Review: TITUS ANDRONICUS, Shakespeare's Globe
Jude Christian's visually stunning take on this goriest of stories from Shakespeare is bound to raise more than a few eyebrows. In a gender reversal of what likely took place on its first outing, this production has an all-female cast committing the heinous murders. The many, many deaths are portrayed by candles being snuffed out. This may be set in ancient Rome, but the dress code here is pyjamas and, in place of lyres and pan pipes, the music here consists mainly of darkly comic songs. A classic interpretation? Hardly
Shakespeare's Globe Announces Full Casting For Summer 2019 Tour
Brendan O'Hea returns to direct Globe on Tour, where a company of eight actors will once again offer audiences around the world a trio of plays which this year explore the themes of refuge and displacement. Continuing last summer's experiment, which revived the Shakespearean tradition of allowing audiences to vote for the play they'd like to see, this year's audiences will cast their votes for The Comedy of Errors, Twelfth Night or Pericles, all stories of lost families, new homes, and what it means to belong. The tour will return to the Globe stage for Refugee Week (17 - 23 June) as part of a wider programme of events in which refugee artists, performers and audiences will all share their stories.
BWW Review: A CHRISTMAS CAROL, Bristol Old Vic
True to their exciting form of challenging expectations with inventive adaptions, Bristol Old Vic's A Christmas Carol is a clever, witty and refreshing take on the beloved festive classic.
At the heart of this production is the importance of rediscovering one's imagination and connecting with those you love, and how this changes perspective.