Studio Tenn's DRIVING MISS DAISY Beautifully Captures The Spirit of Alfred Uhry's Play
Alfred Uhry is a Southern writer who knows our region better than most and he uses the power of his words and the artistry of his pen to create moments and scenes in plays and musicals that are as authentic as the little rivulets of condensation that snake their way down the outside of a glass of iced tea on a too-hot afternoon in March, for goodness’ sake.
Friday 5(+1): Getting To Know The New Faces of Nashville Rep's RAGTIME
Ragtime opened last night, featuring a cast of Nashville stage veterans and a sizable coterie of performers, heretofore unknown to local audiences, who are certain to become fast favorites. Taking a brief respite from their hectic schedules of rehearsals, fittings, photo calls, more rehearsals and getting to know one another, four of those newcomers – Shelby Denise Smith, Wood Van Meter, Kortney Ballenger and Steven McCoy – took the time to answer our questions to tell you why you need to score those tickets for Ragtime now if you haven’t already.
BWW Review: Star-Studded RAGTIME Heralds Nashville Repertory Theatre's Return to Live Performance
Ragtime, the Tony Award-winning musical about life in these United States during the very early years of the 20th century, is a richly drawn and evocatively told rumination on the pursuit of the American dream seen from the perspective of a diverse, multi-ethnic cast of characters. Now onstage through Sunday at the Tennessee Performing Arts Center’s James K. Polk Theatre, in a glittering and sumptuous revival from Nashville Repertory Theatre, Ragtime proves an ambitious choice for the company’s return to live performance after more than 18 months of darkness due to the Covid-19 pandemic.
Nashville Rep Comes Home to TPAC's Polk Theatre for Season-Opening RAGTIME
Opening Thursday night, November 11 and continuing for five performances through Sunday, November 14, Ragtime – the musical by Stephen Flaherty (music), Lynn Ahrens (lyrics) and Terrance McNally (book) which, in turn, is based upon E.L. Doctorow’s 1975 novel of the same name – promises to be a grand undertaking, which hopefully will blow away the cobwebs and the dust that’s collected in the past year-and-a-half during which the theater was dark and the company strived to remain relevant and productive amidst all the challenges that ensued.
BWW Review: Nashville Children's Theatre Returns With Imaginative and Immersive CHARLOTTE'S WEB
Welcoming audiences to an NCT production for the first time in 16 months – albeit outside and away from its traditional theater space in downtown Nashville and relocated to a working farm west of Nashville – Nolan and his team have crafted the best possible production to herald the company’s reemergence. Presented just in time to celebrate its 90th season, Charlotte’s Web exemplifies the best of NCT (which has a much-deserved and altogether stellar reputation the world over) with a sustained sense of creativity and unbridled imagination.
CMA Foundation Honors Music Educators at Music Teachers Of Excellence
The CMA Foundation, a national music education nonprofit and the philanthropic arm of the Country Music Association, held its fourth annual Music Teachers of Excellence event on Tuesday, April 30, honoring 30 music educators from across the country for their exemplary work. The invite-only program was livestreamed from Marathon Music Works in Nashville.
First Night's Top Ten of 2018 Announced in Nashville Tonight
In anticipation of the gala 30th anniversary celebration of The First Night Awards, Tennessee's best and brightest in live theater were revealed tonight as First Night's Top Ten of 2018 - reviewer and critic Jeffrey Ellis' annual recognition for theater in the Volunteer State - were announced during a Facebook Live presentation from Nashville.
BWW Review: Street Theatre Company's BROOKLYN: THE MUSICAL Caps a Remarkable 2018 Season at STC
Part contemporary fairy tale/part modern day parable about lost love, missed chances and the cruelty of fate, Brooklyn: The Musical, is given a startlingly good production by Nashville's Street Theatre Company, with strong direction by Bakari King (the much-in-demand peripatetic - and multi-hyphenated - actor/singer/director/choreographer/producer/educator) and the consistently impressive performances by an ensemble of nine actors who bring the show to life with palpable vitality and remarkable commitment.