BWW Review: YOUR MOTHER'S COPY OF THE KAMA SUTRA at The Museum of Human Achievement
YOUR MOTHER'S COPY OF THE KAMA SUTRA begins rather sneakily, with Amber Quick singing in an informal hootenanny with Michael Ferstenfeld, Howard Burkett and San Patrevito who function as a sort of house band for the play. They sing a collection of 80's and 90's songs in the old warehouse venue known as the Museum of Human Achievement and what they achieved, quite by accident, was a moment where they transported me back to old 1980's Austin. The setting itself is clever, feeling like an old coffee house, a couple of books on your table as a centerpiece, topped by a fake flower in a simple glass vase. On closer examination, the books were vintage self-help sex manuals, like The Joy Of Sex.
BWW Review: THE ANTIPODES Whip Smart Superbly Performed Examination of Story Telling
'The rest of the world might be going to hell, but stories are better than ever,' says Sandy (Tom Green), the boss and leader of the think tank in THE ANTIPODES, the newest play from Pulitzer Prize winner Annie Baker currently on stage at Hyde Park Theatre in what is the second production of this fascinating new work. Hyde Park has a history of producing her plays, most recently having staged both John and The Flick. In THE ANTIPODES, Baker examines the very nature of story telling and also has some fun with the concept of time and how it is perceived. It is also interesting to note that the definition of antipodes is 'the opposite'. Baker, in the very construct of the play, is giving us the opposite of traditional plot structure. Sandy reveals a great deal of what Baker is attempting to accomplish in his early remarks to the group: 'If you think about the greatest thinkers in world history: Jesus, Socrates, Confucius; None of those guys recorded anything or wrote anything down. And what we know about them we know through other people telling stories about their stories. Could we go back to the beginning? Could we remake our collective unconscious?'