrative and aural material.

Photos: First Look at TASTING NOTES at Southwark Playhouse

All new photos have been released for Tasting Notes, now playing at Southwark Playhouse. During a seemingly normal 24 hours, ‘Tasting Notes’ dips into the life of a wine bar; the people who serve, the people who drink and the people we meet on our way to wherever we’re going...

Cast Announced For The World Premiere of New Musical TASTING NOTES

West End Mischief Theatre stars Niall Ransome and Nancy Zamit are among the cast revealed today  for the world premiere of 'Tasting Notes',  a new musical by Richard Baker and Charlie Ryall at Southwark Playhouse.

Casting Announced For Digital Festival TALKING GODS

The cast has been announced for Talking Gods, a digital season of five reimagined Greek myths by Arrows & Traps.  Nicolle Smartt (Good Omens and Doctor Who, BBC; Upon the Edge, DeCantillon) will star in tale of sisterhood Persephone, the first play in the Talking Gods series. 

BWW Review: THE STRANGE CASE OF JEKYLL & HYDE, Jack Studio Theatre

This take on the familiar tale brings out many of the subtleties of its source material and has much to say about today's world. It is a little too long though.

BWW Review: ONE GIANT LEAP, Jack Studio Theatre

One Giant Leap takes a good set up - a failing sci-fi show asked to fake the moon landings - but loses its way amongst predictable stereotypes and laughs that come few and far between.

INDEBTED TO CHANCE & THE RECRUITING OFFICER Come to The Old Red Lion 11/18

Mercurius Theatre's Indebted to Chance and The Recruiting Officer which will be playing in repertory throughout November at the Old Red Lion in Islington. 

Old Red Lion Theatre Announces Autumn/Winter Season

The Old Red Lion Theatre has announced its autumn/winter season, which includes seven new plays. The London pub theatre also sees the return of the annual London Horror Festival, which has been extended to four weeks due to popular demand.

British Actor David Ryall Has Died at 79

The theatre community lost one of our own on Christmas Day. Actor David Ryall, best recognized in America as Elphias Doge in Harry Potter, has died at age 79, according to reports.

BWW Reviews: KING LEAR, Cockpit Theatre, March 14 2014

It's hard to watch - it really is. David Ryall, now approaching 80, who plays the King who is losing his mind, is a real-life majestic actor who is, post chemotherapy, losing his memory - his reliance on a black book with the text highlighted may be a necessity, but it's a poignant reminder that Shakespeare captured mankind, and not merely a man, in his writing.