Ashley Bufkin

Review: DIAL M FOR MURDER at Gulfshore Playhouse
by Elizabeth James - Jan 27, 2025

What did our critic think of DIAL M FOR MURDER at Gulfshore Playhouse?

DIAL M FOR MURDER Cast Announced At Gulfshore Playhouse; Now Extended Due to Popular Demand
by A.A. Cristi - Dec 17, 2024

Gulfshore Playhouse has announced the cast and creative team for Dial M for Murder, a gripping thriller set to captivate audiences in the Moran Mainstage at the brand new Baker Theatre and Education Center.

COMING TO AMERICA: A TIPSY STAGED READING & More Set for The Movement Theatre Company Spring 2024 Programming
by Chloe Rabinowitz - Feb 7, 2024

The Movement Theatre Company has unveiled the line-up of special events, readings and residencies that will take place this spring. Learn how to purchase tickets!

Ensemble Studio Theatre Announces Casting For Marathon Of One-Act Plays
by Blair Ingenthron - Oct 5, 2022

Ensemble Studio Theatre (EST) has announced complete casting for the 38th Marathon of One-Act Plays, which will be fully comprised of work from artists who identify as Black, Indigenous & People of Color (BIPOC). This year's selection of eleven plays was curated by Co-Artistic Directors Mike Lew (Teenage Dick) and Colette Robert (Behind the Sheet). Ten plays will be presented across two different series from Sunday October 16 through Sunday November 13 at EST.

First Three Episodes of BEDLAM: THE SERIES to Premiere on BEDLAM TV in November
by Chloe Rabinowitz - Oct 25, 2021

Written by Eric Tucker & Musa Gurnis and directed by Eric Tucker, “BEDLAM: The Series” twists Shakespearean characters and plots we know and love – King Lear, The Merry Wives of Windsor, The Merchant of Venice – into a new story of love, deceit, betrayal, and revenge

BEDLAM Announces BEDLAM: THE SERIES Featuring Zuzanna Szadkowski, Triney Sandoval and More
by Chloe Rabinowitz - Oct 14, 2020

BEDLAM has announced BEDLAM: THE SERIES, an episodic New Media Series now in development. Written by Eric Tucker and Musa Gurnis and directed by Eric Tucker, BEDLAM: THE SERIES is an inventive and irreverent Shakespeare mashup that twists together characters and plots from King Lear, The Merry Wives of Windsor, The Merchant of Venice and other plays.

Karen Alvarado, Ashley Bufkin and More Star in GHOST HUNT: The Hall-Mills Double Homicide
by Chloe Rabinowitz - Sep 16, 2020

THINKERY AND VERSE and BUTCH MERMAID have announced their collaboration in the world premiere experiential production of GHOST HUNT: The Hall-Mills Double Homicide, based on their more traditional Hall-Mills stage-play, THOU SHALT NOT, which was set to premiere this spring in New York City.

Larry Owens, April Matthis, Keith Josef Adkins and D. Woods Join 48HOURS IN...HARLEM
by Chloe Rabinowitz - Aug 19, 2020

Tomorrow, Harlem9, the Obie Award-Winning producing collective, begins the stream of their 10th Annual and 1st Digital Festival.  The Harlem based collective is no stranger to Black Playwrights, Actors and Directors who also make their living within the Theatre, TV and Film industry. 

Harlem9 Presents 48HOURS IN...HARLEM Digital Edition
by Chloe Rabinowitz - Jul 27, 2020

Harlem9 recently announced that their 10th Anniversary would be Digital. Last year, 2019, was the first year that the Obie Award-Winning collective went National.

Thinkery & Verse Announces Decameron 2020 Podcast
by A.A. Cristi - Jul 24, 2020

Thinkery & Verse is proud to announce Decameron 2020, a podcast reading and discussion of Giovanni Boccaccio's classic work-because in an age where countless publications are referencing The Decameron, it feels great to know what the hell you're talking about. Decameron 2020 is now available on Apple Podcasts, Spotify, and all other major podcast directories.

National Black Theatre Has Announced Their Newest I AM SOUL Workshop Productions
by Chloe Rabinowitz - Jan 30, 2020

Dr. Barbara Ann Teer's National Black Theatre [NBT] announces the two workshop productions of its 51st Season 'SOUL Journey: NBT Beyond Walls': Bayano by Darrel Alejandro Holnes, directed by Jeffrey Page, and Retreat by Tracey Conyer Lee, directed by Zhailon Levingston, running March 11-15 and April 1-5 respectively.

LITTLE WOMEN Comes to The Hangar Theatre
by Julie Musbach - Jul 30, 2019

The Hangar Theatre Company continues its 45th season with a reimagined take on the classic story, Little Women. This adaptation by Kate Hamill runs August 8-17 with matinee and evening performances. Kate Hamill, a Lansing native and Ithaca College alumna, is currently one of the top five most-produced playwrights in the nation. 

BWW Review: The Female Heroines You Didn't Know You Needed in THREE MUSKETEERS: 1941
by Chloe Lang - Jun 9, 2019

Megan Monaghan Rivas' Three Musketeers: 1941 is an evocative, thought-provoking new work that is imperative in today's political climate. The commissioned world premiere of this play promises an evening of strength, empowerment, and emotion. Three Musketeers: 1941 is a part of Project Y Theatre's fourth annual four-week long Women in Theatre Festival, celebrating new plays and innovative performances by diverse female artists.

Photo Flash: In Rehearsals With The World Premiere Of THREE MUSKETEERS: 1941
by A.A. Cristi - May 17, 2019

Project Y Theatre Company gave Broadway World an exclusive sneak peek into rehearsals for their World Premiere of Megan Monaghan Rivas' Three Musketeers: 1941, co-directed by Michole Biancosino and Andrew W. Smith, which is being presented as part of the fourth annual Women in Theatre Festival, June 5-29 at the Jeffrey and Paula Gural Theatre at the A.R.T./New York Theatres (502 West 53rd Street New York, NY 10019).

BWW Review: IN THE NEXT ROOM at Gulfshore Playhouse is Electric and Emotional!
by Emily Yorgey - Mar 3, 2019

Gulfshore Playhouse's production of IN THE NEXT ROOM OR THE VIBRATOR PLAY by Sarah Ruhl, directed by Jeffrey Binder, deals with the struggles of intimacy and marriage in a funny but thoughtful play.

Gulfshore Playhouse Gets Audiences Buzzing With IN THE NEXT ROOM OR THE VIBRATOR PLAY
by BWW News Desk - Feb 16, 2019

There's a buzz building at Gulfshore Playhouse, Naples' premier professional regional theater. That's thanks to its fourth production of the 2018-19 season, 'In the Next Room or The Vibrator Play.' Running from Feb. 16 to March 10, the provocative Tony Award-nominated comedy is sure to get audiences talking.

Gulfshore Playhouse Gets Audiences Buzzing With IN THE NEXT ROOM OR THE VIBRATOR PLAY
by BWW News Desk - Feb 14, 2019

There's a buzz building at Gulfshore Playhouse, Naples' premier professional regional theater. That's thanks to its fourth production of the 2018-19 season, 'In the Next Room or The Vibrator Play.' Running from Feb. 16 to March 10, the provocative Tony Award-nominated comedy is sure to get audiences talking.

Gulfshore Playhouse Gets Audiences Buzzing With IN THE NEXT ROOM OR THE VIBRATOR PLAY
by A.A. Cristi - Jan 22, 2019

There's a buzz building at Gulfshore Playhouse, Naples' premier professional regional theater. That's thanks to its fourth production of the 2018-19 season, 'In the Next Room or The Vibrator Play.' Running from Feb. 16 to March 10, the provocative Tony Award-nominated comedy is sure to get audiences talking.

Gulfshore Playhouse Gets Audiences Buzzing With IN THE NEXT ROOM OR THE VIBRATOR PLAY
by Julie Musbach - Jan 22, 2019

There's a buzz building at Gulfshore Playhouse, Naples' premier professional regional theater. That's thanks to its fourth production of the 2018-19 season, “In the Next Room or The Vibrator Play.” Running from Feb. 16 to March 10, the provocative Tony Award–nominated comedy is sure to get audiences talking.

BWW Review: PRIDE AND PREJUDICE at Pittsburgh Public Is a Game Worth Playing
by Greg Kerestan - Oct 11, 2018

There are plenty of ways of describing Jane Austen's Pride and Prejudice. Sophisticated, approachable, elegant, witty. But very few would describe it as wacky... unless those lucky few had seen Kate Hamill's production, as directed by Desdemona Chiang at the Pittsburgh Public Theater. I can't remember the last time I had quite as much fun at a 'classical' period piece, even while realizing that this was certain to be one of the most divisive shows in PPT history. Throughout the evening I heard audiences laughing, clapping, even cheering the production's gleeful ingenuity, while at intermission I heard several people complain that 'it's a wonderful production of a stupid play' and that they 'thought it would be more Masterpiece Theatre.'