Review: GIRL FROM THE NORTH COUNTRY at Orpheum Memphis
Let me start off by saying, never have I left the theatre feeling so confused. That, apparently, is to be expected from 'Girl from the North Country', the latest Orpheum Memphis feature. My companion turned to me and said, 'do you understanding anything that just happened?' And as we walked to our cars, the women in front of us were going back and forth about how very lost they were and how 'it felt like being in Anatevka all night'.
Review: GIRL FROM THE NORTH COUNTRY at Blumenthal Performing Arts
At Belk Theater, with a house twice as large as the venues where GIRL FROM THE NORTH COUNTRY played London and Broadway, the touring musical seems more like a distant mirage than a precious rolling stone by a dream team.The Belk's wretched sound further hamstrings Conor McPherson's book and Bob Dylan's music and lyrics.
Review: GIRL FROM THE NORTH COUNTRY at ASU Gammage
Written and directed by Conor McPherson, GIRL FROM THE NORTH COUNTRY doesn't feel like other jukebox musicals. If anything, with its engrossing dialog, delivered with a heightened sense of heartbreaking realism from an excellent touring ensemble, you're never quite sure how best to describe the production. Is it a jukebox musical, a drama that wants to be a musical, or a play with music in it?
Review: GIRL FROM THE NORTH COUNTRY at The Paramount
Dear Readers, I will admit that “Girl From the North Country”, currently playing at The Paramount, is a tough one to get into. It’s not a happy little romp and not structured like your typical musical. But if you can get past the bleak and let those voices wash over you, it’s a tragically beautiful ride, assuming they can work out some of those sound mixing issues in the theater.
Review: GIRL FROM THE NORTH COUNTRY at Broadway at The Hobby Center
It is not a flashy musical with special effects and huge dance numbers, but rather a somber meditation on Depression Era America and deep cuts of Bob Dylan’s songbook. It’s brilliant, and it will make you think. It’s akin to watching ghosts sing Americana arias, something you will never quite shake.
Review: A Breathtaking, Poignant Lens Shines On GIRL FROM THE NORTH COUNTRY at Straz Center
“Tonight’s story begins and ends at a guesthouse in Duluth, Minnesota, in the winter of 1934.” These were the opening words spoken by Dr. Walker, as he sets the scene. An evening of love, pain, suffering, interloped with a lush score based on the music of Bob Dylan.
Girl from the North Country, is a dramatic musical with a book by Conor McPherson (The Weir), and songs with music and lyrics by the great Bob Dylan. The show made its Off-Broadway premiere at the Public Theatre from September 30, 2018- December 22, 2018. This transfer featured an all-American cast and was helmed after the successful run at London’s Old Vic a year prior, and following a limited 12-week run shortly thereafter at the Noel Coward Theatre in London’s West End.
Review: GIRL FROM THE NORTH COUNTRY May Have Been Created Expressly For Nashville Audiences
Perhaps without knowing it, McPherson, the show’s creative collective and everyone involved with bringing Girl From The North Country to the stage have created the perfect musical for Nashville’s discerning theater audiences, people who know a thing or two about appreciating music, art and live performance. Only when you begin to leave the theater, perhaps awestruck by what you have just experienced, will you realize the gravity of what you have just seen.
Review: GIRL FROM THE NORTH COUNTRY at Kauffman Center
Connor McPherson’s “Girl from the North Country” enjoyed the Kansas City opening of its first national tour at the Kauffman Center on Tuesday night for a one week residency. McPherson has written and directed a “slice of life” show and filled in the blank spaces with songs from Bob Dylan’s career.
“Girl” might be categorized as a “Juke Box” musical like “Jersey Boys” or “Mama Mia,” but this is certainly not that. This is not a musical play about Bob Dylan.