Photos/Video: 2024 BROADWAY FLEA MARKET Raises $1,421,675
Thousands of Broadway fans, countless theatrical treasures and dozens of Broadway stars lit up New York City’s Theater District - and ushered in a record-breaking fundraising total - when the Broadway Flea Market & Grand Auction returned Sunday, September 22, 2024. Check out photos and video from the event!
Review Roundup: TABLE 17 Opens at MCC Theater
The World Premiere of MCC Theater's Table 17 by Douglas Lyons and directed by Zhailon Levingston opened at MCC Theater last night, Friday, September 6th. Previously extended through September 22, Table 17 will now play through Sunday September 29 at MCC Theater’s Susan & Ronald Frankel Theater. See what the critics had to say!
Photos: Inside Opening Night of TABLE 17 at MCC
The World Premiere of MCC Theater's Table 17 by Douglas Lyons and directed by Zhailon Levingston just celebrated its opening night at MCC Theater’s Susan & Ronald Frankel Theater. BroadwayWorld was there for the special night and you can check out photos here
Recap the 2024 Tony Awards Acceptance Speeches
The 77th Annual Tony Awards have officially begun! As winners take the stage this evening, stay tuned to BroadwayWorld as we bring you full text of all of the acceptance speeches; from the emotional to the humorous, and everything in between.
Labyrinth Theater Company Reveals 31st Season
LAByrinth Theater Company has announced its 31st season, returning to its roots with a focus on developing new work. This season will include developmental productions, LAB's renowned Barn Series, and more. Learn more about the full lineup here!
Review: TWELFTH NIGHT at The Old Globe
TWELFTH NIGHT is one of Shakespeare’s classic comedies, and the current production at The Olde Globe playing through July 9th invites the audience to a music-centered and lighthearted version that is lively, lyrical, and full of laughter!
Review: TWELFTH NIGHT at Old Globe Theatre
The production that opened June 10 at the outdoor Lowell Davies Festival Theater was consistently enjoyable, but never enchanting. Set in the Regency area and using a mixture of music (here a court violin, there a ukelele) to foreground the play rather than drive it forward, Marshall’s production suffers from inconsistent casting. It also drags.