BUENA VISTA SOCIAL CLUB Will Arrive on Broadway in 2025
The acclaimed new musical BUENA VISTA SOCIAL CLUB is coming to Broadway! A band of renowned musicians from across the globe will tell the legendary story of the artists who recorded the original album. The new musical features a book by Marco Ramirez and will be directed by Tony nominee Saheem Ali.
AT THIS PERFORMANCE... Returns To The Green Room 42 This Month
AT THIS PERFORMANCE... returns to THE GREEN ROOM 42 on September 23, 2024, featuring Broadway understudies and standbys showcasing their talents. Join for an evening of performances from emerging stars.AT THIS PERFORMANCE… will return to The Green Room 42 featuring Standbys, Understudies and Alternates from The Outsiders; Hell's Kitchen; Suffs, Once Upon A Mattress; Cats: “The Jelicle Ball”; The Wiz; and Shucked.
AT THIS PERFORMANCE... to Return to Green Room 42 in July
AT THIS PERFORMANCE… returns to The Green Room 42 featuring Standbys, Understudies, and Alternates from Hell's Kitchen, Suffs, The Wiz, Water For Elephants, Cats: “the Jellicle Ball”, Back To The Future, and The Heart Of Rock And Roll.
Thomas Green Launches Management and Production Company
Thomas Green, a veteran talent manager and producer, is launching Thomas Green Entertainment, a new management and production company with a focus on multi-hyphenates of the global majority across television, film, theater, music, sports, and fashion.
AT THIS PERFORMANCE... Returns To The Green Room 42 This Month
AT THIS PERFORMANCE... returns to The Green Room 42 featuring Standbys, Understudies, and Alternates from MERRILY WE ROLL ALONG, THE BOOK OF MORMON, NEW YORK, NEW YORK, WAITRESS, TITANIQUE, and SAW THE MUSICAL: THE UNAUTHORIZED PARODY. Join us on Monday, November 20th at 7 PM for this monthly residency showcasing Broadway talent.
Review: RENT at The Muny
Director Lili-Anne Brown follows up her magnificent production of last season’s THE COLOR PURPLE with a poignant production of RENT and the story of friends who are coping with the extreme circumstances of life-threatening disease and poverty. Her treatment of Jonathan Larson’s RENT remains true to the intimacy of the original production.