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Carrie Schroeder

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BIO

Carrie Schroeder was born and raised in the small country town of Shepparton, two hours northeast of the major Australian city of Melbourne, Victoria. When she wasn't riding a horse, waterskiing, or camping up the Murray River, Carrie was at a piano lesson, dance class or recital. With two younger brothers who were always of more imposing stature than her, she had to establish being the "boss" from an early age to keep them in check. Quietly determined, she started dance class at age six and it quickly became her passion. Fun-loving Carrie made her family and friends sit through endless dance performances in her living room and backyard, choreographed and performed by herself and her best friend.

Carrie grew up in the world of hospitality. Since an early age, she watched her family own and operate a local pub her grandmother bought in 1941, shortly after she immigrated from Scotland. Carrie's first job was washing dishes for the pub. Then she went on to food service at the age of 12. Her father would never let her work in the main bar as he felt the "colorful language" was not appropriate for his only daughter. Though she always worked in the family business, Carrie diligently balanced work with school and her love of performing though she always felt school generally got in the way of her performing life. She had dance class at least twice a week, then rehearsals for various community productions. Her first was at age 14, and she went on to perform in at least two productions every year while in school.

Carrie always knew that she was going to pursue a career in the arts. Her love of dance continued through high school; where she studied ballet, tap and jazz and became the choreographer for the many shows and festivals at her high school. At age 16, she was cast as Mary in a local production of "The Secret Garden" and fell in love with acting. She was also the choir leader for the school festivals as well, and her first solo vocal performance was at her high school graduation.

Carrie attended Charles Sturt University in NSW Victoria and received her Bachelor of Arts in Acting for the Stage and Screen. During her time at University she starred as Hero in "Much Ado About Nothing," Jessica in "Dead White Males" and Shelby in "Steel Magnolias." During her senior year, Carrie was one of 11 students to be selected to perform in the Sydney Theatre Company's highly acclaimed production of "The White Devil" lead by Hugo Weaving and Angie Milliken as part of Sydney's Olympic Arts Festival.

Immediately following her graduation, Carrie toured in a production of "And Then They Came for Me" by American author James Still, starring in the role of Eva Schloss. To this day, one of Carrie's most humbling experiences was meeting Holocaust survivor Eva Schloss during the run of the play. Dance was still a huge part of Carrie's life until an onstage injury during a touring production in Singapore ended her dancing. Her professional focus then shifted to the screen, and she was cast in the television miniseries adaptation of Bryce Courtney's novel "Jessica." Following this, she went on to guest star in popular Australian television programs including "H2O: Just Add Water" and "Neighbours."

Carrie relocated to Los Angeles in 2012, and continues to add to her resume in film, television and webisodes. Her notable L.A. theatre credits include playing Alison in John Osborne's "Look Back in Anger" with the Los Angeles New Court Theatre and as Sophie in Joanne Mosconi's new work for the Fringe Theatre Company "You Love That I'm NOT Your Wife!" In addition to her acting career, Carrie is also an accomplished mezzo-soprano and performs regularly. She sang with Jason Alexander and the Boston Pops at Symphony Hall in 2013, and then again at Tanglewood in 2014. Carrie has sung with vocalist Robyn Spangler several times, including at The Metropolitan Room in New York City and appeared in her music video for the song, "Second Wind." She has also performed for two years as a back-up singer for the Alzheimer's Benefit - "A Night at Sardi's" at The Beverly Hilton.
Written By: Steven P. Le Vine

News


Todd Schroeder Young Artist Grant Benefit Concert Set For April

Renowned pianist Todd Schroeder will return to Sonora, CA for the Young Artist Grant Benefit Concert on April 13, 2024. Learn how to purchase tickets.
BWW Interview: Todd Schroeder's YOUNG ARTISTS' GRANT Benefit Concert Returns to Sonora High School

This year's graduating seniors have had anything but a normal high school experience and the past two years have taught them resilience, flexibility, and grace. Undoubtedly, they deserve a bit of celebration for their tenacity and courage. Luckily for students at Sonora High School, Todd Schroeder is back after a five-year hiatus to raise money for the Todd Schroeder Young Artists' Grant to benefit young graduates going into the arts. Todd himself is a graduate of Sonora High School who went on to a successful career as a pianist, composer, and music director. Since 1995, Todd has been giving back to the community with this grant. This year boasts an impressive lineup of celebrities, such as Jason Alexander of Seinfeld fame. Broadway World spoke to Todd about his organization and what we can look forward to at this year's benefit concert that will be happening in Sonora on April 30.
Jason Alexander & More to Take Part in Todd Schroeder's Young Artist Grant Benefit Concert

After a five-year hiatus, Schroeder will return to his hometown high school to raise money for this benefit concert. The Todd Schroeder's Young Artist Grant (YAG) was started in 1995 for visual and performing arts students at Sonora High School in Sonora, California. Since its inception, over 50 grants have been awarded.
SANTA STOLE OUR DOG Arrives on DVD, Digital & On Demand Today

Come along on an epic holiday journey to the North Pole in the incredibly joyous film Santa Stole Our Dog, arriving on DVD, Digital, and On Demand on December 5, 2017, from Universal Pictures Home Entertainment.
SANTA STOLE OUR DOG Arrives on DVD, Digital & On Demand 12/5

Come along on an epic holiday journey to the North Pole in the incredibly joyous film Santa Stole Our Dog, arriving on DVD, Digital, and On Demand on December 5, 2017, from Universal Pictures Home Entertainment.
Photo Flash: Murder is in the Air with DIAL 'M' for MURDER at the Lonny Chapman Theatre

The Group Rep at the Lonny Chapman Theatre presents Frederick Knott's 'Dial 'M' for Murder' directed by Bruce Kimmel, produced by Mannette Antill for the Group Rep.  In this mystery thriller play that inspired Hitchcock's suspense classic, a cunning man marries a wealthy woman for her money and plans to murder her to get her fortune. He devises a perfect murder, blackmails a criminal and arranges a brilliant alibi. To say more about a twisty and surprising thriller simply wouldn't be sporting, would it?   
DIAL 'M' FOR MURDER Opens in June at the Lonny Chapman Theatre

The Group Rep at the Lonny Chapman Theatre presents Frederick Knott's "Dial "M" for Murder" directed by Bruce Kimmel, produced by Mannette Antill for the Group Rep. 
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A mix of borscht-belt comedy and Broadway showtunes, with a hint of neurotic sitcom hyperactivity. That's what an Evening with Jason Alexander with the BPO was like last night.
BWW Reviews: YOU LOVE THAT I'M NOT YOUR WIFE a Real Crowd Pleaser in NoHo

Think quirky like Moonstruck, only transplant the action from New York to Los Angeles and replace the large Italian Family with a dysfunctional community of friends and their current significant others. For those that have forgotten Moonstruck it was a hit movie in 1987 in which relationships were turned upside down, inside out under the spell of a full moon, creating odd, unpredictable sexual entanglements. It's not John Patrick Shanley but Joanne Mosconi who has written You Love That I'm Not Your Wife, and with a kooky title like that, something's got to give comedically. Now onstage in NoHo at the Avery Schreiber Playhouse, Wife is a crowd-pleaser with miles of heart, 10 very likable characters as well as the actors playing them.. under the direction of the playwright who really knows how to keep the pacing fast and bright and to stage action fully within the confines of a minimal space.
Fringe Theatre Presents YOU LOVE THAT I'M NOT YOUR WIFE, Now thru 10/5

From the Co-Writer/Director of the Off-Broadway hit Marry, F*** or Kill comes the world premiere of the fast-paced dramedy You Love That I'm NOT Your Wife, presented by Fringe Theatre Company today, September 12 through October 5, 2014 at the Avery Schreiber Playhouse, 4934 Lankershim Boulevard, North Hollywood, CA 91601.
Fringe Theatre to Present YOU LOVE THAT I'M NOT YOUR WIFE, 9/12-10/5

From the Co-Writer/Director of the Off-Broadway hit Marry, F*** or Kill comes the world premiere of the fast-paced dramedy You Love That I'm NOT Your Wife, presented by Fringe Theatre Company September 12 through October 5, 2014 at the Avery Schreiber Playhouse, 4934 Lankershim Boulevard, North Hollywood, CA 91601.
New Court Theatre Opens LOOK BACK IN ANGER Tonight

This February, join the LA New Court Theatre as we experience John Osborne's Look Back in Anger directed by Rhonda Kohl. This classic piece is strongly influenced by the playwright's unhappy marriage to actress Pamela Lee and gives the audience a glimpse into his life. Look Back in Anger, a monster of a masterpiece, is considered to be the literature that gave birth to the 'angry young man plays.' As Producer Ashley Partington says, 'On paper, the emotions John Osborne puts his character through are palpable. Live, it's almost unbearable to watch - but the audience won't be able to look away.'
New Court Theatre Presents LOOK BACK IN ANGER, 2/21

This February, join the LA New Court Theatre as we experience John Osborne's Look Back in Anger directed by Rhonda Kohl. This classic piece is strongly influenced by the playwright's unhappy marriage to actress Pamela Lee and gives the audience a glimpse into his life. Look Back in Anger, a monster of a masterpiece, is considered to be the literature that gave birth to the 'angry young man plays.' As Producer Ashley Partington says, 'On paper, the emotions John Osborne puts his character through are palpable. Live, it's almost unbearable to watch - but the audience won't be able to look away.'

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