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Carolyn Campbell

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STAGE CREDITS

[Off-Broadway]
1996
Performer


News


Review: MEMPHIS at Candlelight Music Theatre

What did our critic think oHockadoo! MEMPHIS, The Musical, running at Candlelight through October 30, is a compelling show in many respects. Memphis is the story of Huey Calhoun (loosely based on real-life 1950s disc jockey Dewey Phillips) and his mission to bring blues and soul music to a white southern audience in a VERY segregated Memphis. Huey optimistically believes that music can transcend race, and with him on his journey is aspiring singer Felicia Farrell. The two fall in love, but must contend with social barriers, a prejudiced mother, and an overprotective brother. f MEMPHIS at Candlelight Music Theatre?
Foodies, Film Fans, and Philanthropists Unite for Will's Kids 'Hungry Games' in Texas 2/19

Dozens of area restaurants will compete for 'culinary survival' in the First Annual Hungry Games, on Tuesday, February 19, 2013 benefitting Will's Kids. With an appreciative nod to The Hunger Games, the box office blockbuster that earned six People's Choice Awards last week, the organizers hope to generate enthusiasm for their event and cause.
Oregon Native Returns to Direct LE GRAND CONTINENTAL in Portland Today, 9/30

New York-based dancer and Oregon native, Jamie Benson, has accepted the position of Rehearsal Director for Le Grand Continental, an ambitious, 30-minute contemporary line dance by Montreal-based choreographer Sylvain Emard. As Rehearsal Director, Benson is responsible for casting & teaching a very diverse group of 150 Oregonians a wildly creative line dance.
Oregon Native Returns to Direct LE GRAND CONTINENTAL in Portland, 9/30

New York-based dancer and Oregon native, Jamie Benson, has accepted the position of Rehearsal Director for Le Grand Continental, an ambitious, 30-minute contemporary line dance by Montreal-based choreographer Sylvain Emard. As Rehearsal Director, Benson is responsible for casting & teaching a very diverse group of 150 Oregonians a wildly creative line dance.

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