BWW Review: Tony Yazbeck, Robyn Hurder Bring a Thrilling Dynamic To New York City Center's A CHORUS LINE
The lack of permanence that allows new artists endless chances to bring their own interpretations to classic material is the most significant aspect that separates live theatre from movies and television. But in musical theatre, it's sometimes the case that a director/choreographer such as Jerome Robbins or Bob Fosse may create visuals that become so indelible in the public's mind that they become fixtures of most remountings. In the case of A CHORUS LINE, it's the whole show.
BWW Review: A CHORUS LINE High Kicks Reagle Music Theatre's 50th Season
Reagle Music Theatre of Greater Boston, celebrating its 50th Anniversary Summer Season, was still in its first decade when A CHORUS LINE opened on Broadway in 1975, kicking off its run of 6,137 performances. The groundbreaking musical was nominated for twelve Tony Awards, winning nine, and took home the 1976 Pulitzer Prize for Drama. Forty-three years later, it remains a classic for elevating the nameless boys and girls who toil on the line to marquee status. Without the singers and dancers in the chorus, there could be no musical theater; and without musicals, the theater world would be a quieter, more subdued place.