Charles Schoenherr
Latest News on Charles Schoenherr:
Eclectic Full Contact Theatre Presents First Annual Crashbox Festival of Short Live Audio Plays (Oct 23, 2023)
Cast Announced for City Lit's PROMETHEUS BOUND (Mar 29, 2018)
Photo Flash: Grippo Stage Company presents Revival of THE GOD OF ISAAC (Jul 10, 2017)
Eclectic Full Contact Theatre Presents First Annual Crashbox Festival of Short Live Audio Plays (Oct 23, 2023)
Cast Announced for City Lit's PROMETHEUS BOUND (Mar 29, 2018)
Photo Flash: Grippo Stage Company presents Revival of THE GOD OF ISAAC (Jul 10, 2017)
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Eclectic Full Contact Theatre Presents First Annual Crashbox Festival of Short Live Audio Plays
Eclectic Full Contact Theatre has announced their first annual Crashbox Festival of Short Live Audio Plays, running November 16-19 at the Edge Off Broadway Theatre.
Eclectic Full Contact Theatre has announced their first annual Crashbox Festival of Short Live Audio Plays, running November 16-19 at the Edge Off Broadway Theatre.
Cast Announced for City Lit's PROMETHEUS BOUND
Full cast and crew have been announced for City Lit's world premiere translation of Aeschylus's theatrically boldest tragedy, PROMETHEUS BOUND, which will begin previews April 27, 2018 and open to the press on Sunday, May 6. This new translation was commissioned by City Lit from Nicholas Rudall, Founding Artistic Director of Court Theater and internationally acclaimed award-winning translator of Greek drama.
Full cast and crew have been announced for City Lit's world premiere translation of Aeschylus's theatrically boldest tragedy, PROMETHEUS BOUND, which will begin previews April 27, 2018 and open to the press on Sunday, May 6. This new translation was commissioned by City Lit from Nicholas Rudall, Founding Artistic Director of Court Theater and internationally acclaimed award-winning translator of Greek drama.
Photo Flash: Grippo Stage Company presents Revival of THE GOD OF ISAAC
Grippo Stage Company is pleased to present a revival of the touching and humorous play THE GOD OF ISAAC, playwright James Sherman's semi-autobiographical account of a young American Jew searching for his Jewish identity in the wake of the threatened neo-Nazi march in the Chicago suburb of Skokie in 1977. The new production is helmed by Dennis Za?ek, who directed the play's world premiere at Victory Gardens Theater in 1985, the beginning of a decades-long collaboration between Sherman and Za?ek. THE GOD OF ISAAC will play July 8 - August 27, 2017 at Piven Theatre at Noyes Cultural Arts Center, 927 Noyes St. in Evanston. Tickets are currently available at grippostagecompany.com or by calling (800) 838-3006.
Grippo Stage Company is pleased to present a revival of the touching and humorous play THE GOD OF ISAAC, playwright James Sherman's semi-autobiographical account of a young American Jew searching for his Jewish identity in the wake of the threatened neo-Nazi march in the Chicago suburb of Skokie in 1977. The new production is helmed by Dennis Za?ek, who directed the play's world premiere at Victory Gardens Theater in 1985, the beginning of a decades-long collaboration between Sherman and Za?ek. THE GOD OF ISAAC will play July 8 - August 27, 2017 at Piven Theatre at Noyes Cultural Arts Center, 927 Noyes St. in Evanston. Tickets are currently available at grippostagecompany.com or by calling (800) 838-3006.
Grippo Stage Company presents THE GOD OF ISAAC
Grippo Stage Company is pleased to present a revival of the touching and humorous play THE GOD OF ISAAC, playwright James Sherman's semi-autobiographical account of a young American Jew searching for his Jewish identity in the wake of the threatened neo-Nazi march in the Chicago suburb of Skokie in 1977.
Grippo Stage Company is pleased to present a revival of the touching and humorous play THE GOD OF ISAAC, playwright James Sherman's semi-autobiographical account of a young American Jew searching for his Jewish identity in the wake of the threatened neo-Nazi march in the Chicago suburb of Skokie in 1977.
Photo Flash: Grippo Stage Company Presents Revival of THE GOD OF ISAAC
Grippo Stage Company is pleased to present a revival of the touching and humorous play THE GOD OF ISAAC, playwright James Sherman's semi-autobiographical account of a young American Jew searching for his Jewish identity in the wake of the threatened neo-Nazi march in the Chicago suburb of Skokie in 1977. The new production is helmed by Dennis Za?ek, who directed the play's world premiere at Victory Gardens Theater in 1985, the beginning of a decades-long collaboration between Sherman and Za?ek. THE GOD OF ISAAC will play July 8 – August 27, 2017 at Piven Theatre at Noyes Cultural Arts Center, 927 Noyes St. in Evanston. Tickets are currently available at grippostagecompany.com or by calling (800) 838-3006.
Grippo Stage Company is pleased to present a revival of the touching and humorous play THE GOD OF ISAAC, playwright James Sherman's semi-autobiographical account of a young American Jew searching for his Jewish identity in the wake of the threatened neo-Nazi march in the Chicago suburb of Skokie in 1977. The new production is helmed by Dennis Za?ek, who directed the play's world premiere at Victory Gardens Theater in 1985, the beginning of a decades-long collaboration between Sherman and Za?ek. THE GOD OF ISAAC will play July 8 – August 27, 2017 at Piven Theatre at Noyes Cultural Arts Center, 927 Noyes St. in Evanston. Tickets are currently available at grippostagecompany.com or by calling (800) 838-3006.
Casting Set for PSMITH, JOURNALIST Stage Adaptation at City Lit
Psmith - one of the most popular characters created by British humorist P.G. Wodehouse - will come to life on the City Lit stage this fall in an original stage adaptation by Artistic Director Terry McCabe, who will also stage the comedy. Richard Eisloeffel will star as Psmith. Also in the cast are T. J. Anderson, John Blick, Nicholas Roy Caesar, Joe Ciresi, Patrick Delaney, George Ellison, Jay Hobson, Robert Kaercher, Charles Schoenherr and Lee Wichman, McCabe, who will direct the production, announced casting today.
Psmith - one of the most popular characters created by British humorist P.G. Wodehouse - will come to life on the City Lit stage this fall in an original stage adaptation by Artistic Director Terry McCabe, who will also stage the comedy. Richard Eisloeffel will star as Psmith. Also in the cast are T. J. Anderson, John Blick, Nicholas Roy Caesar, Joe Ciresi, Patrick Delaney, George Ellison, Jay Hobson, Robert Kaercher, Charles Schoenherr and Lee Wichman, McCabe, who will direct the production, announced casting today.
Casting Set for PSMITH, JOURNALIST Stage Adaptation at City Lit
Psmith - one of the most popular characters created by British humorist P.G. Wodehouse - will come to life on the City Lit stage this fall in an original stage adaptation by Artistic Director Terry McCabe, who will also stage the comedy. Richard Eisloeffel will star as Psmith. Also in the cast are T. J. Anderson, John Blick, Nicholas Roy Caesar, Joe Ciresi, Patrick Delaney, George Ellison, Jay Hobson, Robert Kaercher, Charles Schoenherr and Lee Wichman, McCabe, who will direct the production, announced casting today.
Psmith - one of the most popular characters created by British humorist P.G. Wodehouse - will come to life on the City Lit stage this fall in an original stage adaptation by Artistic Director Terry McCabe, who will also stage the comedy. Richard Eisloeffel will star as Psmith. Also in the cast are T. J. Anderson, John Blick, Nicholas Roy Caesar, Joe Ciresi, Patrick Delaney, George Ellison, Jay Hobson, Robert Kaercher, Charles Schoenherr and Lee Wichman, McCabe, who will direct the production, announced casting today.
Signal Ensemble Theatre Closes The Real Inspector Hound, 9/18
Signal Ensemble Theatre presents the first show of its eighth season, Tom Stoppard's comedy 'The Real Inspector Hound,' the ensemble's inaugural presentation in their permanent theater space at 1802 W. Berenice Ave., a 50-seat venue in Chicago's North Center neighborhood. Theatre critics Moon and Birdboot attend the premiere of a new murder mystery and are swept into the whodunit they are viewing. As Moon laments his status as a second-string reviewer, and Birdboot considers adultery with one of the shows actresses, they soon find themselves inside the play-within-a-play, implicated in the lethal activities of an escaped madman. In a hilarious send-up of Agatha Christie-style melodrama, Stoppard's 1968 work is just as rooted in absurdism as it is in satire. Kicking off Signal's 'Season of Comedy,' this play set in the theater will appropriately open Signal's new performance space. The show will run about 65 minutes with no intermission.
Signal Ensemble Theatre presents the first show of its eighth season, Tom Stoppard's comedy 'The Real Inspector Hound,' the ensemble's inaugural presentation in their permanent theater space at 1802 W. Berenice Ave., a 50-seat venue in Chicago's North Center neighborhood. Theatre critics Moon and Birdboot attend the premiere of a new murder mystery and are swept into the whodunit they are viewing. As Moon laments his status as a second-string reviewer, and Birdboot considers adultery with one of the shows actresses, they soon find themselves inside the play-within-a-play, implicated in the lethal activities of an escaped madman. In a hilarious send-up of Agatha Christie-style melodrama, Stoppard's 1968 work is just as rooted in absurdism as it is in satire. Kicking off Signal's 'Season of Comedy,' this play set in the theater will appropriately open Signal's new performance space. The show will run about 65 minutes with no intermission.
Photo Coverage: Signal Ensemble Theatre Presents THE REAL INSPECTOR HOUND
Signal Ensemble Theatre presents the first show of its eighth season, Tom Stoppard's comedy 'The Real Inspector Hound,' the ensemble's inaugural presentation in their permanent theater space at 1802 W. Berenice Ave., a 50-seat venue in Chicago's North Center neighborhood. Theatre critics Moon and Birdboot attend the premiere of a new murder mystery and are swept into the whodunit they are viewing. As Moon laments his status as a second-string reviewer, and Birdboot considers adultery with one of the shows actresses, they soon find themselves inside the play-within-a-play, implicated in the lethal activities of an escaped madman. In a hilarious send-up of Agatha Christie-style melodrama, Stoppard's 1968 work is just as rooted in absurdism as it is in satire. Kicking off Signal's 'Season of Comedy,' this play set in the theater will appropriately open Signal's new performance space. The show will run about 65 minutes with no intermission.
Signal Ensemble Theatre presents the first show of its eighth season, Tom Stoppard's comedy 'The Real Inspector Hound,' the ensemble's inaugural presentation in their permanent theater space at 1802 W. Berenice Ave., a 50-seat venue in Chicago's North Center neighborhood. Theatre critics Moon and Birdboot attend the premiere of a new murder mystery and are swept into the whodunit they are viewing. As Moon laments his status as a second-string reviewer, and Birdboot considers adultery with one of the shows actresses, they soon find themselves inside the play-within-a-play, implicated in the lethal activities of an escaped madman. In a hilarious send-up of Agatha Christie-style melodrama, Stoppard's 1968 work is just as rooted in absurdism as it is in satire. Kicking off Signal's 'Season of Comedy,' this play set in the theater will appropriately open Signal's new performance space. The show will run about 65 minutes with no intermission.
Signal Ensemble Theatre Opens Eighth Season with The Real Inspector Hound, 8/16-9/18
Signal Ensemble Theatre presents the first show of its eighth season, Tom Stoppard's comedy 'The Real Inspector Hound,' the ensemble's inaugural presentation in their permanent theater space at 1802 W. Berenice Ave., a 50-seat venue in Chicago's North Center neighborhood. Theatre critics Moon and Birdboot attend the premiere of a new murder mystery and are swept into the whodunit they are viewing. As Moon laments his status as a second-string reviewer, and Birdboot considers adultery with one of the shows actresses, they soon find themselves inside the play-within-a-play, implicated in the lethal activities of an escaped madman. In a hilarious send-up of Agatha Christie-style melodrama, Stoppard's 1968 work is just as rooted in absurdism as it is in satire. Kicking off Signal's 'Season of Comedy,' this play set in the theater will appropriately open Signal's new performance space. The show will run about 65 minutes with no intermission.
Signal Ensemble Theatre presents the first show of its eighth season, Tom Stoppard's comedy 'The Real Inspector Hound,' the ensemble's inaugural presentation in their permanent theater space at 1802 W. Berenice Ave., a 50-seat venue in Chicago's North Center neighborhood. Theatre critics Moon and Birdboot attend the premiere of a new murder mystery and are swept into the whodunit they are viewing. As Moon laments his status as a second-string reviewer, and Birdboot considers adultery with one of the shows actresses, they soon find themselves inside the play-within-a-play, implicated in the lethal activities of an escaped madman. In a hilarious send-up of Agatha Christie-style melodrama, Stoppard's 1968 work is just as rooted in absurdism as it is in satire. Kicking off Signal's 'Season of Comedy,' this play set in the theater will appropriately open Signal's new performance space. The show will run about 65 minutes with no intermission.
Signal Ensemble Theatre Opens Eighth Season with The Real Inspector Hound, 8/16-9/18
Signal Ensemble Theatre presents the first show of its eighth season, Tom Stoppard's comedy 'The Real Inspector Hound,' the ensemble's inaugural presentation in their permanent theater space at 1802 W. Berenice Ave., a 50-seat venue in Chicago's North Center neighborhood. Theatre critics Moon and Birdboot attend the premiere of a new murder mystery and are swept into the whodunit they are viewing. As Moon laments his status as a second-string reviewer, and Birdboot considers adultery with one of the shows actresses, they soon find themselves inside the play-within-a-play, implicated in the lethal activities of an escaped madman. In a hilarious send-up of Agatha Christie-style melodrama, Stoppard's 1968 work is just as rooted in absurdism as it is in satire. Kicking off Signal's 'Season of Comedy,' this play set in the theater will appropriately open Signal's new performance space. The show will run about 65 minutes with no intermission.
Signal Ensemble Theatre presents the first show of its eighth season, Tom Stoppard's comedy 'The Real Inspector Hound,' the ensemble's inaugural presentation in their permanent theater space at 1802 W. Berenice Ave., a 50-seat venue in Chicago's North Center neighborhood. Theatre critics Moon and Birdboot attend the premiere of a new murder mystery and are swept into the whodunit they are viewing. As Moon laments his status as a second-string reviewer, and Birdboot considers adultery with one of the shows actresses, they soon find themselves inside the play-within-a-play, implicated in the lethal activities of an escaped madman. In a hilarious send-up of Agatha Christie-style melodrama, Stoppard's 1968 work is just as rooted in absurdism as it is in satire. Kicking off Signal's 'Season of Comedy,' this play set in the theater will appropriately open Signal's new performance space. The show will run about 65 minutes with no intermission.
Signal Theatre Ensemble Presents THE BALLAD, Opens August 9
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
THE BALLAD OF THE SAD CAFE Opens Signal Ensemble Theatre's 7th Season 8/9
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
Photo Flash: Signal Theatre Ensemble Presents THE BALLAD
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
Photo Flash: Signal Ensemble Theatre Presents THE BALLAD OF THE SAD CAFE
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
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