Blog: It Wasn't Too Late
My experience at Atlantic Acting School was akin to gradually assembling a truly amazing puzzle. One of the initial pieces I discovered and valued the most was when I completed my application form. A specific question made me realize that Atlantic was the perfect fit for me. The query was something like, “What can you tell us about the words inclusion, diversity, equality?” This indicated to me that it would be a safe and conscientious place where I could be myself and feel welcomed.
Blog: When People Ask Me What My Job Is, I Say Without Hesitation: "I'm An Actor"
As a graduate of the Evening Conservatory in 2022, my time at Atlantic provided an ideal environment to hone my craft, consolidate my skills, and springboard into the professional world. Prior to enrolling at Atlantic, as an actor with more than a decade of experience and training in academic and community theater, I realized that grad school would not be a financially viable option for me at this stage (and age), so I was looking for a program that would fit into the constraints of life and still offer rigorous conservatory training.
STRAIGHT WHITE MEN Opens Next Month in Wellfleet
Wellfleet Harbor Actors Theater presents Straight White Men by Young Jean Lee, directed by Sasha Brätt and starring Eleanor Phillips, Freddy Biddle, Mark Hofmaier, Carl Howell, Mike Mihm, and Andy McCain.
BWW Blog: Now Is The Time/No Time Like The Present
I've been acting since 1989 - a union member of both major acting unions since the late 1990's/early 2000's. During my career, I've been described as a 'working actor,' an 'actor's actor' and/or 'a blue collar actor.' There have been times where even though I have called myself, with outward pride, an actor; internally, I've felt lacking. I never went to a four-year acting program. I actually started out as a visual artist, attending art school after high school. But even as a child in North Carolina, I'd strike poses in my bedroom mirror, as if I was appearing in the opening credits of shows like 'Hawaii Five-O,' humming the theme song as I vamped it up. I had the dream, but I honestly didn't even know there was such a thing as an acting school.
Photo Flash: LOVE'S LABORS LOST at Shakespeare Festival St. Louis
BroadwayWorld has a first look at Veteran performer Philip Hernandez, the only actor in Broadway history to play both Valjean and Javert in 'Les Miserables,' headlining the 2019 Shakespeare Festival St. Louis production of 'Love's Labors Lost,' through June 23, at Shakespeare Glen in Forest Park. Get a first look at production photos!
Philip Hernández Will Headline LOVE'S LABORS LOST at Shakespeare Festival St. Louis
Veteran performer Philip Hernandez, the only actor in Broadway history to play both Valjean and Javert in "Les Miserables," will headline the 2019 Shakespeare Festival St. Louis production of "Love's Labors Lost," May 31 through June 23, at Shakespeare Glen in Forest Park. Preview performances are scheduled May 29-30. Performances are held nightly, excluding Mondays, and begin at 8 p.m.
BWW Review: ALABAMA STORY Explores Censorship and Racism, Makes One Laugh and Think
This, as the opening line of Alabama Story tells us, is a story about two rabbits. It's a story about 1959 Montgomery, where cotton is king, where conservative white men call all the shots, and where books that might be about integration are censored. It is a battle of wills between a segregationist senator and a cultivated state librarian regarding a children's book wherein one rabbit happens to be black and one happens to be white. It is a story of childhood friends Lily and Joshua who encounter one another later in life and reminisce over their shared memories while illuminating the dramatic differences in their human experience. It is based on a true story. It is reflective of many true stories.