Everything Coming to Max This February
by Michael Major - Jan 23, 2024
Max announces programming coming to the platform this February, including the debut of the twelfth and final season of HBO Original CURB YOUR ENTHUSIASM (2/4). Check out the full list of everything coming to stream on Max in February!
Studio Theatre Announces Diverse Directors Slate For 2023-2024 Season
by Blair Ingenthron - Aug 13, 2023
Studio Theatre's next season will feature the talents of six accomplished and exciting directors, Elena Araoz, Taylor Reynolds, David Muse, Tom Story, Sivan Battat, and Psalmayene 24, who will bring unique and compelling perspectives to the stage.
Theatre503 Announces Six World Premieres
by Stephi Wild - Sep 22, 2022
Theatre503 has announced its programme until June 2023, featuring six world premieres by outstanding debut playwrights. Two brand new Theatre503 productions open alongside co-productions with emerging and established theatre companies and producers, including plays by writers discovered through the Theatre503 International Playwriting Award and 503Five alumni, plus 503Studio Masterclasses.
BWW Review: Syracuse Stage Presents a Virtual Streaming Production of TWILIGHT: LOS ANGELES, 1992
by Natasha Ashley - Feb 6, 2021
Syracuse Stage never ceases to amaze me with their eye for productions, casting, and unique presentations. I have to say I was concerned when I saw that this streaming production was three hours long. However, it was three hours very well spent. Syracuse Stage’s production of the stunning documentary drama Twilight: Los Angeles, 1992 by Tony Award and Pulitzer Prize nominated playwright Anna Deavere Smith is beautifully and creatively directed by Steve H. Broadnax III.
Syracuse Stage Presents TWILIGHT: LOS ANGELES, 1992
by A.A. Cristi - Jan 28, 2021
Syracuse Stage continues the 2020/2021 online on-demand season with the stunning documentary drama “Twilight: Los Angeles, 1992” by Tony Award and Pulitzer Prize nominated playwright Anna Deavere Smith. “Twilight” will be available as video on demand Feb. 3 – 14 at www.syracusestage.org.
Grandmothers Against Gun Violence Partners With Mirror Stage on September 2
by A.A. Cristi - Aug 26, 2020
Theatre That Gets People Talking, Mirror Stage continues its 2nd Saturday online series on September 12 at 5:00pm Pacific, when Margaret Heldring, co-Chair of Grandmothers Against Gun Violence, will present a lecture on the history of gun violence and gun control in the US via Zoom.
Photo Coverage: A Look Back at the Legacy Robe Ceremonies of 2019
by Walter McBride - Dec 31, 2019
As we reflect on 2019, we're taking a look back on the people who received the Legacy Robe this year! From Beetlejuice to Moulin Rouge, Tina to Ain't Too Proud, and many more, relive the magic of the Broadway Legacy Robe with photos from the 2019 ceremonies below!
Ask BWW: What is the Legacy Robe?
by Linnae Medeiros - Oct 31, 2019
You asked, and we've answered! We asked BroadwayWorld readers to give us their most burning questions about theatre's inner workings, and we received a question asking about the Legacy Robe. We've put together a guide to let you know all about the history behind the ritual of the robe and to give you a glimpse inside what the ceremony is like. Check it all out!
New York Stage And Film Announces 2019 NYC Fall Programming
by Stephi Wild - Oct 16, 2019
New York Stage and Film has announced the upcoming line-up for their fall programming including the 2019 NYC Reading Series and a special panel discussion. New York Stage and Film's NYC Programming serves artists through the course of the full calendar year, and throughout the life cycle of their projects. Tickets are free and can be reserved by visiting www.NewYorkStageAndFilm.org/NYCProgramming.
BWW Review: Words Fail, But Humanity May Prevail in TWILIGHT, LOS ANGELES at the REP
by Jack L. B. Gohn - Mar 6, 2019
Most of the characters fail to use words properly to convey directly what is important to them or us. But as I have said, the underlying problem is larger. It is a mismatch of moral paradigms. The possibility of rationally settling the underlying issues by a dialogue among the participants is hard to conceive. This play seems instead to be more about making people grasp, at a gut level, the speakers' personhood,