Interview: Theatre 40 Regular John Combs Finally Joins THE MANOR - MURDER AND MADNESS AT GREYSTONE
Theatre 40’s hit immersive drama The Manor- Murder and Madness at Greystone returns for its nineteenth season at the Greystone Mansion January 18, 2024. Martin Thompson directs the cast of Darby Hinton, Eric Keitel, Daniel Leslie, Carol Potter, Nathalie Rudolph, David Hunt Stafford, Amy Tolsky, John Combs, Katyana Rocker-Cook, Gail Johnston, Kristin Towers-Rowles and Peter Mastine. John managed to carve out some time to answer a few of my queries.
THE MANOR Returns to Greystone Mansion in January
The Manor- Murder and Madness at Greystone is by now a Los Angeles/Beverly Hills institution. The play, returning for a nineteenth season, surpassed its 200th performance in 2014. This will mark its first engagement since 2020.
BWW Review: THE MANOR Brings a True Tale of Family Wealth and Woe Inside Greystone Mansion in Beverly Hills
Now celebrating its 18th year, the annual production of THE MANOR has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors who each inhabit their characters to a tee, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 91 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the tragic Doheny family saga have been changed, of course, a?oeto protect the guiltya?? as we are told before the play begins by the mansion's loyal butler, James, portrayed this year by David Hunt Stafford who also produces the show for Theatre 40 in association with The City of Beverly Hills.
THE MANOR: MURDER AND MADNESS AT GREYSTONE Murder Returns February 6
The Manor- Murder and Madness at Greystone is by now a Los Angeles/Beverly Hills institution. The play, now in its eighteenth year, surpassed its 200th performance in 2014. The show is a roman a clef, a fictionalization based on real events with the actual historical characters given new names. To lend authenticity to the presentation, the show is presented in the grand and glorious architectural landmark in which the events of 90 years ago actually took place.
Review: THE MANOR Brings a True and Tragic Tale to Greystone Mansion in Beverly Hills
Every January I look forward to attending THE MANOR by Katherine Bates, presented by Theatre 40 inside the historic Greystone Mansion in Beverly Hills where the story upon which it is based actually took place. Now celebrating its 17th year, the annual production has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 90 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the Doheny saga have been changed, of course, "to protect the guilty" as we are told before the play begins by the mansion's loyal butler, James (Daniel Lench who has masterfully played the part for 6 years).
Review: THE MANOR Returns to Greystone Mansion for its Sixteenth Year
Every January I look forward to attending THE MANOR by Katherine Bates, presented by Theatre 40 inside the historic Greystone Mansion in Beverly Hills where the story upon which it is based actually took place. Now celebrating its 16th year, the annual production has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the talented actors, costumed to time-period perfection, who make up the cast of characters about the oil-rich Doheny family, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 89 years ago actually took place, performed in two acts taking place 10 years apart.