100 BLACK WOMEN WHO HAVE MADE A MARK Comes to Leicester Gallery
by Stephi Wild - Jul 23, 2024
100 BLACK WOMEN WHO HAVE MADE A MARK is a new art exhibition created and produced by Serendipity Institute for Black Arts and Heritage in Leicester that will run at Leicester Gallery from October 1st 2024 to January 4th 2025.
BWW Review: SUNSET BOULEVARD Makes Regional Premiere at Vista
by Don Grigware - Aug 25, 2017
1993's rarely produced Sunset Boulevard is a somewhat flawed musical play that satisfies best with the casting of an actress of great star quality as Norma Desmond, one whose face could have convincingly lit up a silent film screen. Moonlight Amphitheatre has its star in Valerie Perri, and under Larry Raben's resourcefully skilled staging, Sunset Boulevard is a hit.
BWW Review: INDIAN INK from STC and Pratidhwani Blends History and Heart
by Jay Irwin - Aug 24, 2015
When you go to see a Tom Stoppard play such as "Indian Ink", currently playing at Center Theatre from Sound Theatre Company and Pratidhwani, you can expect to be immersed in whatever subject Stoppard has chosen, whether that be literature, history, math, music or landscape architecture, along with a fascinating interpersonal story with the characters. And while I usually appreciate the interpersonal stories of his plays, his chosen subject of interest is usually lost on me (mostly due to the feeling that you need to take a Masters class in whatever the subject is before you see the play to totally get it). Stoppard's "Indian Ink" is no exception although the love story at its heart certainly outweighed any gaps of historical knowledge I felt.
Sound Theatre & Pratidhwani to Present Tom Stoppard's INDIAN INK
by Tyler Peterson - Aug 4, 2015
Sound Theatre Company contributes to the hot Northwest summer with the steamy, smart Seattle premiere of Indian Ink by Tom Stoppard. This passionate tale that explores art and colonialism, set on two continents and in two eras, is a co-production with South Asian cultural organization Pratidhwani, and is directed by Andrew McGinn.