Baker Mukasa

Video: Watch An All New Trailer For STANDING AT THE SKY'S EDGE in the West End

An all new trailer has been released for the West End premiere of Sheffield Theatres’ Standing at the Sky’s Edge.  Check out the video here!

Photos: Inside Opening Night of STANDING AT THE SKY'S EDGE

Photos have been released from opening night of Sheffield Theatres' production of Standing at the Sky's Edge at the Gillian Lynne Theatre. Check out the photos here!

Interview: 'This is An Insane Feat': Actors Elizabeth Ayodele and Baker Mukasa on the Epic STANDING AT THE SKY'S EDGE

Standing at the Sky’s Edge has arrived at the Gillian Lynne Theatre on the West End after runs at the Crucible Theatre in Sheffield and the National Thetare. Recently, we had the chance to speak with Baker Mukasa (George) and Elizabeth Ayodele (Joy) about their roles within the show.

Photos: First Look at the West End Premiere of STANDING AT THE SKY'S EDGE

All new production photos have been released for the West End premiere of Sheffield Theatres’ Standing at the Sky’s Edge. Check out the photos here!

Photos: Inside Rehearsal For the West End Transfer of STANDING AT THE SKY'S EDGE

All new rehearsal photos have been released of the new cast of the West End transfer of Sheffield Theatres’ smash-hit production, Standing at the Sky’s Edge.  Check out the photos here!

Full Cast Set For West End Transfer of STANDING AT THE SKY'S EDGE

Full casting has been announced for the West End transfer of Sheffield Theatres’ Standing at the Sky’s Edge. Learn more about the show and find out who is starring here!

Video: Watch Samuel Jordan Singing 'Midnight Train' From STANDING AT THE SKY'S EDGE

The National Theatre and Various Productions have released a ‘first look’ rendition by West End cast member, Samuel Jordan, performing ‘Midnight Train’ from Sheffield Theatres’ smash-hit production, Standing at the Sky’s Edge.  

Guest Blog: 'I Feel So Grateful to Be a Part of It': Actor Baker Mukasa on Jazz, Smooth Rehearsals and Being Part of BRIEF ENCOUNTER

Baker Mukasa gives an insight into preparing for the role of this iconic story which has been re-imagined as a musical at Manchester’s Royal Exchange Theatre this Christmas.

Cast Set For the West End Transfer of STANDING AT THE SKY'S EDGE

Initial casting has been announced for the West End transfer of Sheffield Theatres’ Standing at the Sky’s Edge. Find out who is starring in the show here!

Baker Mukasa and Hannah Azuonye Will Lead Royal Exchange Theatre's BRIEF ENCOUNTER

This December, Royal Exchange Theatre presents Brief Encounter, a huge beating heart of a musical for incurable romantics.

London Youth Theatre Present KATZENMUSIK at Seven Dials Playhouse

As their first production at Seven Dials Playhouse, London Youth Theatre will present katzenmusik, a darkly comic story about social inequality and upheaval on Friday 14th and Saturday 15th April.

Seven Dials Playhouse Announced as the New Home of London Youth Theatre

Seven Dials Playhouse will provide a new home for London Youth Theatre (formerly Musical Youth London). Run by Katie Pesskin and Tom Foskett-Barnes, their aim has been to provide affordable performing arts opportunities to young people across the capital and the relaunch as London Youth Theatre is an exciting evolution of the company’s work so far.

Photos: Go Inside Rehearsals for STANDING AT THE SKY'S EDGE at Sheffield's Crucible Theatre

See rehearsal photos for the musical Standing at the Sky’s Edge, which returns to Sheffield’s Crucible Theatre following its sell-out debut in 2019. The new musical with songs by Sheffield musician Richard Hawley and book by Chris Bush will transfer to the National Theatre’s Olivier in 2023.

Review: I, JOAN at Shakespeare's Globe

Joan of Arc has long been a symbol of female empowerment. Her ascent to patron saint of France is often described as a tale of gender non-conforming rebellion for women to aspire to. Shakespeare's Globe and writer Charlie Josephine (they/he) have dismantled this depiction of womanhood, redefining Joan's experiences through the lens of trans existence. In I, Joan, the protagonist traverses the same war and faith we as an audience are accustomed to, whilst also advocating for and navigating their nonbinary identity.

Casting Announced For I, JOAN At Shakespeare's Globe

Shakespeare's Globe has announced casting for the premiere of I, Joan, which runs from 25 August to 22 October.

Ian Charleston Award Winner Announced

Gloria Obianyo has won the first prize of the 2022 Ian Charleson Awards for her role as Neoptolemus in Paradise by Kae Tempest at the National Theatre. A performance that the judges said 'never put a foot wrong'.

RSC Cancels THE COMEDY OF ERRORS Dates Due to Covid Cases in the Company

The Royal Shakespeare Company has announced that upcoming performances of The Comedy of Errors have been cancelled due to Covid-19 cases in the company. Performances are cancelled from Wednesday, December 15 through Wednesday December 22. They hope to reopen on Thursday, December 23. 

Naomi Sheldon Will Join Company Of THE COMEDY OF ERRORS on Tour and at The Barbican 2021

The Royal Shakespeare Company (RSC) today announced that Naomi Sheldon will join The Comedy of Errors company to play the role of Adrianna on tour and at the Barbican this winter. Hedydd Dylan, who currently plays the role of Adrianna, will share the role with Naomi whilst the production is on tour, before leaving the company at the end of November to have her baby, when Naomi will take over permanently for the show's run at the Barbican.

Cast Announced For OUR TEACHER'S A TROLL At Lesnes Abbey Ruins

Two terrible twins, Sean and Holly, with a talent for turmoil rule their school with terror and tyranny. That is, until the arrival of a new headteacher with scaly skin, gnarly fangs and a spiky tail… Can the twins save the school from the child-eating troll? Can naughtiness prevail?

BWW Review: FESTIVE TALES, Royal Shakespeare Theatre

Broadcasted mere hours after the change in Christmas COVID restrictions in the UK, the RSC’s Festive Tales brings some much-needed escapism. We are met with an empty theatre dotted with candles in lanterns and a lone voice singing a carol. It really magnifies the emptiness of our performance spaces at the moment.