Blasina Olowe
Latest News on Blasina Olowe:
Soho Rep Extends Zawe Ashton's FOR ALL THE WOMEN WHO THOUGHT THEY WERE MAD (Oct 16, 2019)
Zawe Ashton's FOR ALL THE WOMEN WHO THOUGHT THEY WERE MAD Announced At Soho Rep (Oct 7, 2019)
Soho Rep Extends Zawe Ashton's FOR ALL THE WOMEN WHO THOUGHT THEY WERE MAD (Oct 16, 2019)
Zawe Ashton's FOR ALL THE WOMEN WHO THOUGHT THEY WERE MAD Announced At Soho Rep (Oct 7, 2019)
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[Off-Broadway]
Soho Rep's Original Off-Broadway Production, 2019
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Soho Rep Extends Zawe Ashton's FOR ALL THE WOMEN WHO THOUGHT THEY WERE MAD
Soho Rep, responding to popular demand, announces a one-week extension of Zawe Ashton's for all the women who thought they were Mad, directed by Whitney White (What to Send Up When It Goes Down).
Soho Rep, responding to popular demand, announces a one-week extension of Zawe Ashton's for all the women who thought they were Mad, directed by Whitney White (What to Send Up When It Goes Down).
Zawe Ashton's FOR ALL THE WOMEN WHO THOUGHT THEY WERE MAD Announced At Soho Rep
Soho Rep. kicks off its 2019-20 season with the U.S. Premiere of Zawe Ashton's for all the women who thought they were Mad. Directed by Whitney White (What to Send Up When It Goes Down), Ashton's play is a feverish inquiry and exposé. In it, multigenerational African diasporic voices gather around a woman, Joy. With Ashton's trenchant, irreverent, and lyrical writing, Soho Rep. continues its tradition of presenting works by playwrights whose experimentation with language, social commentary, and piercing wit turn the theater into a space that brims with possibility and danger.
Soho Rep. kicks off its 2019-20 season with the U.S. Premiere of Zawe Ashton's for all the women who thought they were Mad. Directed by Whitney White (What to Send Up When It Goes Down), Ashton's play is a feverish inquiry and exposé. In it, multigenerational African diasporic voices gather around a woman, Joy. With Ashton's trenchant, irreverent, and lyrical writing, Soho Rep. continues its tradition of presenting works by playwrights whose experimentation with language, social commentary, and piercing wit turn the theater into a space that brims with possibility and danger.
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