Ben Lieberson
Latest News on Ben Lieberson:
Liars & Believers Kicks Off 2023 With Run At The Foundry In Cambridge's Kendall Square (Jan 31, 2023)
BWW Review: EXTREMITIES - Also Known As Theatre (Mar 30, 2019)
BWW Review: NOT MEDEA: Motherhood Gone Awry (Mar 20, 2019)
Liars & Believers Kicks Off 2023 With Run At The Foundry In Cambridge's Kendall Square (Jan 31, 2023)
BWW Review: EXTREMITIES - Also Known As Theatre (Mar 30, 2019)
BWW Review: NOT MEDEA: Motherhood Gone Awry (Mar 20, 2019)
News
Liars & Believers Kicks Off 2023 With Run At The Foundry In Cambridge's Kendall Square
Liars & Believers, the Cambridge-based theatre company, will perform their inspiring production of 'A Story Beyond' at The Foundry in Kendall Square during the February school vacation week, Feb. 18 to Feb. 25, 2023. Liars & Believers (LaB) will be the first professional company to perform at the Foundry, which opened in Fall 2022, after a years-long process of saving the historic building.
Liars & Believers, the Cambridge-based theatre company, will perform their inspiring production of 'A Story Beyond' at The Foundry in Kendall Square during the February school vacation week, Feb. 18 to Feb. 25, 2023. Liars & Believers (LaB) will be the first professional company to perform at the Foundry, which opened in Fall 2022, after a years-long process of saving the historic building.
BWW Review: EXTREMITIES - Also Known As Theatre
In 1982, Extremities, by playwright William Mastrosimone, premiered at Westside Arts in New York starring Susan Sarandon, and later the play was adapted into a movie starring Farrah Fawcett, the final actress to play the role of Marjorie in the Broadway production.
In 1982, Extremities, by playwright William Mastrosimone, premiered at Westside Arts in New York starring Susan Sarandon, and later the play was adapted into a movie starring Farrah Fawcett, the final actress to play the role of Marjorie in the Broadway production.
BWW Review: NOT MEDEA: Motherhood Gone Awry
Playwright Allison Gregory combines myth and magic to craft a non-linear narrative about betrayal, death, motherhood, and the darkest tragedy. It is to her credit that she weaves a great deal of humor and humanity through the play, and Juliet Bowler is adept at playing both sides of the character. Toga-clad Gene Dante is c*cksure in the dual roles of the mythological Jason (of Golden Fleece fame) and modern-day Jason, the woman's ex-husband who left her for a younger wife. Every Greek play must have its Chorus to contribute commentary, ably provided here in both spoken and sung verses by Cassandra Meyer. Elizabeth Yvette Ramirez directs with a clear-eyed vision of both the real world and allegorical components of the play, and elicits strong performances from her tight-knit ensemble.
Playwright Allison Gregory combines myth and magic to craft a non-linear narrative about betrayal, death, motherhood, and the darkest tragedy. It is to her credit that she weaves a great deal of humor and humanity through the play, and Juliet Bowler is adept at playing both sides of the character. Toga-clad Gene Dante is c*cksure in the dual roles of the mythological Jason (of Golden Fleece fame) and modern-day Jason, the woman's ex-husband who left her for a younger wife. Every Greek play must have its Chorus to contribute commentary, ably provided here in both spoken and sung verses by Cassandra Meyer. Elizabeth Yvette Ramirez directs with a clear-eyed vision of both the real world and allegorical components of the play, and elicits strong performances from her tight-knit ensemble.
Also Known As Theatre Presents EXTREMITIES
Boston-based indie theatre company Also Known As Theatre is proud to announce its third production, Extremities by William Mastrosimone, which will run March 28-April 13, 2019 in Margaret Jewett Hall at First Church Harvard Square, 11 Garden Street, Cambridge, MA.
Boston-based indie theatre company Also Known As Theatre is proud to announce its third production, Extremities by William Mastrosimone, which will run March 28-April 13, 2019 in Margaret Jewett Hall at First Church Harvard Square, 11 Garden Street, Cambridge, MA.
Liars & Believers Pushes The Boundaries Of Devised Theatre, Inviting The Public Into The Process
Liars & Believers (LAB), continues its risk-taking experimentation by inviting the public into the creative process with a free workshop presentation of their newest production, A Story Beyond. The showing will be followed by an interactive developmental discussion with the audience and ensemble. It will be presented on March 29, 2018 @ 7:30 at the BCA Black Box Theater, 539 Tremont Street in Boston's South End. Tickets are free and can be reserved at https://www.eventbrite.com/e/a-story-beyond-workshop-showing-tickets-43211175790.
Liars & Believers (LAB), continues its risk-taking experimentation by inviting the public into the creative process with a free workshop presentation of their newest production, A Story Beyond. The showing will be followed by an interactive developmental discussion with the audience and ensemble. It will be presented on March 29, 2018 @ 7:30 at the BCA Black Box Theater, 539 Tremont Street in Boston's South End. Tickets are free and can be reserved at https://www.eventbrite.com/e/a-story-beyond-workshop-showing-tickets-43211175790.
BWW Review: THE REAL INSPECTOR HOUND Rings Down the Curtain on Bad Habit Productions
Bad Habit Productions is about to drop the final curtain after ten years of delivering award-winning theater, but they are not taking the easy way out. Director Dawn M. Simmons and an ensemble of eight actors make sense of Tom Stoppard's 1968 comedy whodunnit, THE REAL INSPECTOR HOUND, even as they squeeze very bit of theatrical nonsense from this old chestnut. The troupe plays well together and looks like they're taking their roles seriously, despite their characters saying and doing ridiculous things.
Bad Habit Productions is about to drop the final curtain after ten years of delivering award-winning theater, but they are not taking the easy way out. Director Dawn M. Simmons and an ensemble of eight actors make sense of Tom Stoppard's 1968 comedy whodunnit, THE REAL INSPECTOR HOUND, even as they squeeze very bit of theatrical nonsense from this old chestnut. The troupe plays well together and looks like they're taking their roles seriously, despite their characters saying and doing ridiculous things.
Apollinaire Theatre Company presents EVERYMAN by Carol Ann Duffy
Everyman is successful, popular, and riding high when Death comes calling. Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defense. But Death is close behind, and time is running out.
Everyman is successful, popular, and riding high when Death comes calling. Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defense. But Death is close behind, and time is running out.
BWW Review: World Premiere of Kirsten Greenidge's HOW SOFT THE LINING
Bad Habit Productions inaugurates their 10th anniversary season with the world premiere of Kirsten Greenidge's HOW SOFT THE LINING, a historically-based play about the unusual relationship between Mary Todd Lincoln and her seamstress Elizabeth Keckley, a freed slave. Director M. Bevin O'Gara draws strong performances from Bridgette Hayes, Elle Borders, and versatile, diverse ensemble, to tell a story that resonates on many levels in today's political climate.
Bad Habit Productions inaugurates their 10th anniversary season with the world premiere of Kirsten Greenidge's HOW SOFT THE LINING, a historically-based play about the unusual relationship between Mary Todd Lincoln and her seamstress Elizabeth Keckley, a freed slave. Director M. Bevin O'Gara draws strong performances from Bridgette Hayes, Elle Borders, and versatile, diverse ensemble, to tell a story that resonates on many levels in today's political climate.
Brown Box Theatre Project's Summer 2016 Season Begins Today
Brown Box Theatre Project is thrilled to announce their summer season! First up is the raw and illuminating drama: Brilliant Traces by Cindy Lou Johnson in June. Rounding out their sixth season will be their annual outdoor Shakespeare production of Cymbeline in August. Both productions will open in Boston before touring to the Delmarva peninsula.
Brown Box Theatre Project is thrilled to announce their summer season! First up is the raw and illuminating drama: Brilliant Traces by Cindy Lou Johnson in June. Rounding out their sixth season will be their annual outdoor Shakespeare production of Cymbeline in August. Both productions will open in Boston before touring to the Delmarva peninsula.
BRILLIANT TRACES and CYMBELINE Set for Brown Box Theatre Project's Summer 2016 Lineup
Brown Box Theatre Project is thrilled to announce their summer season! First up is the raw and illuminating drama: Brilliant Traces by Cindy Lou Johnson in June. Rounding out their sixth season will be their annual outdoor Shakespeare production of Cymbeline in August. Both productions will open in Boston before touring to the Delmarva peninsula.
Brown Box Theatre Project is thrilled to announce their summer season! First up is the raw and illuminating drama: Brilliant Traces by Cindy Lou Johnson in June. Rounding out their sixth season will be their annual outdoor Shakespeare production of Cymbeline in August. Both productions will open in Boston before touring to the Delmarva peninsula.
BWW Review: TALES OF A FOURTH GRADE LESBO: Don't Ask, Do Tell
Flat Earth Theatre opens their tenth anniversary season with the East Coast premier of Gina Young's cheeky exploration of growing up queer in the 90s. An ensemble cast of seven women and four men portray girls and boys of varying ages and personality types, but you will recognize all of these kids and may see yourself among them. Through a series of vignettes, dances, and songs, Young captures the awkwardness and anxiety of sexual awakening and feeling "different," but would get more bang for the buck with some judicious editing.
Flat Earth Theatre opens their tenth anniversary season with the East Coast premier of Gina Young's cheeky exploration of growing up queer in the 90s. An ensemble cast of seven women and four men portray girls and boys of varying ages and personality types, but you will recognize all of these kids and may see yourself among them. Through a series of vignettes, dances, and songs, Young captures the awkwardness and anxiety of sexual awakening and feeling "different," but would get more bang for the buck with some judicious editing.
BWW Reviews: Into the Minds of Brown Box Theatre Project's ECHOES
A dive into the haunting and kinetic production that was Brown Box Theatre Project's Echoes.
A dive into the haunting and kinetic production that was Brown Box Theatre Project's Echoes.
BWW Review: Whistler in the Dark Fades Out With FAR AWAY
Whistler in the Dark Theatre is calling it a day, but not before staging one final play that will challenge their audience. Concluding their season celebrating Caryl Churchill, the Whistlers are fading out with the dystopian fable FAR AWAY.
Whistler in the Dark Theatre is calling it a day, but not before staging one final play that will challenge their audience. Concluding their season celebrating Caryl Churchill, the Whistlers are fading out with the dystopian fable FAR AWAY.
Whistler in the Dark Theatre Continues Caryl Churchill Celebration with FAR AWAY, Running Now thru 4/19
Whistler in the Dark Theatre continues their season-long celebration and exploration of acclaimed British playwright Caryl Churchill's work with a presentation of her 2000 dystopian fairy tale, FAR AWAY. Permeated with paranoia and fear, FAR AWAY shows us a fun-house mirror reflection of our world, a dystopian society where unspeakable horrors take place just offstage and the moral compass is shattered. By turns lyrical and prosaic, terrifying and shot through with a dark glinting humor, this fable of a society (and a planet) turning on itself is the work master playwright and political thinker at her best.
Whistler in the Dark Theatre continues their season-long celebration and exploration of acclaimed British playwright Caryl Churchill's work with a presentation of her 2000 dystopian fairy tale, FAR AWAY. Permeated with paranoia and fear, FAR AWAY shows us a fun-house mirror reflection of our world, a dystopian society where unspeakable horrors take place just offstage and the moral compass is shattered. By turns lyrical and prosaic, terrifying and shot through with a dark glinting humor, this fable of a society (and a planet) turning on itself is the work master playwright and political thinker at her best.
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